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Sol Gabetta -《祈祷》(Prayer )[24bits 44.1KHz][FLAC]

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  • 摘要:
    古典类型全集作品
    发行时间2014年10月08日
  • 时间: 2015/02/10 10:07:02 发布 | 2015/02/10 11:57:18 更新
  • 分类: 音乐  古典音乐 

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专辑英文名Prayer
专辑中文名祈祷
艺术家Sol Gabetta
古典类型全集作品
资源格式FLAC
版本[24bits 44.1KHz]
发行时间2014年10月08日
地区德国
语言英语
简介

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专辑介绍:

【SONY】Sol Gabetta : Prayer 修儿.嘉碧妲 : 祈祷

修儿.嘉碧妲 Sol Gabetta (大提琴)
肯迪达.汤普森Candida Thompson, artistic director (指挥)
阿姆斯特丹小交响乐团 Amsterdam Sinfonietta

里奥纳德.史拉特金Leonard Slatkin, conductor (指挥)
里昂国家管弦乐团 Orchestre National de Lyon

当代大提琴新巨星修儿嘉碧妲2014年最新录音专辑:「祈祷」。
犹太裔作曲家布洛赫经典大作《所罗门》与《犹太生活》等,希伯来民族最深情的大提琴语汇。
萧士塔柯维契《犹太民间诗篇》与卡萨尔斯《白鸟之歌》,修儿与大提琴献给乐迷最亲密的心灵对话。

人如其名,有著阳光笑容与坦率个性的大提琴家修儿.嘉碧妲,是新生代最璀璨的古典巨星。出道十年,她在全世界各大音乐厅,包括去年(2013)在台北国家音乐厅,都获得观眾狂热的喝采;而自2006年首张个人专辑问世后,无论是野心勃勃的「韦瓦第计画」,或是多首经典的大提琴协奏曲,修儿展现了深厚的演奏功力及独特的个人魅力。2014年入秋最新专辑,修儿将献上最私密也最深情的大提琴语汇,以这张「祈祷」作为与乐迷的心灵对话。

「我经常在音乐会安可曲演奏〈祈祷〉,发现许多观眾深深地被感动」,因此触发修儿录制这张专辑的灵感,曲目以古典作曲家的希伯来音乐作品为主。充满感性与省思的〈祈祷〉就是出自犹太裔作曲家布洛赫(Ernest Bloch)的三首《犹太生活》之一,专辑除了完整的《犹太生活》之外,也收录布洛赫《美名大师》中的〈即兴曲〉及《希伯来风冥想曲》。而在大师史特拉金指挥里昂国家管弦乐团的伴奏下,修儿拉奏布洛赫最著名的《所罗门》,这是由大提琴与管弦乐团合作的大编制三乐段希伯来风格幻想曲。

俄国作曲家萧士塔柯维契的《犹太民间诗篇》原本是为小提琴与钢琴所做的歌曲集,修儿挑选其中包含〈摇篮曲〉、〈警告〉、〈悲歌〉与〈少女之歌〉四首,改编以大提琴与弦乐团演出。专辑最后选择西班牙大提琴巨匠卡萨尔斯晚年经常演奏的名曲《白鸟之歌》,以这首著名的加泰隆尼亚民歌,呼应整张犹太歌谣中所怀抱的悲天悯人情怀。儘管来自阿根廷的修儿并非犹太人,但音乐本身就是无国界的普世语言,她以大提琴深情道述著人们的愁苦与欢乐,这是修儿最亲密的心灵歌唱,让乐迷沈醉且感动。

产品条码: 0888837621724
产品编号: 88883762172
发行公司: SONY MUSIC [发行商品]
发行日期: 2014年11月11日
产品制造地: 欧美 .
发行类型: 乐团 . 大提琴 . 管弦乐 . 古典 . CD .
内装片数: 1片

Audio CD (October 28, 2014)
Number of Discs: 1
Format: Import
Label: Imports
ASIN: B00LPQMOZM

Catalogue No:88883762172
Discs:1
Release date:20th Oct 2014
Barcode:0888837621724
Medium:CD

6 of 6 people found the following review helpful
Sombre beauty
By Ralph Moore TOP 500 REVIEWER on November 22, 2014
Format: Audio CD
Since 2007, Sol Gabetta has accumulated a discography that must be the envy of many another classical instrumental soloist; this is her latest release on the Sony label which takes Jewishness as its theme, the exception being the final encore number written by Pablo Casals. However, Casals greatly admired Ernest Bloch and although the composer dedicated his "Méditation hébraïque" to him, Casals did not himself record "Schelomo" but the sombre beauty of his own composition, with its descending minor intervals, certainly sounds as if it had drawn its inspiration from the Jewish tradition.

We are given only an hour's music but as it is predominately elegiac and mournful in character, perhaps that is wise. However, "Nigun" is more rhapsodic despite its sorrowfulness and the Shostakovich pieces are less melancholy despite such titles as "The Song of Misery"; Shostakovich mines a vein of wry, ironic mawkishness so expressive of this composer's sensibility. In the "Méditation hébraïque", Bloch exploits the deepest register of the cello and its theme is typically built around falling minor fifths. "Schelomo" is by far the longest piece here; in it, the cello figures the voice of the wise king himself, and purports to tell his story musically and thematically rather than as a chronological narrative, although the general listener is more likely to hear the work in more less specific terms as a threnody for the suffering of the Jewish nation.

