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Avi Avital -《巴赫》(Bach)[FLAC]

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  • 摘要:
    古典类型全集作品
    发行时间2012年06月12日
  • 时间: 2015/07/10 01:06:18 发布 | 2015/07/10 11:10:36 更新
  • 分类: 音乐  古典音乐 

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专辑英文名Bach
专辑中文名巴赫
艺术家Avi Avital
古典类型全集作品
资源格式FLAC
发行时间2012年06月12日
地区美国
简介

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专辑介绍:

约翰·塞巴斯蒂安·巴赫(J.S.Bach,1685—1750),被称之为“西方音乐之父”,德国最伟大的作曲家之一,以创作《勃兰登堡协奏曲》、《b小调弥撒曲》、《平均律钢琴曲集》、《哥德堡变奏曲》以及大量的教堂音乐和器乐曲而著称。他把前人发展起来的主要风格、形式和传统概括地加以研究并汇集在一起,使之更加丰富多彩。他的先辈世代均为乐师,他的4个儿子均为作曲家,使得巴赫家族在德国音乐史上颇具传奇色彩。

  以色列小伙Avi Avital刚在DG录制首张巴赫专辑。曼陀铃自巴洛克时代起由盛转衰,长期游走于民间街头和舞台边缘,Avital作为首个面向大众的曼陀铃演奏明星,或许可改变这一局面。


【专辑名称】Bach 巴赫
【专辑演奏】Avi Avital
【唱片公司】Deutsche Grammophon
【发行时间】2012年06月12日

Performer: Shalev Ad-El, Ophira Zakai, Ira Givol
Orchestra: Kammerakademie Potsdam
Conductor: n/a
Composer: Johann Sebastian Bach
Audio CD (June 12, 2012)
SPARS Code: DDD
Number of Discs: 1
Label: Deutsche Grammophon
ASIN: B007FOV0NK

Following in the footsteps of Miloš and his guitar revival, Deutsche Grammophon presents the charismatic young Israeli musician Avi Avital, champion of yet another beautiful and underestimated stringed instrument – the mandolin.

In 2010, Avi Avital was the first mandolinist to ever receive a Grammy nomination for “Best Instrumental Soloist”.

His debut album for Deutsche Grammophon is devoted to one of his great passions: the music of J.S. Bach. The programme includes Avi’s own mandolin transcriptions of three concertos and a trio sonata by the great Cantor of Leipzig.

These gifts, and his commitment to expanding the expressive possibilities of the mandolin, are why Deutsche Grammophon will place him on the music world’s radar – and what better way to begin, than with Bach?

引用
完全巴赫压轴大戏 当曼陀林遇上羽管键琴

2011年12月18日晚7:30,中山公园音乐堂将迎来“完全巴赫”系列的压轴音乐会——第五场:“如果巴赫有个曼陀林”,当今世界曼陀林第一人艾维•阿威塔(Avi Avital)将与欧洲乐坛炙手可热的羽管键琴大师沙勒夫•艾德-艾尔携手,演绎最动听醉人的巴赫音乐会。

12月14日艾维•阿威塔从德国刚刚飞到北京,阳光帅气、潇洒可爱的艾维,在机场为北京的听众即兴录制了一段由他改编的巴赫《恰空》,并用中文向北京听众问好,这段视频极短时间内在网上被竞相转发,乐迷纷纷感叹:“曼陀林太美妙了!”


看点一:艾维•阿威塔2011年收获格莱美提名并签约DG

曼陀林本来是比较边缘的“情调乐器”,在大家的印象里适宜为爱情小调伴奏,艾维•阿威塔却将之弹得风生水起,让世人对这个小小的乐器刮目相看。艾维带着这小小的乐器驰骋世界音乐舞台,如纽约卡内基音乐厅、林肯中心,柏林爱乐大厅,伦敦威格摩音乐厅,并与以色列爱乐等名团合作,与指挥西蒙•拉特、大提琴大师罗斯特罗波维奇等同台,荣获德国乐坛最高荣誉回声大奖。

回顾2011年,阿维塔说:“2011对于我来说是非同寻常的一年,今年年初获得了格莱美大奖的‘最佳古典器乐独奏’提名,是格莱美历史上第一位获此殊荣的曼陀林演奏家。2011年末,我还与著名古典唱片厂牌DG签约,这也是DG首次签约曼陀林演奏家。”阿威塔对于音乐有着无尽的探索精神,他怀着对各时代作曲家与不同音乐体裁的好奇心,为曼陀林这个表现力堪忧的乐器开拓了大量曲目。激情与创造力,不仅仅是辉煌的技术而,可能这是阿维塔为世界古典乐坛青睐的秘诀!


看点二:买宝马,送奔驰——羽管键琴与曼陀林同台

12月18日在音乐堂与曼陀林演出对手戏的,不是传统的钢琴,而是巴赫时代的乐器、难得一听的“羽管键琴”。音乐堂的工作人员开玩笑说“买宝马,送奔驰”。

同台的羽管键琴家沙勒夫•艾德-艾尔(Shalev Ed El)曾发行70余张CD专辑、享誉欧洲。艾德-艾尔说:“羽管键琴表现力丰富,一个乐器抵得上钢琴、电吉他、加上打击乐的组合,能够营造出各种音乐风格。” 12月18日,艾德-艾尔将演奏1985年仿制的17世纪由Ruckers设计的弗拉蒙式双排键羽管键琴,这恰恰是巴赫生活的时代,艾德-艾尔说:“用羽管键琴演奏巴赫的作品,有种把当时的音乐在此复原的欢愉,我喜欢把这种美妙的体验与渴望聆听的人们分享。”


