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Baiba Skride -《斯特拉文斯基,伊戈尔和马丁,弗兰克 - 小提琴协奏曲》(Stravinsky, Igor and Martin, Frank - Violin Concertos)[FLAC]

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  • 摘要:
    古典类型协奏曲
    发行时间2012年06月04日
  • 时间: 2016/05/08 13:20:22 发布 | 2016/05/09 12:13:07 更新
  • 分类: 音乐  古典音乐 

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专辑英文名Stravinsky, Igor and Martin, Frank - Violin Concertos
专辑中文名斯特拉文斯基,伊戈尔和马丁,弗兰克 - 小提琴协奏曲
艺术家Baiba Skride
古典类型协奏曲
资源格式FLAC
发行时间2012年06月04日
地区美国
语言英语
简介

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专辑介绍:

{古典}(Orfeo) Baiba Skride / Violin Concertos by Stravinsky ; Martin ; Honegger "BBC" "The Times"五星极品

古典音乐 » 演奏家 » Skride, Baiba (violin) 贝芭.丝凯德 (小提琴) » Violin Concertos by Stravinsky, Martin, Skride and Fischer (Baiba Skride 贝芭.丝凯德, 小提琴)

Baiba Skride 贝芭.丝凯德 1981年出生於里加一个拉脱维亚音乐家庭当中,在当地受教啟蒙,1995年转赴罗斯托克音乐戏剧学院就学。2001年,赢得了伊丽莎白女王大赛首奖。被人称为是自从一九六零年代后期 Itzhak Perlman 以来,最让人兴奋的小提琴家,她那种用小提琴歌唱和表达乐想的能力,超越了演奏技巧的层面,能够直达人心(Strad杂誌)。

贝芭.丝凯德的詮释无比地聪颖慧頡,她熟练精湛的琴技,将柴科夫斯基小提琴协奏曲的情感面充分地展现出来。她的琴音饱满扎实,能够完美自在地驾驭,每段乐句从头到尾都自然流露出高超的音乐悟性,从容不迫地明确开始,思绪縝密且深具说服力。」-《国际唱片评鑑》

Violin Concertos by Stravinsky, Martin, Skride and Fischer (Baiba Skride 贝芭.丝凯德, 小提琴)

专辑编号: C849141
专辑类型: 单CD
发行年份: 2014
音乐家:
Skride, Baiba (violin) 贝芭.丝凯德 (小提琴)

引用
My first encounter on disc with Baiba Skride took the form of her highly impressive recording of the Brahms Concerto (review). Here she essays vastly different music in the shape of two important twentieth-century concertos for her instrument.

Stravinsky’s neo-classical concerto receives a keenly alert reading – from the orchestra as well as from the soloist. The musicians impart an appropriate tang to the music in the opening Toccata. I found the performance of the third movement, Aria II, particularly engaging; Miss Skride’s tone is lovely hereabouts. The vigorous Capriccio is despatched with relish. Both the soloist and the orchestra, under Thierry Fischer’s adroit direction, offer very clean and sharply profiled playing. The music making is light-footed and characterful and the orchestra’s leader – Lesley Hatfield, I presume – earns a share of the plaudits for duetting so seamlessly with the soloist. This is not a work to which I warm instinctively but I admired this very good performance.

The Frank Martin concerto is much less well-known than the Stravinsky piece but it’s an intriguing work that deserves much more exposure. The first of its three movements, an Andante tranquillo, opens with a magical, resourcefully scored orchestral introduction. As this intriguing movement unfolds the soloist’s part mixes lyrical passages with opportunities for display, the latter including an extensive and stretching cadenza near the end. It seems to me that Baiba Skride is completely on top of all the technical and interpretative demands that Martin places on his soloist and Thierry Fischer guides his orchestra most skilfully. The highly atmospheric way in which the orchestra delivers the movement’s hushed ending typifies their fine contribution.

The second movement, Andante molto moderato, wears a serious countenance. Much of the music is subtle and subdued though there are a few powerful but brief episodes along the way. The performance is full of sensitivity and all the musicians shade Martin’s music very well. The passionate climax near the end of the movement has great weight and dramatic thrust. The Presto finale is often light-textured and, by the standards of this essentially serious composer, the music is outgoing if not exactly high spirited. Baiba Skride offers a vivacious account of it and, as ever, she’s ably supported by the orchestra. As I said earlier, this concerto deserves more exposure and the present performers make the best possible case for it.

The three short orchestral pieces by Honegger, the first two of his Symphonic Movements, and Stravinsky make well-chosen ‘fillers’ and all of them are very well done by Fischer and his orchestra. These complete an enterprising and well-executed programme.

The performances are captured in good sound and Chris Walton contributes a useful programme note.

This disc is another fine achievement by Baiba Skride and I see that her admirers can look forward to a forthcoming Schumann disc.

