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Eddie Higgins -《Speaking of Jobim》(话说裘宾 )[APE]

  • 状态: 精华资源
  • 摘要:
    音乐风格爵士
    发行时间2000年10月24日
    地区美国
    语言英语
  • 时间: 2016/05/07 11:52:17 发布 | 2016/05/08 00:30:07 更新
  • 分类: 音乐  欧美音乐 

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专辑英文名Speaking of Jobim
专辑中文名话说裘宾
歌手Eddie Higgins
音乐风格爵士
资源格式APE
发行时间2000年10月24日
地区美国
语言英语
简介

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专辑介绍:

  安东尼卡洛裘宾 (汤姆裘宾)Antonio Carlos Jobim (Tom Jobim)

如果你喜欢Bossa Nova音乐,相信你一定认识Bossa Nova之父Antonio Carlos Jobim(又名Tom Jobim),他是The Girl from Ipanema这首不朽金曲的创作者,也是造就Getz/Gilberto这张超级爵士专辑的幕后推手。不仅如此Tom Jobim的许多创作如今都已经成为爵士经典曲目,从艾拉费兹杰罗、法兰克辛纳区到奥斯卡彼特森、朱立安路易韦伯都詮释过他的曲子喔!


  Eddie Higgins爱德华·海登·希金斯1932年2月21日在美国马萨诸塞州的剑桥降生。童年一直由他的母亲教育他。大学时,希金斯在芝加哥的夜总会裏演奏钢琴。有时他领导他自己的三重奏组合,但是他有时也和包括艾尔·格雷,科尔曼·霍金斯,弗雷迪·哈伯德等在内的知名艺术家合作演出。虽然他的曲目有折衷的感觉,但是希金斯的风格承载著跳舞乐队时代一些艺术家的明显痕迹。他善於独奏也善於伴奏,他常常与他的歌手妻子梅雷迪思·丹布罗西奥合作演出。

  洁白无暇如月光的Eddie Higgins三重奏恰到好处的低吟浅奏,轻轻触碰沈睡已久的耳朵,叫醒沈寂已久的孤寂的灵魂,一连串浪漫的爵士乐章,带来醉人温暖意境......

类型:西洋、爵士
发行日期:2000.01
歌曲数:12

引用
Antonio Carlos Jobim
Biography by Richard S. Ginell

It has been said that Antonio Carlos Brasileiro de Almeida Jobim was the George Gershwin of Brazil, and there is a solid ring of truth in that, for both contributed large bodies of songs to the jazz repertoire, both expanded their reach into the concert hall, and both tend to symbolize their countries in the eyes of the rest of the world. With their gracefully urbane, sensuously aching melodies and harmonies, Jobim's songs gave jazz musicians in the 1960s a quiet, strikingly original alternative to their traditional Tin Pan Alley source.

Jobim's roots were always planted firmly in jazz; the records of Gerry Mulligan, Chet Baker, Barney Kessel, and other West Coast jazz musicians made an enormous impact upon him in the 1950s. But he also claimed that the French impressionist composer Claude Debussy had a decisive influence upon his harmonies, and the Brazilian samba gave his music a uniquely exotic rhythmic underpinning. As a pianist, he usually kept things simple and melodically to the point with a touch that reminds some of Claude Thornhill, but some of his records show that he could also stretch out when given room. His guitar was limited mostly to gentle strumming of the syncopated rhythms, and he sang in a modest, slightly hoarse yet often hauntingly emotional manner.

Born in the Tijuca neighborhood of Rio, Jobim originally was headed for a career as an architect. Yet by the time he turned 20, the lure of music was too powerful, and so he started playing piano in nightclubs and working in recording studios. He made his first record in 1954 backing singer Bill Farr as the leader of "Tom and His Band" (Tom was Jobim's lifelong nickname), and he first found fame in 1956 when he teamed up with poet Vinícius de Moraes to provide part of the score for a play called Orfeo do Carnaval (later made into the famous film Black Orpheus). In 1958, the then-unknown Brazilian singer João Gilberto recorded some of Jobim's songs, which had the effect of launching the phenomenon known as bossa nova. Jobim's breakthrough outside Brazil occurred in 1962 when Stan Getz and Charlie Byrd scored a surprise hit with his tune "Desafinado" -- and later that year, he and several other Brazilian musicians were invited to participate in a Carnegie Hall showcase. Fueled by Jobim's songs, the bossa nova became an international fad, and jazz musicians jumped on the bandwagon, recording album after album of bossa novas until the trend ran out of commercial steam in the late '60s.

