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Ophelie Gaillard -《巴哈:第1~6号大提琴组曲》(Bach Cello Suites)[24bits 96KHz][2 CD][FLAC]

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  • 摘要:
    古典类型全集作品
    发行时间2011年06月14日
  • 时间: 2015/09/07 12:46:50 发布 | 2015/09/07 12:58:34 更新
  • 分类: 音乐  古典音乐 

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专辑英文名Bach Cello Suites
专辑中文名巴哈:第1~6号大提琴组曲
艺术家Ophelie Gaillard
古典类型全集作品
资源格式FLAC
版本[24bits 96KHz][2 CD]
发行时间2011年06月14日
地区法国
语言英语
简介

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专辑介绍:

本品已绝版,请改订Ophélie Gaillard 2011年於Aparté发行的新录音版本 (编号AP017)

巴哈六首无伴奏大提琴组曲乃学术界公认的大提琴曲目基石,它们大约写於1720年左右他担任柯坦宫廷乐长任内,写曲对象据称是多才多艺的器乐演奏家阿贝尔。这些乐曲在孟德尔颂重新发现巴哈的风潮之中并未受到重视,直到卡萨尔斯1890年在巴赛隆纳二手乐谱店里找到乐谱并热心推广,到了二十世纪才膾炙人口。基本上,每首组曲都由前奏曲搭配五个舞曲所组成,莎拉邦德舞曲为精神中心,而结尾必定是愉快的吉格舞曲。

本辑独奏者欧菲莉.盖拉德是巴黎国立高等音乐院三项首奖毕业的高材生,也曾赢得1998年莱比锡国际大提琴大赛的铜牌。她小时候就听过大提琴大师托特里耶讲述巴哈这些经典名作舞曲里面的「故事」,而且深刻难忘,因此特别採用巴洛克大提琴拉奏,亲自将美丽故事传达给新世代爱乐者。由於表现精彩,立即获得法国数家主流音乐杂誌的最高评价。

专辑编号: AMB9926
专辑类型: 双CD
音乐家:
Gaillard, Ophelie (cello) 欧菲莉.盖雅尔 (大提琴)
音乐厂牌: Ambroisie
库存状态: 已绝版
定价: $1,050.00
特价: $980.00

专辑编号: AP017
专辑类型: 双CD
国际条码: 0794881993024
音乐厂牌: Harmonia Mundi
库存状态: 有库存

巴哈:第1~6号大提琴组曲 - BWV1007~1012 (2CD)
Johann Sebastian Bach: Cello Suites / Ophelie Gaillard (2CD)

唱片公司:harmonia mundi
作曲家:巴哈
音乐类型:古典音乐
唱片编号:AP017
进口专辑 / CD / 2 片装

引用
Release Date June 14, 2011
Duration 02:16:40
Genre Classical
Styles Chamber Music
Recording Date September, 2010 - October, 2010

"The Bach Cello Suites are an iconic monument of the literature with which any serious cellist must grapple. Performances can vary from the metronomically precise just-play-the-notes approach to the other extreme in which a player's idiosyncratic interpretations are so pronounced that they become the center of attention rather than Bach's sublime music. This 2010 version is French cellist Ophélie Gaillard's second recording of the suites, the first made a decade earlier when she was in her mid-twenties. For the most part Gaillard's take on the music (like that of most sensible cellists) lies somewhere in between, but with some movements closer to the eccentric end of the spectrum. Gaillard's technical fluency is unimpeachable. Her intonation, even in the most outrageous multiple-stop chords, is impeccable. She plays with a ripe, absolutely luscious tone that may not suit the taste of the most fervent period performance devotees but that would likely elicit wonder from just about everyone else. Her use of vibrato is circumspect and period-appropriate. She is scrupulous about observing repeats and her use of ornamentation is elegant and understated. The fluidity and unself-conscious physicality of Gaillard's playing keeps the listener aware that except for the preludes, this is sunny, dance-based music. Her handling of the faster movements is especially delightful; the Gigue from the Second Suite and the Bourées from the Fourth (among many others) are just plain fun."


Bach: Cello Suites / Ophelie Gaillard
Bach / Gaillard
Release Date: 06/14/2011
Label: Aparte Catalog #: 17 Spars Code: DDD
Composer: Johann Sebastian Bach
Performer: Ophelie Gaillard
Number of Discs: 2
Recorded in: Stereo
In Stock: Usually ships in 24 hours.