看点三: “如果巴赫有个曼陀林,他会这么弹”

在这场充满幻想、具有原创性的“如果巴赫有个曼陀林”音乐会上,乐迷将会欣赏到两位音乐家将演绎巴赫《G大调曼陀林与羽管键琴奏鸣曲》、《e小调曼陀林与羽管键琴奏鸣曲》、《d小调恰空舞曲-曼陀林独奏》、《d小调托卡塔-羽管键琴独奏》以及斯卡拉蒂奏鸣曲2首《D大调曼陀林与羽管键琴奏鸣曲K91》、《d小调曼陀林与羽管键琴奏鸣曲K90》。艾维•阿维塔说:“这4首巴赫的作品,最初是为长笛、小提琴所作,我尝试着把它们改编成了曼陀林作品,我想如果巴赫有个曼陀林,他会这么诠释。希望大家感受巴赫作品另一种美丽。而我选择两首斯卡拉蒂作品的原因是,他与巴赫实实在在生活于同一个时代,他们都是1685年出生。经过我对文献的研究,得知斯卡拉蒂这两首作品最初就是为曼陀林而创作,这样对比聆听,我们就能全面感受当时的音乐风格和曼陀林音乐特点。”






Notes and Editorial Reviews
Recognized by the New York Times for his “exquisitely sensitive playing” and “stunning agility”, Grammy®-nominated mandolinist Avi Avital is one of the most exciting young musicians on today’s scene — deeply committed to building a fresh legacy for the mandolin through virtuosic performance and refreshing new repertoire.

Israeli-born Avi Avital has won many competitions and received awards including Germany’s Echo Award — and is the first mandolin player to receive a classical Grammy® nomination for “Best Instrumental Soloist Performance” in 2010.

Avital’s debut Deutsche Grammophon recording is an all-Bach album — including transcriptions of concertos for harpsichord and violin in arrangements for mandolin and orchestra — with Kammerakademie Potsdam.

“Avital has the gift of transforming the seemingly impossible into reality. His magical fingers arrange, shape, and twist the melodious phrases so evocatively that they take on a vocal quality, sounding even more vibrant than the music many violinists or cellists coax from their instruments.” (Jesko Schulze-Reimpell, Donaukurier)

“Avital’s playing, which can be defined as ‘everything you never dreamt a mandolin could do’, was truly breathtaking in virtuosity and dedication.” (Noam Ben Ze’ev, Haaretz Daily)

R E V I E W S:

Vivaldi wrote concertos to feature the mandolin — an Italian instrument, after all — but J.S. Bach did not. Bach’s music is famously malleable when it comes to instrumentation, though, and young Israeli mandolin ace Avi Avital has transcribed for his instrument three of the composer’s concertos for violin and oboe: BWV 1041, 1052 and 1056. In their more familiar guises for such cantabile instruments, these concertos sing, gloriously. With the mandolin’s quick decay — and its lack of ornamental resource compared to the harpsichord, a more usual alternate instrument — it would seem like the soul of this music would go missing. Some is lost in translation, true, but Avital’s virtuosity and imagination are considerable; in his hands, the light, quicksilver tone of the mandolin acts like a dash of Mediterranean sun, making the concertos more ebullient, feathery. A poor soloist-ripieno balance would ruin things, but the modern strings and period continuo of the Kammerakademie Potsdam are vivid without drowning out Avital’s restrained instrument, even if the mandolin should be a touch higher in the mix. Not just for that reason, the album’s highlight is a transcription of Bach’s Flute Sonata BWV 1034; over a bed of theorbo and cello, Avital’s mandolin paints a pointillist rainbow, unlikely and all the more lovely for it.

– Bradley Bambarger, Listen Magazine [Summer 2012]



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专辑曲目

01. Concerto for Harpsichord, Strings, and Continuo No.1 in D minor, BWV 1052 - adapted for Mandolin and Orchestra - 1. Allegro
02. Concerto for Harpsichord, Strings, and Continuo No.1 in D minor, BWV 1052 - adapted for Mandolin and Orchestra - 2. Adagio
03. Concerto for Harpsichord, Strings, and Continuo No.1 in D minor, BWV 1052 - adapted for Mandolin and Orchestra - 3. Allegro
04. Concerto for Harpsichord, Strings, and Continuo No.5 in F minor, BWV 1056 - adapted for Mandolin and Orchestra - 1. (Allegro)
05. Concerto for Harpsichord, Strings, and Continuo No.5 in F minor, BWV 1056 - adapted for Mandolin and Orchestra- 2. Largo
06. Concerto for Harpsichord, Strings, and Continuo No.5 in F minor, BWV 1056 - adapted for Mandolin and Orchestra- 3. Presto
07. Violin Concerto No.1 in A minor, BWV 1041 - adapted for Mandolin and Orchestra- 1. (Allegro moderato)
08. Violin Concerto No.1 in A minor, BWV 1041 - adapted for Mandolin and Orchestra - 2. Andante
09. Violin Concerto No.1 in A minor, BWV 1041 - adapted for Mandolin and Orchestra - 3. Allegro Assal
10. Sonata for Flute or Violin No.5 in E minor, BWV 1034 - adapted for Mandolin and Continuo - 1. Adagio ma non troppo
11. Sonata for Flute or Violin No.5 in E minor, BWV 1034 - adapted for Mandolin and Continuo - 2. Allegro
12. Sonata for Flute or Violin No.5 in E minor, BWV 1034 - adapted for Mandolin and Continuo - 3. Andante
13. Sonata for Flute or Violin No.5 in E minor, BWV 1034 - adapted for Mandolin and Continuo - 4. Allegro

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