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DJ Shadow -《The Private Press》[MP3!]

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  • 摘要:
    发行时间2002年06月04日
    地区美国
    语言英语
  • 时间: 2005/11/12 22:44:35 发布 | 2005/11/12 22:44:35 更新
  • 分类: 音乐  欧美音乐 

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专辑中文名The Private Press
歌手DJ Shadow
资源格式MP3
发行时间2002年06月04日
地区美国
语言英语
简介

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专辑名称: The Private Press
专辑歌手: DJ Shadow
专辑类型: Electronica
歌曲风格: Trip-Hop,Ambient,Breakbeat,Downbeat,Turntablism
唱片公司: UNIVERSAL Mo' Wax
发行日期: 2002-6-4

专辑介绍:

三月的时候,DJ Shadow从前的首张专辑Entroducing被再版,这实在是碎拍电子乐迷的福音,上月(五月),这位革新派抽象Hip-Hop开山祖师还为自己的新专辑THE PRIVATE PRESS展开了英国巡演。假如DJ Shadow新专辑像六年前的Entroducing一样再版自己招牌式的缥缈Hip-Hop,他难免会被"固步自封"“新意欠奉”之类的评论所诟病。那么继续潜行于采样音乐的前端呢?又难免会开罪原有的大批乐迷。DJ Shadow由此选择了一条折中路线,提前发行的单曲'You Can't Go Home Again'便可见一斑。专辑中曲目之间并不像以前那样具有细致入微的精巧衔接,更像是艰涩的新奇试探,一丝不苟但却充满不确定感,'You Can't Go Home Again'便是一曲ska风格的电音摇滚曲目,'Monosyllabik'则大胆不羁的融合了简约主义和碎拍电子。另一方面,DJ Shadow依然用他的迷幻Hip-Hop制造了'Giving Up The Ghost", 'Mongrel. . . Meets His Maker'这样具有流行讨巧性的时尚作品。

DJ Shadow在2002年正式推出了这张The Private Press,在这张专辑的发行时DJ Shadow同时在英国举行了为期三日的巡演,在那里人们一睹了DJ Shadow运用4台Turntables加现场鼓手合奏的精彩表演.此作中的Six Days取样自60年代老团Procol Harum的作品,此曲后由拍玉兰油广告的新加坡广告女明星和张震在王家卫的导演下拍成MTV曾在Channel [V]上播过.


歌手介绍:

Dj Shadow原名Josh Davis,来自三藩市,James听过他在美国公司Hollywood Basic所发表的作品后,把他带到英国,罗至Mo’Wax旗下,成为Mo’Wax的开国功臣。

文章中特别吸引我的是这么一句:James曾跟不同的音乐类型的厂牌合作过,像Warp,Cup Of Tea,Ninja Tune等,喜欢Trip Hop的乐迷一定很熟悉这三个厂牌,这三个厂牌旗下的乐队多少都和Trip Hop有些相关,Warp旗下的Red Snapper的部分作品就有点接近Trip Hop,而最让我兴奋的是他们和Cup Of Tea也合作过!

作为较早一批玩实验Hip Hop的DJ,Dj Shadow同样拒绝了讨好大众的Rap,而是进一步放慢鼓机的节奏,并且喜欢加入Jazz音乐元素,这点对后来的instrumental Hip Hop的DJ们等人都产生了很大的影响。而就我个人来说,更喜欢听其中的老唱片杂音和女声,以及鼓机的变化和打击乐器、吹奏乐器的结合,不喜欢其中的Jazz,钢琴,吉他的加入。


English Biography:

DJ Shadow's Josh Davis is widely credited as a key figure in developing the experimental instrumental hip-hop style associated with the London-based Mo' Wax label. His early singles for the label, including "In/Flux" and "Lost and Found (S.F.L.)," were all-over-the-map mini-masterpieces combining elements of funk, rock, hip-hop, ambient, jazz, soul, and used-bin incidentalia. Although he'd already done a scattering of original and production work (during 1991-1992 for Hollywood Records) by the time Mo' Wax's James Lavelle contacted him about releasing "In/Flux" on the fledgling imprint, it wasn't until his association with Mo' Wax that his sound began to mature and cohere. Mo'Wax released a longer work in 1995 — the 40-minute single in four movements, "What Does Your Soul Look Like," which topped the British indie charts — and Davis went on to co-write, remix, and produce tracks for labelmates DJ Krush and Doctor Octagon plus the Mo' trip-hop supergroup U.N.K.L.E.

Josh Davis grew up in Hayward, CA, a predominantly lower-middle-class suburb of San Francisco. The odd White suburban hip-hop fan in the hard rock-dominated early '80s, Davis gravitated toward the turntable/mixer setup of the hip-hop DJ over the guitars, bass, and drums of his peers. He worked his way through hip-hop's early years into the heyday of crews like Eric B. & Rakim, Ultramagnetic, and Public Enemy; groups which prominently featured DJs in their ranks. Davis had already been fiddling around with making beats and breaks on a four-track while he was in high school, but it was his move to the NorCal cow-town of Davis to attend university that led to the establishment of his own Solesides label as an outlet for his original tracks. Hooking up with Davis' few b-boys (including eventual Solesides artists Blackalicious and Lyrics Born) through the college radio station, Shadow began releasing the Reconstructed From the Ground Up mix tapes in 1991 and pressed his 17-minute hip-hop symphony "Entropy" in 1993. His tracks spread widely through the DJ-strong hip-hop underground, eventually catching the attention of Mo' Wax. Shadow's first full-length, Endtroducing..., was released in late 1996 to immense critical acclaim in Britain and America. Preemptive Strike, a compilation of early singles, followed in early 1998.

Later that year, Shadow produced tracks for the debut album by U.N.K.L.E., a long-time Mo' Wax production team that gained superstar guests including Thom Yorke (of Radiohead), Richard Ashcroft (of the Verve), Mike D (of the Beastie Boys), and others. His next project came in 1999, with the transformation of Solesides into a new label, Quannum Projects. Nearly six years after his debut production album, the proper follow-up, The Private Press, was released in June 2002. The following year Shadow released a mix album, Diminishing Returns and in 2004 he released a live album and DVD, Live! In Tune and on Time.
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专辑曲目

01.Letter From Home
02.Fixed Income
03.Un Autre Introduction
04.Walkie Talkie
05.Giving Up the Ghost
06.Six Days
07.Mongrel...
08....Mongrel Meets His Maker
09.Rig Thing/GDMFSOB
10.Monosylabik
11.Mashini On The Motorway
12.Blood On the Motorway
13.You Canit Go Gome Again
14.Letter From Home
15.Giving Up The The Ghostfg (Original Version)
16.Pushin Buttons (Live)


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