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Jean Pierre Rampal, Maurice Andre -《布兰登堡协奏全集》(J.S. Bach - Brandenburg Concertos)黑胶版本[MP3]

  • 状态: 精华资源
  • 摘要:
    古典类型协奏曲
    发行时间1975年
  • 时间: 2014/12/22 14:16:54 发布 | 2014/12/23 17:48:52 更新
  • 分类: 音乐  古典音乐 

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专辑英文名J.S. Bach - Brandenburg Concertos
专辑中文名布兰登堡协奏全集
古典类型协奏曲
资源格式MP3
版本黑胶版本
发行时间1975年
地区美国
语言英语
简介

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压缩码率: 320Kbps

专辑介绍:

●巴赫以其完美的作品以及对音乐史的贡献被后人誉为“音乐之父” ●可以用“伟大”一词来形容此作品在音乐史上的崇高地位

●布兰登堡协奏曲奠定了巴洛克时代以后音乐创作的趋向 高尔基曾评价巴赫说:“如果把伟大的作曲家想象为山脉,那么巴赫这一山峰当是高高耸入白云之上的。那是永远有炽热的太阳光照射、覆盖着的冰雪般闪耀夺目的白顶,巴赫的音乐就是这样纯洁、明亮到结晶的程度……” 巴赫因其对世界音乐发展起了重大的意义,被后人誉为“音乐之父”。布兰登堡协奏曲是巴赫同类作品中最伟大的一部杰作,也是所有合奏协奏曲中最优秀的作品,协奏曲中有着舞蹈般的气氛,曲中经常流露出欢娱的感受。巴赫以鬼斧神工的熟练技巧,自由挥洒其才华,创造出最欢乐、最生动的作品。是每个古典乐迷不可获缺的珍藏。

Maurice André(莫里斯·安德列):

法国著名的小号演奏家,1951年入巴黎音乐学院,拜萨巴里赫为师,在学院获小号演奏一等奖.1954年首次登台,以后分别任拉穆勒、法国广播交响乐团及巴黎喜歌剧院的演奏员,1967年起任巴黎音乐学院的教授.安德烈使用由塞尔梅制成的四键高音小号,曾在1955年日内瓦比赛和1963年慕尼黑比赛中获一等奖.他的演奏音域宽、耐力强,几乎将全部经典的小号作品录成唱片,是当然的小号演奏权威.


Jean-pierre Rampal (让-皮埃尔·郎帕尔):

法国著名长笛演奏家,1921年生于马赛。父亲约瑟夫是有名的长笛家,郎帕尔自幼就接受父亲的指导。他起初有志于医学,由于特别原因,最后进入巴黎音乐学院学习,后以优异成绩毕业。1947年在日内瓦国际比赛中独占鳌头,声名远扬,被聘为威西歌剧院管弦乐团的首席长笛。后前往美国旅行演奏,博得一致赞誉。从1965年起开始任巴黎国立歌剧院管弦乐团的首席长笛。

在郎帕尔担任巴黎音乐学院教授期间,仍利用课余时间继续忙碌于演奏和录音。像他这样精力充沛、马不停蹄的演奏家,实不多见。优美动听的音色,是对每一个器乐演奏家最根本的要求。在长笛演奏上,只要一提起“美声”人们的脑际里就会立即浮现出郎帕尔那光辉、高贵又美丽悦耳的笛声。再加上他那惊人的吹奏技巧,温馨而洗炼的表情,使人们聆听后,无不有绕梁三日之感。

郎帕尔除了长笛,还问津过指挥。此外,他在巴罗克音乐的研究方面也留下了伟大功绩,不少失传作品都由他发掘了出来。他还著有《古代音乐中的长笛》一书。他所灌制的唱片种类极为丰富。

Artist Johann Sebastian Bach
Type Album
Released 1975

Jean-Pierre Rampal (flute),
Alain Marion (flute),
Gerard Jarry (violin),
Pierre Pierlot (oboe),
Charles Lormand, Micher Martin (viola),
Bernard Fonteny, Alain Courmont, Guy Besnard (cello),
Gerard Granier (double bass),
Anne-Marie Beckensteiner (harpsicord)
Conductor(s):
Jean-Francois Paillard


First, I would not have known of this recording of the Brandenburgs were it not for Dark_Swordsman sharing it with us in 2009. I've listened to this countless times and the more I listen, the more I love it. Again, many thanks to Dark_Swordsman.