John Quinn

Read more: http://www.musicweb-international.com/clas...2J4tl9jK

Release Date June 4, 2012
Duration 01:13:24
Genre Classical
Styles Concerto
Recording DateJune 28, 2011 - June 30, 2011Submit Corrections

Audio CD (October 30, 2012)
SPARS Code: DDD
Number of Discs: 1
Label: Orfeo International Music
ASIN: B0080EG7JQ
Average Customer Review: 5.0 out of 5 stars

5.0 out of 5 starsSCINTILLATING VIOLIN & ORCHESTRA PERFORMANCES OF STRAVINSKY, HONEGGER, AND MARTIN PIECES
By RBSProds TOP 500 REVIEWERVINE VOICE on November 20, 2012
Verified Purchase
Award-winning violin virtuoso Baiba Skride's latest recording is in conjunction with the BBC National Orchestra of Wales under the baton of Thierry Fischer. The entire recording is an hour-long scintillating mixture of Ms Skride and orchestra performing Igor Stravinsky's four movement Concerto for Violin and Orchestra in D and Frank Martin's 3 movement Concerto for Violin and Orchestra, plus the National Orchestra of Wales performs Arthur Honegger's locomotive train-inspired "Pacific 231", his dramatic sonic picture of the sport of "Rugby", and Stravinsky's "Circus Polka (For A Young Elephant)" with it's humorous pachyderm-inspired waltz sections. The entire recording is excellent and the 'best of the best' include the dramatic Skride violin soliloquy in the allegro tranquillo movement of Martin's concerto, the heightened drama of the violin and orchestra dynamics in the sensational Andante molto moderato movement of Martin's concerto and the NOW's soaring performance of Honegger's "Rugby". Highly Recommended. (10 tracks; Time- 58 minutes: 43 seconds. Booklet in English, German, and French. Ms Skride is now playing the 1734 "Ex Baron Feilitzsch" Stradivarius)



STRAVINSKY:
Violin Concerto, Circus Polka

HONEGGER
Pacific 231

MARTIN
Violin Concerto

Baiba Skride

For her previous CD on the ORFEO label, Baiba Skride recorded two highly Romantic violin works by Brahms and has now turned her attention to two 20th-century violin concertos whose composers struck out in extremely individual directions while drawing on traditional formal models.

In his single contribution to the medium, the worldly Stravinsky drew on his knowledge of the whole history of music and explicitly appealed to the model of Johann Sebastian Bach in composing a work that is rigorously structured and at the same time playful in a neo-Baroque spirit. It would be harder to find a more different approach to the template of the traditional three-movement concerto than that found in the piece by the Swiss composer Frank Martin. In its atmospheric density it recalls Martin’s setting of Shakespeare’s The Tempest, dominated, as it were, by the mysterious, fairytale-like but also capricious and lively spirit of Ariel. Baiba Skride finds the right tone not only for the veiled sonorities of this piece but also for the tremendous sense of brightness that overwhelms the writing towards the end. Her enormous stylistic flexibility also comes to the fore in the Stravinsky Concerto, to which she brings a sense of crystal The BBC National Orchestra of Wales and its principal conductor Thierry Fischer are not only ideal partners, they also complement the programme with three almost contemporary orchestral works, all of which are classic examples of the way in which composers’ understanding of form – in this case, programme music – changed in the 20th century. In Honegger’s Pacific 231 and Rugby, the orchestra impresses us with its ability to conjure up the sounds of a speeding train and of rugby

players running to and fro. The orchestra completes the programme on a note of grotesque jollity with Stravinsky’s Circus Polka, the quotation-like character of which – in this case, Schubert – may also be said to hold together the programme as a whole, with its two violin works in central position, invariably maintaining the greatest originality in this act of musical re-creation.

Orfeo C849121A






The Times
30th June 2012

****

“[Skride] plays with intensity, intelligence and scything virtuosity.There’s not an ounce of sentimentality about her interpretations, but plenty of passion. Here she plays Stravinsky’s neoclassical Violin Concerto with an attack that often comes close to being savage; yet makes the wonderful Bach-like Aria II sound sinuously beautiful.”

The Observer
15th July 2012

“crisp, supple performances...Stravinsky's Violin Concerto sounds strong, spiky and taut, yet lyrical. Frank Martin's lean but expressive 1951 concerto has a wistful, evanescent mood...The BBC National Orchestra of Wales, well drilled by Thierry Fischer, give muscular support and enjoy themselves in Honegger's Rugby”

BBC Music Magazine
September 2012

*****

“Skride's way with Stravinsky's Violin Concerto confirms it as a masterpiece of grace, charm and scintillating joie de vivre...Skride engages happily with the [Martin's] beguiling range of light and shade and quietly insistent invention. In both works, Thierry Fischer and the orchestra offer stylish accompaniments. Generous fill-ups, too”

Gramophone Magazine
Awards Issue 2012

“Skride has the measure of its hybrid nature, striking a ideal balance between its Classical/Baroque cut and thrust and its Romantic inclinations...harmonic support in the orchestral strings is more sensitively heard and 'aware' than I have experienced in any recording of the piece. But then it's the interplay of voices that consistently springs surprises. All credit to Thierry Fischer, producer Andrew Keener and, of course, the big-personality wind soloists of the BBC National Orchestra of Wales.”


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专辑曲目

Concerto for Violin & Orchestra in D
01. Toccata / Igor Stravinsky 5:35
02. Aria 1 / Igor Stravinsky 4:34
03. Aria 2/ Igor Stravinsky 5:49
04. Capriccio / Igor Stravinsky 6:06
05. Pacific 231 / Arthur Honegger 6:33
06. Rugby / Arthur Honegger 8:12

Concerto for Violin & Orchestra
07. Allegro tranquillo / Frank Martin 13:23
08. Andante molto moderato / Frank Martin 11:56
09. Presto / Frank Martin 7:33
10. Circus Polka / Igor Stravinsky 3:43

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