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DJ Shadow -《Preemptive Strike》[MP3!]

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  • 摘要:
    发行时间1998年01月13日
    地区美国
    语言英语
  • 时间: 2005/11/04 16:54:03 发布 | 2005/11/04 16:54:03 更新
  • 分类: 音乐  欧美音乐 

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专辑中文名Preemptive Strike
歌手DJ Shadow
资源格式MP3
发行时间1998年01月13日
地区美国
语言英语
简介

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专辑名称: Preemptive Strike
专辑歌手: DJ SHADOW
专辑类型: Abstract Hip-hop,Downbeat(抽象Hip-Hop)
唱片公司: UNIVERSAL Mo' Wax
压缩比率: 224K

专辑介绍:

Dj Shadow原名Josh Davis,来自三藩市,James听过他在美国公司Hollywood Basic所发表的作品后,把他带到英国,罗至Mo’Wax旗下,成为Mo’Wax的开国功臣。


文章中特别吸引我的是这么一句:James曾跟不同的音乐类型的厂牌合作过,像Warp,Cup Of Tea,Ninja Tune等,喜欢Trip Hop的乐迷一定很熟悉这三个厂牌,这三个厂牌旗下的乐队多少都和Trip Hop有些相关,Warp旗下的Red Snapper的部分作品就有点接近Trip Hop,而最让我兴奋的是他们和Cup Of Tea也合作过!


作为较早一批玩实验Hip Hop的DJ,Dj Shadow同样拒绝了讨好大众的Rap,而是进一步放慢鼓机的节奏,并且喜欢加入Jazz音乐元素,这点对后来的instrumental Hip Hop的DJ们等人都产生了很大的影响。而就我个人来说,更喜欢听其中的老唱片杂音和女声,以及鼓机的变化和打击乐器、吹奏乐器的结合,不喜欢其中的Jazz,钢琴,吉他的加入。


Endtroducing很大程度来说都是一张在于实验性的专辑,在这一张专辑Preemptive Strike中,可以听到上一张专辑中只有Part 2和Part 4两段的"What dose your soul look like"的全部共4段(顺序竟是Part 2为第一,然后是3,4,1),还有刚才提到那首经典的Electro曲目Dragan Donor的完整版本. 不过这并不代表这张Preemptive Strike是上一张专辑的补完集,在这张专辑中收录了长达12分钟的被誉为Mo’Wax开国国歌的In/Flux.还收录了一些早期使用鼓机实验性创作加旧唱片SAMPLE取样的作品,这张专辑的制作还有另一大牌DJ Q-bert客串.


《Preemptive Strike》 ★★★★

开头曲Strike 1 一上来就气势万钧,简单得近乎苍白的鼓机却异常地威猛有力,和上一张专集温情脉脉的开头形成了鲜明的对比。长达12分12秒的In/Flux被美其名为92年的Mo’Wax Hip Hop国歌,自然有它的道理:instrumental Hip Hop标志性的“沙沙的缓慢鼓机牢牢地契合着老唱片的杂音”被运用的相当熟练,此外自然是许多DJ很喜欢的Scatch和Jazz的拼贴,少不了的自然还有女声采样,我对那些jazz+bass的结合没什么兴趣,到是特别喜欢里面1分半的即兴鼓击Solo。相对应的是之后Hindsight在鼓机的快慢上有所变化。Strike2和3都是一些对话,虽然听不太懂什么,但觉得还是蛮有新意的,起码DJ Shadow是看透了hip hop 的rap,没有把这些放到作品中的rap去。


接下来便是发表在95年的重要单曲What Does Your Soul Look Like,这次是分成了四个部分,其中给我印象深刻的有:part 2抽去一切采样只剩下纯粹的鼓机的一段;part 3加快速度的鼓机节奏,当你连续听了许多缓慢的鼓机节奏后突然听到轻快的节奏时会不会感到精神为之一爽呢?part 4鼓机最后一声的拖长回音。