I'm very excited to be able to share this copy of the Brandenburg Concertos after looking for a high quality version of it for the last couple years. I purchased my own copy about a year ago and the record seemed to be in great shape. The people at a high-end audio store - I won't say which one - actually let me listen to all four sides of it on their Wilson speakers and I was blown away. A guy who works there offered to rip it to HD 24/96... so here it is, converted to 320kbps mp3.

I did not remaster or clean it up in any way and you can hear the pops and crackles of true vinyl. I'd say this rip sounds damn good; at the very least I can hear a lot of things in this rip that I don't notice in others.

May it bring you as much pleasure as it brings me wink.gif

(I'm happy to upload the original HD 24/96 files as well if people want it. )

引用
5 of 5 people found the following review helpful
5.0 out of 5 stars The Finest Recorded Version of the Brandenburgs... ever February 5, 2011
By John Parker Marmaro
Let me begin by hoisting my colors: I do not care for "period instrument" performances. I have heard scores of them. And I can honestly say that, far from liking the majority, I have actively disliked them. I probably can count on one (or possibly it would have to be two) hands such recordings i HAVE liked. For me, these performances are dry academic surmises, not music to engage with. (The lack of vibrato playing only exacerbates the caterwauling, nails-on-the-blackboard tocsins that are the sonorities of most "period" renditions.)

And yet, nowadays, it is becoming harder and harder to find good modern-instrument performances of Baroque music, and even of high Classical. Indeed, it seems like no one is releasing discs on modern instruments at all.

So we are left with older performances... and as this particular one is available, far from being a problem, it is a blessing. Or would be if this would again be issued on CD .

This is the most beautiful of all the performances of the Brandenburgs I have ever heard. Of course, one might expect it to be so, with the legendary soloists participating. There is Jean-Pierre Rampal on flute in nos. 2, 4 and 5; the second is blessed with Maurice Andre's impeccable clarino on trumpet, and he also plays one of the two hunting-horns in the no.1; Anne-Marie Beckensteiner's harpsichord provides the continuo throughout, the beautiful solo playing in no. 5, and the splendid cadenza filling out the two-chord slow movement of no.3.

All the renditions are splendid, and I especially love nos. 2, 3 and 5. Indeed, the whirling Gigue finale to no. 3 has never been better rendered, nor indeed, have the outer two movements of no. 2 (with Mr Andre's and Mr Rampal's magisterial playing).

This has been bounced around from label to label: Erato, The Musical Heritage Society, Sony Japan, BMG/RCA Red Label.... and none were ever in print for very long, it seems. It is about time this classic recording --- which should be a foundation element in any good music collection -- was made available, once more, on compact disc -- and WIDELY!



Gerard Jarry, solo Violin
Christian Lormand, Michel Martin, viola
Bernard Fonteny, Alain Courmont, Guy Besnard, Cello
Gerard Granier, double bass
Pierre Pierlot, oboe, Nos. 1 - 2
Jacques Chambon, Claude Maisonneuve, oboe, No. 1
Maurice André, trumpet, No. 2, horn, No. 1
Robert Tassin, horn
Paul Hongne, bassoon
Jean-Pierre Rampal, flute, Nos. 2, 4 - 5
Alain Marion, flute, No. 4
Anne-Marie Beckensteiner, harpsichord, Nos. 5 - 6

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专辑曲目

A1. Concerto No. 1 In F, Bwv 1046
B1. Concerto No. 2 In F, Bwv 1047
B2. Concerto No. 4 In G, Bwv 1049
C1. Concerto No. 5 In D, Bwv 1050
D1. Concerto No. 3 In G, Bwv 1048
D2. Concerto No. 6 In B-Flat, Bwv 1051

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