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Vladimir Ashkenazy -《萧邦:第4号叙事曲、波兰幻想曲、船歌、摇篮曲》(Chopin : Ballade No.4 / Polonaise-Fantaisie / Barcarolle / Berceuse)[24bits 96KHz][FLAC]

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  • 摘要:
    古典类型全集作品
    发行时间2001年11月13日
  • 时间: 2015/03/07 10:05:10 发布 | 2015/03/09 14:43:39 更新
  • 分类: 音乐  古典音乐 

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专辑英文名Chopin : Ballade No.4 / Polonaise-Fantaisie / Barcarolle / Berceuse
专辑中文名萧邦:第4号叙事曲、波兰幻想曲、船歌、摇篮曲
艺术家Vladimir Ashkenazy
古典类型全集作品
资源格式FLAC
版本[24bits 96KHz]
发行时间2001年11月13日
地区美国
语言英语
简介

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萧邦作品一直是大师阿胥肯纳吉演奏的重心

自1955年参加萧邦钢琴大赛,以十八岁之龄获得二等奖以来,萧邦作品一直是大师阿胥肯纳吉演奏的重心。而在1974-84年间他更完成了萧邦独奏钢琴作品全集的录音,自此树立了他在萧邦作品罕有人能及的权威地位。在这张录音新作中选录了数首萧邦晚期的作品,包括大师最钟爱的小品「夜曲」,作品62-1,便经常出现在大师个人的演奏会上当作安可曲演出。

萧邦:第4号叙事曲、波兰幻想曲、船歌、摇篮曲 / 阿胥肯纳吉 (钢琴)
Chopin: Ballade No. 4, Polonaise-fantaisie, Barcarolle, Berceuse / Vladimir Ashkenazy, piano
唱片公司:Linfair Records Limited/DECCA
音乐类型:古典音乐
唱片编号:4667082
高价版 / CD / 1 片装

Performer: Fryderyk Chopin, Vladimir Ashkenazy
Composer: Frederic Chopin
Audio CD (November 13, 2001)
SPARS Code: DDD
Number of Discs: 1
Format: Import
Label: Decca Import
ASIN: B00005OC09

13 of 14 people found the following review helpful
Ashkenazy's revision of his own Chopin
By Alex Serrano on November 15, 2001
Format: Audio CD
Nearly 3 months ago i wrote a review of Daniel Barenboim's recording of Albeniz piano music - a great recital indeed, and now reviewing this new Chopin cd as played by Vladimir Ashkenazy brings me equal pleasure but a paralel must be drawn between both musicians. Both started their careers as piano virtuosos - Barenboim concentrating on the German repertoire and Ashkenazy virtually on everything he could get his hands on. Apparently at some time both these pianists musthave gotten bored with a soloist career and got into conducting with quite favorable results. Barenboim's tenure in Chicago has brought great innovation to the city, and Ashkenazy's involvement with the Cleveland, Philharmonia, Concertegebouw, and German Orchestras has always brough refined craftmanship and musical understanding. Barenboim went back to the studio with piano music of Albeniz - new to his repertoire, Ashkenazy has chosen to revisit some of his Chopin recordings - the result is breathtaking.
Unlike his previous Chopin recordings, Ashkenazy takes his time and his new rendition of the Ballade No.4 unfolds in a long line of nuances which are yet logical and never overdetailed. He sets ups to tell a story and does so brilliantly.
The Berceuse here is another treasure - played as if every note had its significance and not merely as ornaments. With an ending fading away as the true bed-song it portrays. Without a doubt, it is the best rendition i have ever heard of this work.
The polonaise-fantasie is an odd approach - almost played as another ballade he holds the piece together bringing new voices and recalling themes all about - extremely detailed. The final chordal and octave explosions and polonaise rhythms are barely recognizable as part of the story told before. It is a very personal statement - and coming from a talent such as his it is worth hearing.
A selection of nocturnes, waltzes, and mazurkas follows. Here we get vintage Ashkenazy - clarity, articulation, and some coldness. His final nocturnes simply do not fly as a Horowitz or a Lhevinne. Still, this is great playing.
A passionate Barcarolle closes the program. Ashkenazy pulls the work toward the final chords and the conclusion for once seems integrated into the preceeding framework. Another example of a great pianist in total control of his art.
Ashkenazy must have thought very thoroughly before recording these works again - he must have known that comparisons with his earlier renditions would be made. I am sure he must have felt that he had something new to say about these works before settling into the studio.
And how right he has been in doing so. Regardless of his previous recordings, i can not imagine a better Chopin recital from any pianist today. It is obvious he had something to say about these overly played works - his message to this reviewer has come clear and welcome. Bravo!