综观整个专集无论可听性和鼓机的变化上均要超过前一张《Endtroducing》,杂音的Aphex在文章中表达了《Endtroducing》无缘欣赏的遗憾,我相信如果他真正有机会听完这个《Endtroducing》唱片后一定会很失望的,所以有时候还是得不到的好,起码可以永远保持神秘和想象的美好,一旦真正接触到反而会因为现实的不美好而徒增失望。


Artist DJ Shadow & DJ Q-Bert
Album Title Camel Bobsled Race (Q-Bert Mega Mix)
Date of Release 1998
MY Rating:★★★★★
Track: 1. Camel Bobsled Race (DJ Shadow) - 24:00
长达24分钟的作品,里面纯粹的沙沙的鼓机节奏,真的很舒服,而且分成了几段式的不同鼓机的实验,作为一张EP却已经足够压倒之前的两张正式的大碟。


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English Biography:


DJ Shadow's Josh Davis is widely credited as a key figure in developing the experimental instrumental hip-hop style associated with the London-based Mo' Wax label. His early singles for the label, including "In/Flux" and "Lost and Found (S.F.L.)," were all-over-the-map mini-masterpieces combining elements of funk, rock, hip-hop, ambient, jazz, soul, and used-bin incidentalia. Although he'd already done a scattering of original and production work (during 1991-1992 for Hollywood Records) by the time Mo' Wax's James Lavelle contacted him about releasing "In/Flux" on the fledgling imprint, it wasn't until his association with Mo' Wax that his sound began to mature and cohere. Mo'Wax released a longer work in 1995 — the 40-minute single in four movements, "What Does Your Soul Look Like," which topped the British indie charts — and Davis went on to co-write, remix, and produce tracks for labelmates DJ Krush and Doctor Octagon plus the Mo' trip-hop supergroup U.N.K.L.E.


Josh Davis grew up in Hayward, CA, a predominantly lower-middle-class suburb of San Francisco. The odd White suburban hip-hop fan in the hard rock-dominated early '80s, Davis gravitated toward the turntable/mixer setup of the hip-hop DJ over the guitars, bass, and drums of his peers. He worked his way through hip-hop's early years into the heyday of crews like Eric B. & Rakim, Ultramagnetic, and Public Enemy; groups which prominently featured DJs in their ranks. Davis had already been fiddling around with making beats and breaks on a four-track while he was in high school, but it was his move to the NorCal cow-town of Davis to attend university that led to the establishment of his own Solesides label as an outlet for his original tracks. Hooking up with Davis' few b-boys (including eventual Solesides artists Blackalicious and Lyrics Born) through the college radio station, Shadow began releasing the Reconstructed From the Ground Up mix tapes in 1991 and pressed his 17-minute hip-hop symphony "Entropy" in 1993. His tracks spread widely through the DJ-strong hip-hop underground, eventually catching the attention of Mo' Wax. Shadow's first full-length, Endtroducing..., was released in late 1996 to immense critical acclaim in Britain and America. Preemptive Strike, a compilation of early singles, followed in early 1998.


Later that year, Shadow produced tracks for the debut album by U.N.K.L.E., a long-time Mo' Wax production team that gained superstar guests including Thom Yorke (of Radiohead), Richard Ashcroft (of the Verve), Mike D (of the Beastie Boys), and others. His next project came in 1999, with the transformation of Solesides into a new label, Quannum Projects. Nearly six years after his debut production album, the proper follow-up, The Private Press, was released in June 2002. The following year Shadow released a mix album, Diminishing Returns and in 2004 he released a live album and DVD, Live! In Tune and on Time.



专辑曲目

CD1:
1. Strike 1
2. In/Flux
3. Hindsight
4. Strike 2
5. What Does Your Soul Look Like (Part 2)
6. What Does Your Soul Look Like (Part 3)
7. What Does Your Soul Look Like (Part 4)
8. What Does Your Soul Look Like (Part 1)
9. Strike 3 (And I'm Out)
10. High Noon
11. Organ Donor [Extended Overhaul]

CD2:
1. Camel Bobsled Race (DJ Shadow Q-Bert Mega Mix)


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