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Vladimir Ashkenazy -《巴哈:义大利协奏曲 & 法国序曲》(Bach - Italian Concerto, etc)[24bits 96KHz][FLAC]

  • 状态: 精华资源
  • 摘要:
    古典类型全集作品
    发行时间2014年11月07日
  • 时间: 2015/03/08 13:45:41 发布 | 2015/03/09 14:43:41 更新
  • 分类: 音乐  古典音乐 

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专辑英文名Bach - Italian Concerto, etc
专辑中文名巴哈:义大利协奏曲 & 法国序曲
艺术家Vladimir Ashkenazy
古典类型全集作品
资源格式FLAC
版本[24bits 96KHz]
发行时间2014年11月07日
地区美国
语言英语
简介

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专辑说明:

2014将年七十八岁的钢琴大师阿胥肯纳吉(Vladimir Ashkenazy, 1937 - ),至今仍老当益壮,不断挑战不同作品推出新录音。身为杰出钢琴家与世界知名乐团指挥,阿胥肯纳吉的音乐总是能迅速掳获人心,带给聆赏者极大的震撼。与DECCA唱片公司自1963年合作至今,多方面的艺术才华以及眾多的录音作品成就了阿胥肯纳吉今日的大师地位;他不但是笛卡的重要瑰宝,更是全球乐迷最钟爱的音乐家。

近年来阿胥肯纳吉积极投入巴哈的作品,自2005年推出《平均律钢琴曲集》(DECCA 475 6458)以来,2010年再发行六首《组曲》(Partiten, DECCA 478 2163),接著便是本专辑,收录《法国序曲》、《义大利风抒情调与变奏》、《马切罗双簧管协奏曲之改编曲》,以及《义大利协奏曲》。

阿胥肯纳吉曾表示,让他受到最大感动的作曲家就是音乐之父巴哈,但是阿胥肯纳吉却极少演奏巴哈的作品,因为「到底要如何演奏我自己都不太清楚,听别人演奏巴哈,我也从来没有感到满意过。」阿胥肯纳吉与巴哈结缘甚早,1950年代他在DECCA的第一份录音,就演奏了巴哈的《第1号钢琴协奏曲》,当时他以非常圆润正统的触键打动许多乐评人。经过多年的沈潜研究,如今再度投入巴哈音乐作品,他的眼界与理解,甚至弹奏的技巧都十分值得乐迷们期待。

巴哈的键盘音乐重视内声部的对位与堆迭,技巧则藏在音乐性之下,无法令超技演奏家获得技巧表现上的满足,但对於音乐内涵内敛且圆熟的音乐家,这些乐曲无疑充满了探索与挑战。不似许多新生代钢琴家採用新奇的断句意图标新立异,阿胥肯纳吉在演奏上表现得出乎意外的忠实与自我约束,不偏不倚、且舍弃过度浪漫的个人色彩,呈现出难能可贵的艺术境界。

巴哈:义大利协奏曲 & 法国序曲 / 阿胥肯纳吉,钢琴
Bach: Italian Concerto & French Overture / Vladimir Ashkenazy
唱片公司:Linfair Records Limited/DECCA
演出者:阿胥肯纳吉
音乐类型:古典音乐
唱片编号:4786773
发行日期:2014年11月07日
进口专辑 / CD / 1 片装

Release Date October 7, 2014
Duration01: 07:21
Genre Classical
Styles Keyboard

引用
Review by James Manheim [-]
Even after his formal retirement from the concert stage, Vladimir Ashkenazy has continued to record. He has favored the music of Bach, and this release, which appeared in 2014 when the pianist was in his late seventies, is his third Bach release. It may be the not to pick for those curious about these late testaments of an artist one normally associated with Bach (and speaking generally, the Russians have never had that much to say about this composer). While the two earlier recordings were complete sets of pieces, this one fits better with Ashkenazy's pianistic conception. The program consists of two major works bookending two lesser-known ones, and the fundamental variety is all to the good with Ashkenazy's rather mercurial, but always compelling, playing. For those looking for a Bach performance untouched by the historical-performance movement, this will fill the bill; Ashkenazy does not drench the music in pedaled passages, but he applies a great diversity of articulation, with brilliant passages executed with his characteristic power, and phrasing and ornamentation are subject to the expressive needs of the moment. For fans of that, the Italian Concerto, BWV 971, has an exciting finale indeed. The two "minor" works on the program, the youthful Aria variata alla maniera italiana, BWV 989, and the Keyboard Concerto in D minor, BWV 974, a transcription of an oboe concerto by Alessandro Marcello, are a lot of fun, and Ashkenazy does not seem constrained by them in the least; they come off as a refreshing pause between the weighty treatments of the Italian Concerto and the Partita in B minor, BWV 831, here denoted a French Overture. The bottom line is that for established fans of Ashkenazy, his personality comes through here in full, and he seems to wrestle with Bach in the way the true greats do.


Audio CD (November 25, 2014)
Number of Discs: 1
Format: Import
Label: Imports
ASIN: B00NGLW4WC


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专辑曲目

French Overture BWV 831
01. Overture
02. Courante
03. Gavotte
04. Passepied
05. Sarabande
06. Bouree
07. Gigue
08. Echo

Aria Variata alla maniera Italiana BWV 989
09. Aria
10. Var I – Largo
11. Var II
12. Var III
13. Var IV – Allegro
14. Var V – Un poco Allegro
15. Var VI – Andante
16. Var VII – Allegro
17. Var VIII – Allegro
18. Var IX
19. Var X

Arrangement of Marcello Oboe Concerto BWV 974
20. I.
21. II. Adagio
22. III. Presto

Italian Concerto BWV 971
23. I.
24. II. Andante
25. III. Presto

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