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DJ Krush -《Strictly Turntablized》[MP3!]

  • 状态: 精华资源
  • 摘要:
    发行时间1994年
    地区日本
    语言英语
  • 时间: 2005/12/04 10:59:26 发布 | 2005/12/04 10:59:26 更新
  • 分类: 音乐  欧美音乐 

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专辑中文名Strictly Turntablized
歌手DJ Krush
资源格式MP3
发行时间1994年
地区日本
语言英语
简介

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专辑名称:Strictly Turntablized
专辑歌手:DJ Krush
专辑类型:Electronica
歌曲风格: Trip-Hop,Ambient, Breakbeat,Acid Jazz
唱片公司:Mo' Wax
发行日期: 1994
压缩比率: 320k

专辑介绍:

 Lunation开头以闲散的昆虫叫声采样和诡异的钢琴做铺垫,打造成一个夏天的午后氛围,之后紧跟而上down beat节奏和一些Scatching。我是不太赞成把钢琴加入到节奏里的,但DJ Krush在这个曲目中把钢琴处理的相当诡异和幽闭,所以我还是蛮喜欢这次的钢琴拼贴的。[内容被过滤,请注意论坛文明]ed-Up Pendulum 中贯穿到底的闷声闷气的采样拼贴很好地勾勒出一种变态的黑暗氛围,dj krush - kemuri以清脆的down beat节奏做开头,中段的经过处理的吹奏乐器声进一步拓宽了空间感。The Loop中加入了镲,Silent Ungah (Too Much Pain) 中的鼓机相对kemuri鼓机的每次最后一击总有回音,这样的鼓机声你可以在很多后来的其他乐队或DJ们的作品中也能听到。至于Dig This Vibe中drum&bass的节奏无法引起我的兴趣,女声的采样也一般般。Yeah中又听到了熟悉的唱片杂音,和沙沙的鼓机声。To the Infinity鼓机声音和弹簧片的采样节奏契合在一起算是比较有新意的做法。The Nightmare of Ungah [Sandro in Effect] 再次响起的鼓机声更加得清脆,也更加地讨好听觉了吧?这个清脆的鼓机声总要让我想起Monk & Canatella乐队,Monk & Canatella在他们的作品中进一步把这种清脆感发挥到了淋漓尽致。

  综观整张唱片的可听性是相当强的,这张唱片是在1994年发行的,也正是这个时候Trip Hop开始兴盛的时候, Portishead则在这一年推出了他们的处女作《Dummy》,Massive Attack在稍后的1995年年初时发行了他们最关键的一张专集《Proteciton》,所以说DJ Krush在这个时候在Mo'Wax厂牌下发行的他的第一张正式专集对Trip Hop的高潮的来临来说是相当具有纪念意义的。

English Biography:

Japanese turntablist and producer DJ Krush is one of the few island-nation throw-ups to be embraced by the global hip-hop world. Releasing material through Sony in Japan, Mo'Wax and Virgin in the U.K., and Axiom, Shadow, and A&M in America, Krush's heady brand of experimental, (largely) instrumental hip-hop has been praised by everyone from hardcore underground hip-hop 'zines like The Bomb to the speckless offices of Rolling Stone and Spin. Beginning as a bedroom DJ in the mid-'80s following the Japanese leg of the Wildstyle tour, Krush moved into mobile DJing, backing up rappers, and eventually solo production. Although his Japan-only debut freely mixed elements of R&B and acid jazz with the beefy breakbeat backbone of mid-tempo hip-hop, Krush's work has since tended more toward the abstract, applying heavy effects and sample manipulation to thick, smart breaks, layered, almost ambient textures, and subtle, inventive scratching. Krush came to larger acclaim in the mid-'90s through his association with the London-based Mo'Wax label, which released his Strictly Turntablized in 1994 and Meiso in 1996, both reissued stateside by A&M. While Turntablized is closer to a collection of DJ tools, Meiso is a return of sorts to his earlier work, including rappers such as Guru and CL Smooth on a few tracks and incorporating a wider variety of instrumental sounds and atmospheres. In addition to 1997's Milight, Krush also featured on a number of various-artists collections, including Mo'Wax's celebrated Headz, as well as Altered Beats and Axiom Dub (both out on Bill Laswell's Axiom label). Kakusei appeared on Mo'Wax/Columbia in 1999, followed by the mix albums Code 4109 and Tragicomic the next year.
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专辑曲目

01 Intro
02 Lunation
03 F.u.c.ked-Up Pendulum
04 Kemuri
05 The Loop
06 Silent Ungah (Too Much Pain)
07 Interlude
08 Dig This Vibe
09 Yeah
10 To the Infinity
11 The Nightmare of Ungah (Sandro in Effect) [Sandro in Effect]


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