Jobim himself preferred the recording studios to touring, making several lovely albums of his music as a pianist, guitarist, and singer for Verve, Warner Bros., Discovery, A&M, CTI, and MCA in the '60s and '70s, and Verve again in the last decade of his life. Early on, he started collaborating with arranger/conductor Claus Ogerman, whose subtle, caressing, occasionally moody charts gave his records a haunting ambience. When Brazilian music was in its American eclipse after the '60s, a victim of overexposure and the burgeoning rock revolution, Jobim retreated more into the background, concentrating much energy upon film and TV scores in Brazil. But by 1985, as the idea of world music and a second Brazilian wave gathered steam, Jobim started touring again with a group containing his second wife Ana Lontra, his son Paulo, daughter Elizabeth, and various musician friends. At the time of his final concerts in Brazil in September 1993 and at Carnegie Hall in April 1994 (both available on Verve), Jobim at last was receiving the universal recognition he deserved, and a plethora of tribute albums and concerts followed in the wake of his sudden death in New York City of heart failure. Jobim's reputation as one of the great songwriters of the century is now secure, nowhere more so than on the jazz scene, where every other set seems to contain at least one bossa nova.



Release Date October 24, 2000
Duration 57:54
Genre Jazz
Styles Jazz Instrument Piano Jazz
Recording DateOctober 5, 1998 & October 6, 1998

Audio CD (October 24, 2000)
Number of Discs: 1
Label: Sunny Side
ASIN: B00004Y9XB
Average Customer Review: 4.8 out of 5 stars See all reviews (9 customer reviews)

AllMusic Review by Judith Schlesinger [-]
By now everyone has heard at least one of Antonio Carlos Jobim's beautiful compositions, if only his most famous ones, "Girl From Ipanema" or "Desafinado," playing poppishly in an elevator or mall somewhere. His work has been recorded by every combination of instrument and voice, including Sinatra's. What distinguishes this CD from hundreds of others is its inclusion of 11 relatively obscure Jobim tunes, and the way this classy trio succeeds in communicating the essence of his special gifts with a minimum of fuss and feathers. (One track is a Carlos Lyra composition, "Voce e Eu," which blends in nicely.) The arrangements are elegant, combining jazz and Brazilian rhythms to gently swing the melodies and highlight Jobim's lush harmonies. The under-recognized pianist Eddie Higgins is a delight: Straightforward, relaxed, and varied, he sizzles on the up-tempo "Two Kites" and does a gorgeous rubato turn on "Inutil Pasagem" (Useless Landscape), one of Jobim's most heartbreaking songs. The always melodic bassist Jay Leonhart has some wonderfully warm solos, and demonstrates his superb bowing technique on several tracks, including the lovely "Bonita," while drummer Terry Clarke is consistently sensitive and vital, whether lofting a samba or swaying a ballad. It's difficult to pick highlights from this collection of sparkling gems, but it's easy to recommend it. An excellent introduction to Jobim's unique beauty, it will also appeal to long-term fans who already have an extensive collection of his work. Highly recommended.



By now everyone has heard at least one of Antonio Carlos Jobim's beautiful compositions, if only his most famous ones, "Girl From Ipanema" or "Desafinado," playing poppishly in an elevator or mall somewhere. His work has been recorded by every combination of instrument and voice, including Sinatra's. What distinguishes this CD from hundreds of others is its inclusion of 11 relatively obscure Jobim tunes, and the way this classy trio succeeds in communicating the essence of his special gifts with a minimum of fuss and feathers. (One track is a Carlos Lyra composition, "Voce e Eu," which blends in nicely.) The arrangements are elegant, combining jazz and Brazilian rhythms to gently swing the melodies and highlight Jobim's lush harmonies. The under-recognized pianist Eddie Higgins is a delight: Straightforward, relaxed, and varied, he sizzles on the up-tempo "Two Kites" and does a gorgeous rubato turn on "Inutil Pasagem" (Useless Landscape), one of Jobim's most heartbreaking songs. The always melodic bassist Jay Leonhart has some wonderfully warm solos, and demonstrates his superb bowing technique on several tracks, including the lovely "Bonita," while drummer Terry Clarke is consistently sensitive and vital, whether lofting a samba or swaying a ballad. It's difficult to pick highlights from this collection of sparkling gems, but it's easy to recommend it. An excellent introduction to Jobim's unique beauty, it will also appeal to long-term fans who already have an extensive collection of his work. Highly recommended. ~ Judith Schlesinger

Personnel: Eddie Higgins (piano); Jay Leonhart (bass); Terry Clarke (drums).

Personnel: Eddie Higgins (piano); Terry Clarke (drums).

Recorded at East Side Studios, New York, New York on October 5 & 6, 1998. Includes liner notes by Eddie Higgins.

Recording information: Eastside Studios, NY (10/05/1998/10/06/1998).


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专辑曲目

01. O Morro Nao Tem Vez 5:39
02. I Was Just One More For You 6:50
03. Brigas, Nunca Mais 4:38
04. Falando de Amor 4:34
05. Two Kites 3:52
06. Bonita 4:15
07. Voce E Eu 5:19
08. Choro 6:30
09. Felicidade 6:25
10. So Tinha De Ser Com Voce 3:14
11. Caminhos cruzados 3:49
12. Inutil Paisagem 2:35

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