AllMusic Review by Stephen Eddins [-]

The Bach Cello Suites are an iconic monument of the literature with which any serious cellist must grapple. Performances can vary from the metronomically precise just-play-the-notes approach to the other extreme in which a player's idiosyncratic interpretations are so pronounced that they become the center of attention rather than Bach's sublime music. This 2010 version is French cellist Ophélie Gaillard's second recording of the suites, the first made a decade earlier when she was in her mid-twenties. For the most part Gaillard's take on the music (like that of most sensible cellists) lies somewhere in between, but with some movements closer to the eccentric end of the spectrum. Gaillard's technical fluency is unimpeachable. Her intonation, even in the most outrageous multiple-stop chords, is impeccable. She plays with a ripe, absolutely luscious tone that may not suit the taste of the most fervent period performance devotees but that would likely elicit wonder from just about everyone else. Her use of vibrato is circumspect and period-appropriate. She is scrupulous about observing repeats and her use of ornamentation is elegant and understated. The fluidity and unself-conscious physicality of Gaillard's playing keeps the listener aware that except for the preludes, this is sunny, dance-based music. Her handling of the faster movements is especially delightful; the Gigue from the Second Suite and the Bourées from the Fourth (among many others) are just plain fun. It's in some of the preludes where the idiosyncrasies of her interpretation may lose some listeners. The Prelude to the First Suite, consisting entirely of sixteenth note figures, is an interpretive challenge and it's one of the movements to which performers have applied the widest range of rhythmic freedom. Gaillard puts heavy emphasis on the downbeats and frequently sustains them for twice their written length, and she brings a similar approach to the Prelude of the Fourth Suite. Depending on the listener's perspective, her playing of these movements may come across as either expansively elastic or weirdly distended.

A factor that's almost inevitably an issue in recordings of such intimate music for solo string instruments, and sometimes string chamber music, is the clear audibility of strings slapping the soundboard and the player's breathing. In almost any live performing situation, these would not be heard because those sounds don't tend to carry, and an audience member sitting even in the first row would be unlikely to notice them, so a recording is an unfortunately unnatural way to experience this music. The extraneous sounds are only minimally distracting here; Gaillard's breathing, while not annoying or always audible, can sound labored, as if she were working very hard, and that seems to contradict the apparent ease and flexibility of her playing. Otherwise, the acoustic is very fine, with a detailed, spacious, and nicely resonant ambience.



Performer: Ophélie Gaillard
Composer: Johann Sebastian Bach
Audio CD (June 14, 2011)
SPARS Code: DDD
Number of Discs: 2
Label: APARTE
ASIN: B004NWHV6W

CD Cello Suites Ophélie Gaillard
Ophélie Gaillard revisits the Suites of J. S. Bach
In his six Suites for unaccompanied violoncello, J. S. Bach invented a style that is specific to that instrument, while exploring all its technical possibilities to the full. Over the years, the Suites have become a monument of the cello repertoire, to which all cellists return regularly. Some of the greatest of them did not record these works until they reached their years of maturity (Casals was over sixty, Rostropovich was sixty-three), while others have not hesitated to present several versions (Yo-Yo Ma, 1990, 1998; Janos Starker, 1957, 1963, 1983).
Ophélie Gaillard is among the latter. Her first recording of the Suites, released on the Ambrosia label in 2000, was highly acclaimed internationally by the critics and her performance earned her a French Classical Music Award (Victoire) as a "Revelation" in the Solo Instrumentalist category.
Ten years later, at the request of Nicolas Bartholomée, artistic director of the label, she agreed to record a new version on a cello made in 1737 by Matteo Goffriller, a contemporary of J. S. Bach. Ophélie Gaillard had already given us a reference performance of these pieces. Now we discover a prodigiously renewed vision of this masterpiece."


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专辑曲目

CD 1

Johann Sebastian Bach

Suite nº1 in G major, BWV 1007
01. Prélude 2'41
02. Allemande 4'36
03. Courante 2'39
04. Sarabande 2'41
05. Menuets I et II 3'14
06. Gigue 1'48

Suite nº2 in D major, BWV 1008
07. Prélude 3'56
08. Allemande 3'44
09. Courante 2'06
10. Sarabande 4'25
11. Menuets I et II 2'50
12. Gigue 2'47

Suite nº3 in c major, BWV 1009
13. Prélude 3'54
14. Allemande 3'58
15. Courante 3'06
16. Sarabande 3'37
17. Bourrées I et II 3'35
18. Gigue 3'23

CD 2

Suite nº4 en mi bemol majeur / in E flat major, BWV 1010
01. Prélude 4'34
02. Allemande 4'37
03. Courante 3'26
04. Sarabande 4'02
05. Bourrées I et II 4'56
06. Gigue 2'51

Suite nº5 en ut mineur / in C minor, BWV 1011
07. Prélude 6'11
08. Allemande 5'40
09. Courante 2'24
10. Sarabande 2'54
11. Gavottes I et II 4'43
12. Gigue 2'11

Suite nº6 en re majeur / in D major, BWV 1012
13. Prélude 4'54
14. Allemande 7'29
15. Courante 3'49
16. Sarabande 4'38
17. Gavottes I et II 4'29
18. Gigue 4'30

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