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Isabelle Faust -《贝多芬小提琴协奏曲, 克洛采奏鸣曲》(Beethoven Violin Concerto Kreutzer Sonata)[FLAC]

  • 状态: 精华资源
  • 摘要:
    古典类型全集作品
    发行时间2007年09月11日
  • 时间: 2016/05/19 13:00:42 发布 | 2016/05/20 10:45:47 更新
  • 分类: 音乐  古典音乐 

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精华资源: 2006

全部资源: 2007

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专辑英文名Beethoven Violin Concerto Kreutzer Sonata
专辑中文名贝多芬小提琴协奏曲, 克洛采奏鸣曲
艺术家Isabelle Faust
古典类型全集作品
资源格式FLAC
发行时间2007年09月11日
地区美国
语言英语
简介

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专辑介绍:

本品已绝版,请改订HMX2908454/45 或 HMC902105

贝多芬《D大调小提琴协奏曲,Op.61》係为当时维也纳剧场管弦乐团音乐监督克莱蒙特而作,1806年12月23日於一场慈善音乐会首演。全曲著重交响结构与发展,独奏者并非以花俏展技为目的,抒情沉思的成分重於英雄宣叙。《A大调第九号小提琴奏鸣曲,Op.47》原先是为英国小提琴家布瑞吉陶尔而写,1803年5月24日亦由布氏负责首演。然而此曲乐谱出版时,贝多芬却将之改成题献给法国小提琴家克洛采,乃有《克洛采奏鸣曲》之称,不过,克氏本人竟然从来没有独奏过这首曲目。全曲基本上是一首为音乐厅表演之用的展技曲,具有协奏曲架式,小提琴跟钢琴居於对等地位,不再只是钢琴的附庸。本片小提琴新偶像明星伊莎贝儿.佛丝特,係1987年莫札特小提琴大赛跟1993年帕格尼尼小提琴大赛的金牌得主,她目前拉奏由德国巴登-伍腾堡银行所出借的1701年《睡美人》史特拉底伐里名琴。

专辑编号: HMC901944
专辑类型: 单CD
发行年份: 2007
国际条码: 0794881847525
音乐家:
Faust, Isabelle (violin) 伊莎贝拉.佛斯特 (小提琴) Melnikov, Alexander (piano) 亚历山大.梅尼可夫 (钢琴) Belohlávek, Jirí (conductor) 贝洛拉维克 (指挥)
音乐厂牌: Harmonia Mundi
库存状态: 已绝版

引用
Release Date September 3, 2007
Duration 01:14:31
Genre Classical
Styles Concerto
Chamber Music

AllMusic Review by James Leonard

In this 2006 Beethoven program, Isabelle Faust's tone is subtle and strong, her intonation true, her technique flawless, and her interpretations so sweetly lyrical that the young German violinist sounds like the true heir of the late Belgian violinist Arthur Grumiaux. Partnered with conductor Jirí Belohlávek and the Prague Philharmonia in the concerto and with pianist Alexander Melnikov in the sonata, Faust creates a concerto that is Grecian in its poetic purity and Roman in its pastoral loveliness and a sonata that is Dionysic in its ecstatic outer Prestos and Apollonian in its central Andante. Captured in rich but clear sound by artistic director Martin Sauer in the warm acoustics of the Rudolfinum in Prague, these recordings deserve as wide an audience as possible. It should also be noted that Faust plays none of the usual cadenzas in the concerto, but rather, newly written cadenzas by Russian composer Katia Tchemberdji that are slyly entertaining and surprisingly lovely.

Audio CD (September 11, 2007)
SPARS Code: DDD
Number of Discs: 1
Format: Import
Label: Harmonia Mundi Fr.
ASIN: B000PD3LBM
Average Customer Review: 4.5 out of 5 stars


Beethoven: Violin Concerto; Sonata/Faust
Review by: David Hurwitz


Artistic Quality: 9
Sound Quality: 9

Isabelle Faust plays this concerto with plenty of personality. While her initial entrance sounds just a touch affected, from there on her resinous tone and fearless passagework produce a reading of uncommon energy, without ever compromising Beethoven’s basically lyrical inspiration. You’ll be particularly taken with her cadenzas. In the first movement she includes solo timpani as did Beethoven himself in his transcription of the work for piano and orchestra, while Faust’s transition between the Adagio and the Finale has to be one of the most compelling and effective on disc. Tempos throughout are ideal.

The Prague Philharmonia under Jirí Belohlávek accompanies beautifully–not just where we might expect (the woodwinds), but in the detailed rhythmic underpinning that permits Faust to really float Beethoven’s melodies. Consider, for example, the unobtrusive clarity of the triplet rhythm beneath the first movement’s second subject, or the measured tremolos propelling the canonic cadence theme that closes the exposition. It’s really a pleasure to hear such a close collaboration between soloist and conductor, and it works like a charm. Only Faust’s occasional tendency, previously mentioned, to underline a phrase too heavily prevents this rendition from attainting virtual perfection.

I have no such reservations concerning the Kreutzer Sonata. This performance smokes. Faust and Melnikov blast their way through the first movement with seat-of-the-pants excitement. The long, central variation movement sounds about half its usual length in a reading of high contrasts and unflagging spirit, while the finale will leave you breathless, precisely because the phrasing and articulation are not. Given the obviously different challenges presented to the engineers, the sonics in both works are extremely clear, well-balanced, and natural. This is a lovely disc that will make a memorable impression, even if you already own 40 or 50 versions of each work. [9/27/2007]

- See more at: http://www.classicstoday.com/review/review...Oz3.dpuf


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专辑曲目

1. Violin concerto in D Major, Op. 61: I. Allegro ma non troppo 21:32
2. Violin concerto in D Major, Op. 61: II. Larghetto 8:57
3. Violin concerto in D Major, Op. 61: III. Rondo (Allegro) 8:46
4. I. Adagio sostenuto - Presto 13:20
5. II. Andante con variazioni 13:41
6. III. Finale - Presto 8:15

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