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Alison Balsom -《浪漫巴黎》(Paris)[FLAC]

  • 状态: 精华资源
  • 摘要:
    古典类型全集作品
    发行时间2014年09月23日
  • 时间: 2015/06/25 13:06:14 发布 | 2015/06/25 14:51:08 更新
  • 分类: 音乐  古典音乐 

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专辑英文名Paris
专辑中文名浪漫巴黎
艺术家Alison Balsom
古典类型全集作品
资源格式FLAC
发行时间2014年09月23日
地区美国
语言法语
简介

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专辑说明:

一点古典 一点爵士 一点跨界
从拉威尔的钢琴协奏曲
到皮亚佐拉的探戈音乐

艾莉森鲍尔珊突破对小号的想像
呈现浪漫 深情 优雅的小号世界

★2013留声机古典唱片大奖(Gramophone Classical Music Awards 2013)年度艺人奖(Artists Of The Year)得主,曾两度获得「全英经典音乐奖」(Classic BRIT Award)年度女音乐家大奖!

艾莉森鲍尔珊是当前最受欢迎的古典音乐明星之一。十岁在巴比肯中心听过瑞典小号演奏家哈登伯格的音乐会后,艾莉森鲍尔珊马上立志要成为小号独奏家。从市政厅音乐学校毕业后,她到巴黎音乐学院师从哈登伯格。2004年以后,艾莉森鲍尔珊开始在全球各个重要音乐厅露面,唱片也得到重要媒体,如《留声机》杂誌的好评。而在不违背自己对音乐的理念前题下,她也勇於突破主流以吸引更多听眾。

在这张个人专辑里,艾莉森鲍尔珊以巴黎为主题,挑选出与这个浪漫城市有关联的音乐。「当我在寻找自己喜爱的音乐时,『巴黎』这个概念就愈来愈清晰……但是,这张专辑没有一般对於『巴黎音乐』的刻版印象,而是直接或间接与巴黎有所联繫的音乐。」专辑的曲目广从二十世纪的法国作曲家(如:拉威尔、萨替、梅湘)到爵士音乐家强哥‧莱因哈特,还有流行歌曲作曲家科斯马的著名作品,以及虽然身为阿根廷人,但是在巴黎求学的时候,成功打破传统探戈音乐的窠臼,把现代化的古典、爵士等音乐技法融入探戈中的皮亚佐拉两首名作,全部改编成以小号来詮释,并且与蒙特内哥罗吉他演奏家米洛许合作皮亚佐拉《1930年代咖啡馆》。

艾莉森鲍尔珊展现出她灵活多变的技巧与音乐表现力,让音乐同时具有内涵与光辉耀眼的技巧。


艾莉森鲍尔珊/ 浪漫巴黎
Alison Balsom / Paris
唱片公司:Warner Classics
演出者:艾莉森.鲍尔珊
音乐类型:古典音乐
唱片编号:2564632789
CD / 1 片装

01 萨替:第三号金诺佩第(裸体歌舞)
02 皮亚佐拉:1930年代咖啡馆 〈吉他:米洛许〉
03 皮亚佐拉:遗忘
04 米榭.列格杭:那年夏天
05 梅湘: 圣婴耶穌之吻
06 梅湘: 圣婴耶穌之吻
07 梅湘: 圣婴耶穌之吻
08 拉威尔:哈巴奈拉
09 拉威尔:G大调钢琴协奏曲第二乐章
10 萨替:第三号玄祕曲
11 科斯马:秋天的落叶
12 强哥‧莱茵哈特:云

引用
Performer: Guy Barker, Milos Karadaglic
Orchestra: The Guy Barker Orchestra
Conductor: __
Composer: Maurice Ravel, Erik Satie, Eddy Marnay, Astor Piazzolla, Oliver Messiaen, et al.
Audio CD (September 23, 2014)
Number of Discs: 1
Label: Warner Classics
ASIN: B00LIINWPI

Release Date September 8, 2014
Duration 51:58
Genre Classical
Styles Chamber Music



Alison Balsom Paris

Without a doubt one of today's most ground-breaking classical musicians, Alison Balsom now turns her attention to repertoire inspired by the world's most romantic city, Paris.

Balsom spent an important period of her life at the Paris Conservatoire and has pulled together a set of unusual pieces that range from great 20th-century French composers - Ravel, Duruflé, Messiaen - to jazz maestro Django Reinhardt and popular chanson française.

Balsom is also joined by some star guests on the album including guitarist Miloš Karadaglić, the renowned trumpeter Guy Barker and Downton Abbey star Julian Ovenden, who sings Les feuilles mortes in the original French.

The diversity of the works means that the album avoids a stereotypical 'Parisian' sound, and Balsom brings all her glamour and brilliant technical virtuosity to a very varied and inventive selection of works.






AllMusic Review by James Manheim [-]
British trumpeter Alison Balsom, with a distinctive clear sound and as photogenic as one could ask, has moved to the front of the pack of young trumpeters vying to succeed the giants of the late 20th century. With Paris, she reaches a transcendent new level. There is nothing so original about a program of light Parisian music, but the way in which Balsom carries it off is unique. For one thing, the music isn't so light: it ranges from elegant (the Satie and Ravel pieces) to moody (Piazzolla), to profound (the selections from Messiaen's Le Baiser de l'Enfant Jésus). Only at the end does the mood relax with a pair of popular and jazz selections. The tempo is in the middle range and doesn't vary much from piece to piece, and the trumpet is kept in quiet mode throughout. It's a sequence that would have defeated a lesser player, but in Balsom's hands it becomes hypnotic. She had a hand in the arrangements herself, and the selection of works, like Satie's Gymnopédie No. 3 and Gnossiene No. 3, that you would never guess could find a home on the trumpet, is extremely ingenious. Mostly Balsom has worked with major symphony orchestras, but here she takes the daring step of teaming with the small Guy Barker & His Orchestra, an ensemble oriented toward jazz that is itself led by a trumpeter. The feel of the album is unique: it is not jazzed-up classical music (although the program does end with Django Reinhardt), but a texture with a uniquely flexible relationship between soloist and ensemble. A superior recital in every way.



Alison brings her glamour, poise and dazzling virtuosity to Paris with a selection of music written in and inspired by the most romantic city in the world. “The Parisian concept developed organically the more I looked for music that I loved, that could work in this sound world,” explains Alison. “I spent a key part of my musical life in Paris at the Conservatoire, and whilst this album is anything but a stereotype of a 'Parisian' sound, every track has a link to the world of Paris. I should admit though, that on the first day of recording even the musicians asked if we were making two separate albums, the pile of music on their stands being so wildly diverse and unexpected...” Accessible yet surprising at every turn, the programme ranges from 20th-century French composers (Satie, Ravel, Messiaen) to jazz (Django Reinhardt) and popular chanson française (Joseph Kosma), all in enchanting arrangements for trumpet.


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专辑曲目

01. Gymnopédie Nr.3 Start
02. Café 1930 Start
03. Oblivion Start
04. La Valse des Lilas Start

Vingt Regards sur I'Enfant-Jésus (20 Betrachtungen über das Jesuskind) (Auszug)
05. Très lent, calme Start
06. Modéré Start
07. Modéré Start

08. Pièce en forme d'Habanera Start

Konzert für Klavier und Orchester G-Dur (Auszug)
09. 2. Adatio Start

10. Gnossienne Nr. 3 Start
11. Les feuilles mortes (Autumn leaves) Start
12. Nuages

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