I have heard Gabetta live and although I admired her beauty of tone I did not find her sound very large; it is evident that this recording has placed the cello very forwardly in the sound picture; as a result, her breathing is sometimes too prominent and the orchestra is rather recessed, so we must accept that this is not a very natural soundscape, for all that we are allowed to appreciate the nuances of her playing. I was especially struck by Gabetta's willingness to vary her vibrato, sometimes accentuating it to mimic the wailing quality of a cantor's lament, as on the long, drawn-out concluding C of the opening "Prayer", and elsewhere fining down her tone to an unpulsed pianissimo. Her intonation is superb and she makes telling use of quarter-tone slides to enhance the intensity of yearning in the music; again, it is the vocal quality of her playing which is striking.

This issue is attractively packaged in the light cardboard slipcase increasingly favoured by recording companies, with notes in three languages.

引用
特别讨论Sol Gabetta,是她不但是出色的音乐家(而且拉「不容易」的大提琴),而且是一流的明星料子!有人说拿她和网球美女Sharapova比较最适宜,因为她也是个金髮美女,也一样懂得好好利用自已的天赋。Sol这名字是阳光之意:她也真是个「阳光小姐」,个性和言行都非常爽朗。她曾直言,金髮美女初进乐坛会有帮助,但如果没有真本领,很快就会给新的金髮美女取代,反不如男人的「耐久」。用她的逻辑看她能短期崛起而持续走红,证明她是有本领的。

对我来说,只要一听就明白她的本领,甚至不用买唱片,YouTube就不但有很多她的录音,更有录影。她的演奏风格非常豪放,是很有劲的作风。据说她用弓的狠,令到弓毛特别需要不断更换(我想起Diana Vishneva说她的芭蕾鞋的消耗是大约每天一双)。似乎能流利操一切欧洲语言,她的父母分别是俄裔和法裔,生於阿根廷,现居瑞士,主要在德语区活动,她拥有国际化的背景。当年全家先迁马德里,父母送她学艺於罗斯卓波维契徒弟Ivan Monighetti之门,后来师父迁往瑞士,她的父母为此也迁居。她的第二个师父David Geringas也是罗斯卓波维契的弟子。在2004年,正值她22岁时,更赢得国际音乐比赛一举成名。



Sol Gabetta 修儿.嘉碧妲来自阿根廷、拥有法国和俄国血统的大提琴家嘉碧妲是位笑容非常亲切、不喜欢以严肃面貌示人的音乐家。在巴赛尔音乐院(BaselAcademy of Music)担任教职。

2004年,她与葛济夫与维也纳爱乐在琉森音乐节的精采首演,不但让她打开了国际知名度,更让当时才二十三岁的她,因此获得索尼唱片公司的合约。师事大卫.葛林格斯(David Geringas)的她,可以说是俄国大提琴学派的嫡系,这或许也说明为什么她先后在罗斯托波维奇和柴可夫斯基大提琴大赛中都表现优异的原因。



布洛赫曾说:「创作音乐的唯一方法,就是内心要充满感动」,这首《祈祷文》选自布洛赫《犹太生活》组曲中的第一首,是深深受到犹太传统的感召还有宗教信仰而激发出来的创作。

抒情中略带有阴鬱气质,复古且带有东方色彩,透过这首曲子,彷彿到了古老的中亚流浪一番。

“Prayer” offers the listener an intimate and meditative musical journey, with poignantly chosen pieces.

Sol was inspired to record this album from her experience of playing the piece “Prayer” by Swiss-born Jewish composer Ernest Bloch as an encore in her concerts – she always found the audience was deeply moved and longed for more music of this kind.

As she searched to expand this repertoire, she came across other pieces by Bloch, Dmitri Shostakovich and the cellist Pablo Casals.

The majority of the pieces on this CD are inspired by religious Jewish themes.




Classical | MP3 CBR 320 kbps | 01:00:06 | 138 MB
Label: Sony Classical | Release Year: 2014

In every regard this is an outstanding CD. The recording quality is impressively clear yet warm, the orchestral playing well-boned and incisive, and the repertoire extremely varied. Sol Gabetta shines at every turn. Her technical command is absolute – as a pupil of Monighetti and Geringas, the legacy of Rostropovich seems firmly in place. More importantly, her nuance on shaping phrases is tasteful and expressive, and her sense of line always follows for a forward impetus in the music. Her impassioned playing of Respighi Adagio con variazioni fully exploits the music’s lyrical aspects, while Dvorak’s Waldesruhe is particularly evocative, and she brings a sense of rustic verve to the same composer’s Rondo, again delivered with impeccable assurance.


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专辑曲目

01. From Jewish Life I. Prayer
02. From Jewish Life Ii. Supplication
03. From Jewish Life Iii. Jewish Song
04. Baal Shem Ii. Nigun
05. Meditation Hebraique
06. From Jewish Folk Poetry, Op. 79 Iii. Lullaby (Arr. For Cello And String Orchestra)
07. V. A Warning (Arr. For Cello And String Orchestra)
08. From Jewish Folk Poetry, Op. 79 Vii. The Song Of Misery (Arr. For Cello And String Orchestra)
09. X. The Young Girl's Song (Arr. For Cello And String Orchestra)
10. Schelomo
11. Song Of The Birds

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