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Hilary Hahn, Natalie Zhu -《莫札特:第廿四、十八、廿一、卅五号小提琴奏鸣曲》(W.A. Mozart - Violin Sonatas K. 301, 304, 376, 526)[FLAC]

  • 状态: 精华资源
  • 摘要:
    古典类型奏鸣曲
    发行时间2005年10月11日
  • 时间: 2015/02/19 00:00:26 发布 | 2015/02/19 00:22:55 更新
  • 分类: 音乐  古典音乐 

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专辑英文名W.A. Mozart - Violin Sonatas K. 301, 304, 376, 526
专辑中文名莫札特:第廿四、十八、廿一、卅五号小提琴奏鸣曲
古典类型奏鸣曲
资源格式FLAC
发行时间2005年10月11日
地区美国
语言英语
简介

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专辑说明:

  莫札特谱有多首「钢琴与小提琴」奏鸣曲。为什么不称为「小提琴奏鸣曲」呢?原来创作的时候,莫札特都是以钢琴为出发点,钢琴是这些作品的主角,小提琴只是扮演助奏的角色。小提琴被提升到与钢琴同等地位,已经是十九世纪以后的事了。第二十一号钢琴与小提
琴奏鸣曲创作於一七七八年,当时莫札特正从曼汗旅行到巴黎,希望能为事业找到新的天地。虽然这趟巴黎之旅并不如意,莫札特还是写出不少作品。这一首奏鸣曲设定的对象是技巧还不成熟的业餘音乐家,因此演奏技巧并不困难,但是具有单纯的迷人魅力。第三十五号钢琴与小提琴奏鸣曲算是相当晚期的作品,当时莫札特同时在谱写歌剧《唐‧乔望尼》,创作动机不详,但是结构比起前面所写的小提琴奏鸣曲更为壮大而且严密。

  希拉蕊‧韩是近年相当受到乐界瞩目的小提琴家,与她搭档的钢琴家朱叶虽然也非常年轻,但是两人从十三岁就开始搭档演出,合作默契自然不在话下。两人的演出没有年轻人的血气方刚的表现欲,音乐中没有任何的夸张,但是从容不迫的气度和细腻的表情,却极富吸引力,抒情的地方优美而不滥情。

莫札特:第廿四、十八、廿一、卅五号小提琴奏鸣曲 / 希拉蕊韩(小提琴) / 朱叶(钢琴)
Mozart: Violin Sonatas K. 301, 304, 376 & 526 / Hilary Hahn / Natalie Zhu
唱片公司:Deutsche Grammophon
作曲家:莫札特
演出者:Hilary Hahn
音乐类型:古典音乐
唱片编号:4775572
发行日期:2005年10月13日
高价版 / CD / 1 片装

Label: Deutsche Grammophon ‎– 00289 477 5572
Format: CD, Album
Country: Europe
Released: 2005
Genre: Classical

Review by Patsy Morita [-]
Hilary Hahn and Natalie Zhu prove they are an excellent duo team in their first recording together, featuring four of Mozart's sonatas for violin and piano. All dating from 1778 and later, Mozart treats the two instruments more equitably in these sonatas than in his earlier ones. Hahn and Zhu are technically flawless together. They match each other as closely as two different instruments can to achieve a true duet sound. Just as Hahn "digs" into her strings for extra friction in the opening of the Sonata in E minor, K. 304, Zhu aims for the same tone quality with her touch. The two use longer note values, enhanced by vibrato and pedal, to give the music a pretty sound. It's probably more than a Classical era purist would like, but this is by no means a Romantic interpretation. Their slow movements, particularly those of K. 376 and K. 526, have beautifully rounded, cantabile phrases. The Allegro con spirito of K. 301 has bright accents and intense diminuendos and crescendos, demonstrating that this music isn't all elegance and delicacy. What marks their performance overall is an infectious energy that draws the listener's attention. Hahn and Zhu have a lively spirit, but they balance it skillfully and knowledgeably with respect for the music, not taking it too seriously, but also not ignoring its significance as part of Mozart's oeuvre and as part of the violin and piano repertoire. It's a performance that is both well-informed and enjoyable, and makes the next effort by Hahn and Zhu something to look forward to.

引用
Product Details
Audio CD (October 11, 2005)
SPARS Code: DDD
Number of Discs: 1
Label: Deutsche Grammophon
ASIN: B0009JAENU

See all 32 customer reviews
Compositions - 5 stars; Performance 5 stars; Sound quality - 5 stars.
Alan Lekan
If you never listen to a lot of Mozart, I think it's unlikely that this rather esoteric debate will affect your experience at all.
Sight Reader
Mozart's perfection is reflected in this amazing duo's crystal clear, precise and beaUtiful playing.
PianoMan
Most Helpful Customer Reviews

68 of 69 people found the following review helpful
Elegant and Daring
By Sight Reader on October 30, 2005
Format: Audio CD
Hilary Hahn's playing always combines a powerful interpretation with meticulous technique that may very well be the cleanest on the planet. This naturally provokes a lot of curiosity as to how she might approach Mozart, and this disc certainly doesn't disappoint. In this recording she plays the most famous and representative of the Mozart sonatas, and as you might suspect Hahn brings them to life with penetrating intellect and sparkling clarity.

This recording also features a break with traditional articulation. Most modern instrument recordings feature smooth, singing lyricism contrasted with lilting, dance-like lifts of the bow. Hahn defies this tradition, preferring to keep better control of tone with her bow on the string, even in runs that are traditionally bounced for percussive effect.

This may disappoint Mozart listeners who feel "dancing" is the only appropriate contrast to "singing", but the result is that Hahn's sound is warm and lush and the resulting continuity allows longer phrasing that is not constantly chopped apart by excessive contrasts in technique.

If you never listen to a lot of Mozart, I think it's unlikely that this rather esoteric debate will affect your experience at all. I warmly recommend this recording as a great value for both its fabulous playing and the very generous and discriminating selection of sonatas included.


Companies etc
Phonographic Copyright (p) – Deutsche Grammophon GmbH
Copyright © – Deutsche Grammophon GmbH
Made By – EDC, Germany – 51617357
Mastered At – Emil Berliner Studios
Recorded At – Bard College
Credits
Art Direction – Fred Münzmaier
Composed By – Wolfgang Amadeus Mozart
Coordinator [Recording] – Matthias Spindler
Design – fri DESIGN
Engineer, Edited By – Stephan Flock
Executive-Producer – Martin T:son Engstroem
Management [Project] – Roland Ott
Photography By – Kasskara
Piano – Natalie Zhu
Producer [Recording] – Thomas Frost
Violin – Hilary Hahn
Notes
Recording: Annandale-on-Hudson, NY, Fisher Center for the Performing Arts at Bard College, 2 & 11/2004

℗ 2005 Deutsche Grammophon GmbH, Hamburg
© 2005 Deutsche Grammophon GmbH, Hamburg
Made in the E.U.

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专辑曲目

Sonata In F Major K. 376
01.Allegro 5:07
02.Andante 6:09
03.Rondeau. Allegretto Grazioso 6:20

Sonata In G Major K. 301
04.Allegro Con Spirito 8:34
05.Allegro 5:43
Sonata In E Minor K. 304
06.Allegro 7:03
07.Tempo Di Menuetto 5:36

Sonata In A Major K. 526
08.Molto Allegro 7:10
09.Andante 10:50
10.Presto 7:08

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