引用
阿胥肯纳吉与 DECCA 唱片公司自 1963 年合作至今,多方面的艺术才华以及眾多的录音作品成就了阿胥肯纳吉今日的大师地位。他不但是笛卡唱片公司的重要瑰宝,更是全球乐迷最钟爱的音乐宝库。


1937 年 7 月 6 日,阿胥肯纳吉出生於俄国高尔基,父亲是位杂耍钢琴师,具有极优秀的即兴演奏能力。母亲则对他宠爱有加,觉得他颇具音乐天赋,在他四岁时便延请老师为其啟蒙。 7 岁时他已经可以上台演奏海顿的钢琴协奏曲。二次大战爆发时,他们被迫过著颠沛流离的生活,虽然受限於整个大环境的不利因素,但母亲总是设法维持他的音乐学习。儿时受到父母无限的关爱与自己的苦学,奠定了他日后发展的雄厚根基。

他曾获 1955 年的第五届「萧邦钢琴大赛」第 2 名、 1956 年的「伊莉莎白皇后大赛」首奖及 1962 年的「柴可夫斯基大赛」冠军。目前他则身兼柏林电台交响乐团首席指挥,伦敦皇家管弦乐团音乐总监与克利夫兰主要客席指挥。身为一位杰出的钢琴家与世界知名乐团的指挥,阿胥肯纳吉的音乐总是能迅速掳获人心,带给聆赏者极大的震撼。

他所灌录的的曲目极多,在钢琴作品方面他已完成了巴托克、贝多芬、莫札特、普罗可菲夫及拉赫曼尼诺夫的钢琴协奏曲全集、全套的萧邦钢琴独奏作品及舒曼的大部份作品。指挥的作品更是广泛,从贝多芬到二十世纪的作品均有涉猎。

他与 DECCA 唱片公司自 1963 年合作至今,多方面的艺术才华以及眾多的录音作品成就了阿胥肯纳吉今日的大师地位。他不但是笛卡唱片公司的重要瑰宝,更是全球乐迷最钟爱的音乐宝库。

rtist: Wilhelm Kempff
Title Of Album: Chopin: Ballade No. 4, Polonaise-fantaisie, Barcarolle, Berceuse
Year Of Release: 2003
Label: Decca
Genre: Classical
Format: Super Audio CD



Vladimir Ashkenazy, 阿胥肯纳吉
1937年出生於俄罗斯高尔基,开始国际演奏生涯后移民芬兰,目前身兼钢琴家兼指挥家。
1955年华沙国际萧邦钢琴大赛第二名。
1956年比利时伊丽莎白皇后大赛钢琴组首奖。
1962年柴可夫斯基国际大赛钢琴组首奖。
曾任英国皇家爱乐、捷克爱乐首席指挥、日本NHK交响、雪梨交响音乐总监。录音至少曾获美国葛莱美奖六次




萧邦,在哪里?

你听见的是萧邦的思考?
或者是演奏家想像的萧邦?
又或者是被当作唯美浪漫配乐的萧邦?

一般不能从五线谱「阅读」萧邦作品的欣赏者,除了不断搜寻「绝版」、「经典」的单一演奏家詮释之外,是否还有其他更好的选择?

李斯特形容萧邦「有如火山熔岩般的热情,但是他的灵魂却受困於羸弱的身躯。」而根据纪录显示,晚期的萧邦在音乐会上的演奏,常常把自己「乐谱上标示的强音,演奏成弱奏」,也成为十九世纪末、廿世纪初许多演奏者的参考,但这真的是他创作的意图吗?

在现代的国际乐坛,萧邦的作品始终维持极高的演出频率,而且包含了许多不同类型:夜曲、马祖卡舞曲、波兰舞曲、即兴曲、詼谐曲、叙事曲、前奏曲、练习曲、奏鸣曲、协奏曲...但是,很少有人敢自称是「萧邦专家」,也很难有真正的「排名第一」。因为,没有任何一首萧邦作品中的弹性速度、乐句的装饰与修饰,有谁敢说,「我说了算!」即使,比赛排出了名次,也只是当下,而不是绝对。

所以我们建议,与其透过任何一位单一演奏家,或是任何单一学术研究角度认识萧邦,不如把想像和詮释的权力,留给欣赏者─您自己。

因为,音乐是为自己听的!


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专辑曲目

01. Ballade No.4 In F Minor Op.52
02. Berceuse In D Flat Op.57
03. Polonaise No.7 In A Flat Op.61 Polonaise-fantaisie
04. Nocturne No.17 In B Op.62-1
05. Nocturne No.18 In E Op.62-2
06. Waltz No.6 In D Flat Op.64-1 'Minute'
07. Waltz No.7 In C Sharp Minor Op.64-2
08. Waltz No.8 In A Flat Op.64-3
09. Mazurka No.36 In A Minor Op.59-1
10. Mazurka No.37 In A Flat Op.59-2
11. Mazurka No.38 In F Sharp Minor Op.59-3
12. Barcarolle In F Sharp Op.60

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