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《爵士乐》(JAZZ)[DVDRip]

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  • 摘要:
    发行时间2000年
    地区美国
    语言英语
  • 时间: 2005/11/23 03:36:18 发布 | 2005/11/23 03:36:18 更新
  • 分类: 综艺  科教节目 

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中文名爵士乐
英文名JAZZ
资源格式DVDRip
发行时间2000年
地区美国
语言英语
简介

IPB Image


Storyline

Genres: Documentary, History, Music
Plot Outline: A survey of the musical form's history and major talents.
Plot Synopsis: This series explores the history of the major American musical form. We track its development in African American culture, its rise to prominence with its golden age of popularity spanning from the 1920's to the mid 1940's both in its original form and in Swing through its popular decline and the rise of vital new sub-genres into the present day. Along the way, we learn of the lives and work of major contributors to the form such as Louis Armstrong, Duke Ellington, Billie Holiday, Benny Goodman, Charlie "Bird" Parker and many others who helped form Jazz into the vibrant musical form it is. Moreover, we see how the music reflected the political and social issues of the African American community over the course of the form's history.
Plot Keywords: African American | Non Fiction | Historical | Jazz | Racism | (Show all plot keywords recommended by customers)



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Product Details

Actors: Keith David, Duke Ellington, Wynton Marsalis, Branford Marsalis, Gary Giddins, See more
Directors: Ken Burns
Format: Color, Bw, Closed-captioned, Box set
Region: Region 1 (U.S. and Canada only. This DVD will probably NOT be viewable in other countries. Read more about DVD formats.)

Aspect Ratio: 1.33:1
Studio: PBS Home Video
DVD Release Date: January 2, 2001
Run Time: 1140 minutes
Average Customer Review: Based on 128 Reviews
DVD Features:
Available Audio Tracks: English (Dolby Digital 2.0 Stereo)
Documentary "Making of Jazz" (16 minutes)
Playlist information for over 500 songs
Three full-length performances not seen in the film: Louis Armstrong's "I Cover the Waterfront" (1933), Duke Ellington's "C Jam Blues" (1942), and Miles Davis's "New Rhumba" (1959)
Music and photo credits
Note on DVD sets: During shipping, discs in multidisc sets occasionally become dislodged without damage. Please examine and play these discs. If you are not completely satisfied, we'll refund or replace your purchase.
From IMDb: Quotes & Trivia
ASIN: B00004XQOU
Amazon.com Sales Rank: #19,290 in DVD

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Theatrical Release Information

US Theatrical Release Date: January 8, 2001
Production Company: British Broadcasting Corporation (BBC), Florentine Films, General Motors Mark of Excellence Productions, Jazz Film Project, WETA Washington D.C.
Budget Estimate: $13 Million



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Editorial Reviews

Amazon.com essential video
Accompanied by a menagerie of products, Ken Burns's expansive 10-episode paean, Jazz, completes his trilogy on American culture, following The Civil War and Baseball. Spanning more than 19 hours, Jazz is, of course, about a lot more than what many have called America's classical music--especially in episodes 1 through 7. It's here that Burns unearths precious visual images of jazz musicians and hangs historical narratives around the music with convincing authority. Time can stand still as images float past to the sound of grainy vintage jazz, and the drama of a phonograph needle being placed on Louis Armstrong's celestial "West End Blues" is nearly sublime.
The film is also potent in arguing that the history of race in the 20th-century U.S. is at jazz's heart. But a few problems arise. First is Burns's reliance on Wynton Marsalis as his chief musical commentator. Marsalis might be charming and musically expert, but he's no historian. For the film to devote three of its episodes to the 1930s, one expects a bit more historical substance. Also, Jazz condenses the period of 1961 to the present into one episode, glossing over some of the music's giant steps. Burns has said repeatedly that he didn't know much about jazz when he began this project. So perhaps Jazz, for all its glory, would better be called Jazz: What I've Learned Since I Started Listening (And I Haven't Gotten Much Past 1961). For those who are already passionate about jazz, the film will stoke debate (and some derision, together with some reluctant praise). But for everyone else, it will amaze and entertain and kindle a flame for some of the greatest music ever dreamed. --Andrew Bartlett

Product Description:
The story, sound, and soul of a nation come together in the most American of art forms: Jazz. Ken Burns, who riveted the nation with The Civil War and Baseball, celebrates the music's soaring achievements, from its origins in blues and ragtime through swing, bebop, and fusion. Six years in the making, this "soundbreaking" series blends 75 interviews, more than 500 pieces of music, 2,400 still photographs, and over 2,000 rare and archival film clips. The 10-part musical journey spotlights many of America's most original, creative--and tragic--figures, including Louis Armstrong, Jelly Roll Morton, Duke Ellington, Benny Goodman, Billie Holiday, Charlie Parker, and Miles Davis. Special features of the PBS DVD Gold include bonus performances and The Making of Jazz documentary.


源自美国黑人的爵士乐19世纪末发祥于美国南部路易斯安那州的新奥尔良市,至今已有百年历史。从最早期的“拉格泰姆”和“民间蓝调”到颇具规模的新奥尔良爵士乐;从20年代着名的以集体即兴演奏为主的“迪克西兰”到30年代以伴舞为主要职能的“摇摆乐”;从40年代追求高超的以和弦演奏为基础做即兴演奏的“比波普”到50、60年代风格迥异的“比波普”和“酷”以及随后的“自由”派;从70、80年代“摇滚”和爵士乐的融合,“合成”的出现到90年代“新经典主义”的诞生;直至今天,每一种爵士风格都活跃在舞台上。具有
强烈持久生命力的爵士乐经过百年的演变和融合,早已突破了地域、种族和国界的局限,成为一种世界性的音乐。

  爵士乐在中国的历史可追溯到半个多世纪之前。叁、四十年代的上海就是爵士乐在中国的栖息地,曾出现过相当规模的爵士乐演出和一些颇具水准的爵士乐音乐家。不过那时的爵士乐主要是为舞厅伴舞。几十年的沧桑变迁,爵士乐在中国几乎销声匿迹,出现了近四十年的断层。而这期间正是爵士乐重要的发展阶段。爵士乐早已摆脱了四平八稳的伴舞的音乐形式,融合了丰富的音乐风格、文化特质和演奏技巧,最具音乐自身的魅力、表现力和感染力,早已置身于高雅艺术的行列。八十年代末以来,爵士乐在中国复兴,并赢得越来越大的发展空间。

  今天的爵士乐早已超越了各种单一的音乐文化形式,发展成为一种属于精神范畴的音乐,它最能体现音乐家灵感和和创新,它既有个人独奏、小乐团,也有类似交响乐团的大乐队编制。在当今世上能与古典音乐相提并论的恐怕唯有爵士乐了。因为爵士乐不仅旋律、和声和节奏方面极具特色,更主要的是它复活了古典音乐失传已久的即兴演奏。此外,爵士乐强劲的节奏、复杂的和弦体系以及高超的演奏技巧等等都因音乐家不同的喜好、文化背景和生活的体验而有不同的反映和表现。爵士乐通过它独特的音乐语言,从不重复的、饱涵丰富文化特征的、极具个性的灵活的音乐演奏,时而低沉忧伤,如泣如诉,时而强劲高亢,激动奔放,直探听者的心底,给人深刻的精神体验和心灵的喜悦。

喜欢纪录片“纽约”“美国内战”的朋友一定会喜欢伯恩斯兄弟制作的影片。

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