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Valentina Lisitsa -《精妙入微 - 史克里亚宾钢琴作品》(Scriabin - Nuances )[FLAC]

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  • 摘要:
    古典类型全集作品
    发行时间2015年11月11日
  • 时间: 2016/08/05 12:25:01 发布 | 2016/08/05 15:50:45 更新
  • 分类: 音乐  古典音乐 

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专辑英文名Scriabin - Nuances
专辑中文名精妙入微 - 史克里亚宾钢琴作品
艺术家Valentina Lisitsa
古典类型全集作品
资源格式FLAC
发行时间2015年11月11日
地区美国
语言英语
简介

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专辑介绍:

最具挑战精神的钢琴家李希特萨一连推出了多张叫好又叫座的专辑,包括:《追逐.钢琴》- 麦可.尼曼钢琴作品、《菲利浦・葛拉斯作品》与《萧邦&舒曼:练习曲》,如今挑战的目标转向俄国神秘主义作曲家史克里亚宾,演奏其少为人知却又美丽如珍宝的独奏钢琴曲。其中有许多都是史克里亚宾创作初期的作品,所收录的作品亦均为DECCA唱片目录之首见,包括:圆舞曲,作品1、三首小品,作品2、为左手而作之《夜曲》,作品9、两首即兴曲,作品14、音乐会快版,作品18等。另外还有多首无作品编号的小品,如:夜曲、詼谐曲、赋格、马祖卡舞曲等。

2015年是俄国作曲家史克里亚宾(Alexander Scriabin, 1872-1915)逝世100週年,DECCA特别推出多套专辑作为纪念,本集便是其中之一。史克里亚宾的一向受到许多传奇钢琴家的喜爱,更被推崇为二十世纪初最具创新力与影响力的作曲家之一。作品具有高度抒情性与特殊的音乐语言,其灵感则是来自於萧邦,可视为俄罗斯象徵主义作曲家的重要人物。

史克里亚宾不仅是作曲家,也是一位是技巧精湛的钢琴家,作品具有很高的挑战性。音乐上继承了贝多芬的气势和萧邦高度抒情的诗意,更融入了俄国独特的色彩与忧鬱,以及他对神秘主义的信仰,这数种不同特质相互间的平衡,是许多演奏者对其作品敬而远之的原因。而透过神祕主义,他也渐次增加无调性的音乐技法,不仅发展出与「十二音列音乐」创始人荀白克(Arnold Schoenberg)不同的创意,更预示了十二音列与序列音乐的发展。

李希特萨自2012年加入DECCA唱片公司之后,截至目前为止已经出版七张唱片专辑,以及一张现场实况录影DVD。观看她youtube演奏影片的点击率已经超过九千万次,而影片的订阅人数也将近20万。李希特萨的演奏始终保持著流畅自得的轻鬆感,以及不拘一格的成熟与大器。在这张专辑中,再度发挥她无人能及的音乐性与技巧,成功征服这些少有人挑战的作品,无论演奏或是录音,皆达到让人无从挑剔的完美境界。


NUANCES / Valentina Lisitsa
精妙入微 - 史克里亚宾钢琴作品 / 李希特萨,钢琴
唱片公司:Linfair Records Limited/DECCA
唱片编号:4788435
发行日期:2015/11/11
媒体形式:CD
张数:1 张 - 1CD

引用
Release Date November 6, 2015
Duration 01:16:45
Genre Classical
Styles Keyboard
Recording DateDecember 15, 2014 - December 17, 2014

AllMusic Review by James Manheim

The title Nuances is uncommunicative and has nothing to do with the ballet of that name assembled from Scriabin's music by composer Alexander Nemtin. Instead, this recital by pianist and Internet marketing phenomenon Valentina Lisitsa represents a very specific kind of program, and it's good to see her essay something like this rather than the mainstream repertory she has generally done thus far. What Lisitsa offers here is a recital that focuses on a composer's youth, and the signs it may offer of that composer's maturity. Much of the music here comes from Scriabin's teenage years, and was never published. It's heavily modeled on Chopin, but keep your ears pricked and you'll hear all kinds of hints of the later Scriabin. It's not a question of chromaticism, for Chopin at his most experimental outdid anything in all but the last few pieces here. Instead, Scriabin experiments with blocks of static texture, with decorations Chopin would not have used, with little unanswered harmonic questions. Sample the second of the Two Impromptus, Op. 14 (track 16), for a piece that's right on the edge of what Scriabin would soon accomplish, some examples of which close out the program. Lisitsa doesn't do anything spectacular here, but the originality of the concept is notable, and she conveys the just slightly inward atmosphere of the earlier pieces effectively. Decca's Britten-Pears studio sound is very well suited to the project.



PUSHING BOUNDARIES: LISITSA EXPLORES THE PIANISTIC WORLD OF ALEXANDER SCRIABIN




Valentina Lisitsa, who has a formidable track record when it comes to mining the works of left-field composers, turns her attention to Alexander Scriabin with her new release, Nuance. While Scriabin was dramatically pushing at musical boundaries by the end of his short life, his early works are suffused with a fresh innocence – this selection from his lesser-known piano repertoire reflects the striking stylistic differences that characterised his all too brief career. Marking the 100th anniversary of the composer’s death in 1915 at the age of 43, Nuance will be released in October.

This is not Lisitsa’s first venture into Scriabin on disc. She featured on the recording of his complete works, released on Decca in April, earning this tribute from Audiophile Audition: “Lisitsa is an especially fine pianist who captures the special Scriabin feeling in her performances, which combine sensitivity and expressiveness with a command of dynamics.” She now returns to the enigmatic Russian Symbolist master after acclaimed albums devoted to the similarly iconoclastic Philip Glass and Michael Nyman, and to challenging Études by Schumann and Chopin.

Scriabin’s early music, delightfully easy on the ear, shows the influence of Chopin, which explains the profusion of such titles as Mazurka, Polonaise, Impromptu, Nocturne, Scherzo, Prélude, Étude and Waltz. The digital version of Nuance includes four extra tracks: the Étude op.49, no.1, the Mazurka in B minor, Feuille d’album in F sharp major and what is possibly the first recording of the Duett in D minor for two sopranos and piano.


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专辑曲目

[1] Op.1, Waltz in F Minor
[2] Op.2,3 Pieces - II. Prelude
[3] WoO 3, Nocturne in Ab Major
[4] WoO 4, Scherzo in Eb Major
[5] WoO 5, Scherzo in Ab Major
[6] WoO 7, Waltz in G# Minor
[7] Anh 16, Klavierstucke in Bb Minor
[8] WoO 13, Fugue in F minor
[9] Op.2, 3 Pieces - III. Impromptu a la mazur
[10] WoO 16, Mazurka in F Major
[11] WoO 15, Mazurka in B minor
[12] WoO 20, Fugue in E Minor
[13] Op.9, For the Left Hand - No.2 Nocturne
[14] WoO 22, No. 12 (Alternative Version from 12 Etudes Op.8)

2 Impromptus, Op.14
[15] No.1 B Major
[16] No.2 F# Minor

[17] Op.18, Allegro de Concert
[18] Op.21, Polonaise
[19] Op.41, Poeme
[20] Op.46, Scherzo

2 Pieces, Op.59
[21] No.1, Poeme

[22] Scriabin: 2. Allegretto [Three Etudes, Op.65]
[23] Scriabin: 3. Molto Vivace [Three Etudes, Op.65]

[24] Mazurka in B minor WoO 14
[25] Duett in D minor WoO 10 (Anush Hovhannissyan)

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