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Ophelie Gaillard -《舒曼和李斯特》(Schumann & Liszt)[24bits 88.2KHz][FLAC]

  • 状态: 精华资源
  • 摘要:
    古典类型全集作品
    发行时间2012年06月12日
  • 时间: 2015/08/31 23:41:59 发布 | 2015/09/01 11:11:09 更新
  • 分类: 音乐  古典音乐 

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专辑英文名Schumann & Liszt
专辑中文名舒曼和李斯特
艺术家Ophelie Gaillard
古典类型全集作品
资源格式FLAC
版本[24bits 88.2KHz]
发行时间2012年06月12日
地区法国
语言英语
简介

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专辑介绍:

演奏家
Gaillard, Ophelie (cello) 欧菲莉.盖雅尔 (大提琴)

毕业自巴黎国立高等音乐院,1998年莱比锡国际巴哈大赛第三名。之后率领自创的阿玛莉莉斯(Amaryllis,孤挺花之意)横扫三项国际大赛优胜。除了室内乐领域之外,近来与她一手创立并亲自担任音乐总监的古乐团体「丑角(Pulcinella)」积极在各地演出并推出录音专辑。

至今为止发行过巴哈无伴奏大提琴组曲、布列顿无伴奏大提琴组曲与大提琴奏鸣曲、舒曼、佛瑞等大提琴作品多张专辑,获得各界一致好评。值得一提的是2010年,暌违11年后她再度录了一份新版的巴哈无伴奏大提琴组曲,更获得法国金音叉大奖以及其他大奖极高的评价。

幅员宽广的曲目和杰出的技术、丰富的音乐性让她在近年评价窜升,也迅速累积了不少世界各地的死忠乐迷,甚至可以说她是傅尼叶、托特里耶一脉孕育而生的法国大提琴乐派正统继承人。盖雅尔的乐器是1737年弗朗切斯可.葛弗瑞勒制作的大提琴。

GAILLARD, OPHELIE [所有作品]
产品条码: 3149028016123
产品编号: AP031
发行公司: HARMONIA MUNDI [发行商品]
发行日期: 2012年04月13日
产品制造地: 欧美 .
发行类型: 乐团 . 大提琴 . 钢琴 . 协奏曲 . 钢琴独奏 . 古典 . CD .
内装片数: 1片

引用
Schumann & Liszt / Ophelie Gaillard, Delphine Bardin, Tiberiu Soare
Schumann / Liszt / Gaillard / Soare
Release Date: 06/12/2012
Label: Aparte Catalog #: 31 Spars Code: n/a
Composer: Robert Schumann, Franz Liszt
Performer: Ophelie Gaillard, Delphine Bardin
Conductor: Tiberiu Soare
Number of Discs: 1
Recorded in: Stereo
Length: 0 Hours 51 Mins.

Performer: Ophelie Gaillard, Delphine Bardin
Conductor: None
Composer: Robert Schumann
Audio CD (June 12, 2012)
SPARS Code: DDD
Number of Discs: 1
Format: Import
Label: APARTE
ASIN: B0072A4HXW

Release Date April 2, 2012
Duration 50:30
Genre Classical
Styles Chamber Music




Ophélie Gaillard (cello) & Delphine Bardin (piano)

Schumann’s Cello Concerto was long regarded as a minor achievement; it has also been accused of treating the solo instrument unfavourably. As is often the case with the compositions of Schumann’s middle and late periods, interpreters must to understand its singularity in order to bring it out. It is thanks to great performers such as the legendary cellist Pablo Casals, for whom Schumann’s Cello Concerto was “one of the finest works one could wish to hear – sublime music from beginning to end”, that this work now at last has its rightful place in the repertoire.

Although relations between Schumann and Liszt were often clouded by Clara’s lack of understanding, and even jealousy, Liszt recognised his friend’s genius better than anyone, and at Weimar conducted scores that had not been understood when they were first performed. We do not know whether or not Liszt knew the Cello Concerto, but he was reliant on transcriptions as a source of incme. Ophélie Gaillard has chosen five pieces for cello and piano: two were originally songs with piano accompaniment written in his youth; the other three pieces, dating from the end of Liszt’s life, show the soberness and bold language that characterise his late works. Although a Baroque specialist, Gaillard is also very fond of Romantic repertoire. Her recording for Ambroisie of the complete cello works of Schumann, Fauré, then Chopin were highly acclaimed by the press, while the solo album Dreams (Aparté), made at the legendary Abbey Road Studios in London with the Royal Philharmonic Orchestra, proved to be a great public success.

Ophélie Gaillard plays a cello by Francesco Goffriller (1737), generously loaned to her by CIC, and also an anonymous Flemish violoncello piccolo.



Schumann: Cello Concerto

Liszt:


Elegie No. 1, S130

Elegie No. 2, S131

Romance oubliée, for viola/cello/violin & piano, S. 132

Die Zelle in Nonnenwerth, S382

La Lugubre Gondola for cello & piano, S134

Schumann:


Cello Concerto in A minor, Op. 129

Orchestre de la Radio Nationale de Roumanie, Tiberiu Soare





Performer: Ophelie Gaillard, Delphine Bardin
Conductor: None
Composer: Robert Schumann
Audio CD (June 12, 2012)
SPARS Code: DDD
Number of Discs: 1
Format: Import
Label: APARTE
ASIN: B0072A4HXW


Schumann’s Cello Concerto was long regarded as a minor achievement; it has also been accused of treating the solo instrument unfavourably. As is often the case with the compositions of Schumann’s middle and late periods, interpreters must to understand its singularity in order to bring it out. It is thanks to great performers such as the legendary cellist Pablo Casals, for whom Schumann’s Cello Concerto was “one of the finest works one could wish to hear – sublime music from beginning to end”, that this work now at last has its rightful place in the repertoire.

Although relations between Schumann and Liszt were often clouded by Clara’s lack of understanding, and even jealousy, Liszt recognised his friend’s genius better than anyone, and at Weimar conducted scores that had not been understood when they were first performed. We do not know whether or not Liszt knew the Cello Concerto, but he was reliant on transcriptions as a source of incme. Ophélie Gaillard has chosen five pieces for cello and piano: two were originally songs with piano accompaniment written in his youth; the other three pieces, dating from the end of Liszt’s life, show the soberness and bold language that characterise his late works.
Although a Baroque specialist, Gaillard is also very fond of Romantic repertoire. Her recording for Ambroisie of the complete cello works of Schumann, Fauré, then Chopin were highly acclaimed by the press, while the solo album Dreams (Aparté), made at the legendary Abbey Road Studios in London with the Royal Philharmonic Orchestra, proved to be a great public success.

Ophélie Gaillard plays a cello by Francesco Goffriller (1737), generously loaned to her by CIC, and also an anonymous Flemish violoncello piccolo.

Release Date April 2, 2012
Duration 50:30
Genre Classical
Styles Chamber Music


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专辑曲目

Robert Schumann
1. I _ Allegro 11:20
2. II _ Adagio 4:06
3. III _ Finale 7:44

Franz Liszt
4. Premiere 5:01
5. Deuxieme 4:44
6. Romance 3:27
7. Die _ Zelle 5:30
8. La _ Lugubre 8:22

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