鲍比·拉什（Emmit Ellis Jr. 于11月10日1940年，出生在荷马，路易斯安那州）是美国蓝调和R＆B音乐人，作曲家和歌手。他的风格融合了灵魂蓝调，说唱和放克的元素。
Bobby Rush (born November 10, 1933, Homer, Louisiana, United States) is an American blues musician, composer and singer. His style incorporates elements of blues, rap and funk.
Audio CD (October 4, 2005)
Number of Discs: 1
Label: Deep Rush
Personnel: Bobby Rush (guitar, harp); Bobby Rush (bass guitar); Dexter Allen (guitar, keyboards); Steve Johnson , Caleb Tyrone Armstrong, Steve Johnson (guitar); LaFredrick Taylor (organ, drums); Harrison Calloway, Joe Banks (keyboards); Dale Morris, Terry Grayson (bass guitar); Bruce Howard, Bruce Howard (drums); Rufus Mapp (percussion).
Recording information: MTL Studios, Jackson, MS; Sonic Temple Studios, Jackson, MS.
Audio Mixer: Ron Carbo.
Photographer: James Patterson.
In the context of today's all too predictable and sanitized blues market, it's easy to understand why audiences new to Rush's performances often find them novel or even bewildering. Unique they are, but Rush's signifying, jesting, and double entendre jiving are at the heart of the blues, as exemplified by forbears such as Charley Patton, Memphis Minnie, Louis Jordan, and Howlin' Wolf.
Bobby Rush-it's pronounced as one three-syllable name-calls his music "folk funk," an apt description for a blend that's both decidedly modern and deeply rooted in tradition. Over the decades he has consistently updated his show by incorporating new styles-jump blues, Chicago style deep blues, soul, funk, and even hip-hop-into a fresh mix. At the same time, his original compositions often stem from his dipping into the well of folk wisdom, as exemplified by songs like "What's Good For the Goose is Good for the Gander Too."
The son of a preacher man, Bobby Rush was born Emmet Ellis, Jr.
, in the north Louisiana town of Homer; he later adopted his stage name out of respect for his father. He built his first instrument, a primitive guitar or "diddley bow," and in his early teens he was donning a fake mustache and appearing at local juke joints as a solo artist. In the mid-'50s he moved up to Chicago, where his bands included Freddie King, Earl Hooker, and Luther Allison, while on jaunts back to his family home in Pine Bluff, Arkansas, he performed with Elmore James and James' cousin Boyd Gilmore.
Rush began working as a bandleader already as a teenager after realizing that he could control his own destiny if he owned all the equipment. His entrepreneurial flair is legendary among fellow musicians, who fondly recall his working in disguise as the emcee on his own gigs, earning double pay from an unknowing club owner, and his shuffling between three gigs a night with separate bands at West Side nightclubs.
Rush's popularity as a live performer in Chicago set back the development of his recording career, but he began to achieve national acclaim in 1971 following the success of his hit "Chicken Heads" on Galaxy records. Over the next decade he recorded for labels including Jewel, Philadelphia International, Warner Brothers, and toured widely on the "chitlin circuit," the decades old network of clubs that stretches in a rough triangle between east Texas, north Florida, and Chicago.
In the early '80s Rush moved from Chicago to his current home of Jackson, Mississippi, where he recorded a series of albums for the LeJam, Ichiban, and Malaco labels, and gained the title of "king of the chitlin circuit" in the wake of hits including "Sue," "Wearin' It Out," "Ain't Studdin' You," and "Hoochie Man."
In 2003 Rush fulfilled his longtime dream of forming his own label, Deep Rush, recording the CD "Undercover Lover" and capturing the magic of his live show on DVD at the club Ground Zero in Clarksdale, Mississippi. Rush's showmanship is also prominently featured in Richard Pearce's documentary film "The Road To Memphis," broadcast on PBS in September 2003 as part of Martin Scorsese's film series "The Blues."
In the last decade Rush has gained new audiences through performances at the Kennedy Center, Carnegie Hall, and on festival stages in Europe and Japan. But catch him on an average weekend and he's just as likely to be playing to packed houses in chitlin circuit clubs in places like Nesbit, Mississippi, Macon, Georgia, and Smackover, Arkansas, before mostly black, working class audiences that conventional blues wisdom suggests no longer exist. Success in the American music marketplace generally entails leaving behind the people that sustained you during your early years, but that's not a price Bobby Rush is willing to pay. As his career takes off in new directions, he's determined to keep it real, presenting the same unadulterated show as he moves from Tokyo to Smackover. Or as he explains in what has become somewhat a mantra of late, "I want to cross over, not cross out
01. Night Fishin
02. Im Tired Of That Who Said Mess
04. If You Make One Step
05. Whos Fooling Who
06. Checkout Time
07. Slip Trip Fell In Love
08. Up In Here
09. We Had Love
10. Hot Air