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Howard Shelley -《杜勒, 德莱修克; 浪漫的钢琴协奏曲,第61集》(Dohler & Dreyschock - The Hyperion Romantic Piano Concerto series Vol. 61)[FLAC]

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  • 摘要:
    古典类型协奏曲
    发行时间2013年
  • 时间: 2014/12/08 20:20:37 发布 | 2014/12/09 09:08:47 更新
  • 分类: 音乐  古典音乐 

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专辑英文名Dohler & Dreyschock - The Hyperion Romantic Piano Concerto series Vol. 61
专辑中文名杜勒, 德莱修克; 浪漫的钢琴协奏曲,第61集
艺术家Howard Shelley
古典类型协奏曲
资源格式FLAC
发行时间2013年
地区美国
语言英语
简介

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专辑介绍:

【hyperion】浪漫的钢琴协奏曲,第61集 - Dohler & Dreyschock : Piano Concerto/Morceau de concert(Howard Shelley)(BBC四星)
BBC音乐杂誌四颗星

德国作曲家杜勒的A大调协奏曲和德莱修克的向维也纳致敬两曲皆是首次录音,意义非凡。两人都是作曲家兼钢琴家,活跃於同时代而且都以神童之姿崛起,并且在当时各自称霸一片天。



BBC音乐杂誌四颗星

浪漫钢琴协奏曲系列发行至今已经60集,历来有多位国际级钢琴家投入此一浩大录音工程,法国钢琴家提贝冈在本系列现身倒是第一回,这位毕业自巴黎音乐院的高材生1992年拿下一等奖时才年仅17岁,之后经过诸多国际大赛的洗礼,1998年拿下巴黎著名的隆-提博大赛冠军,此后音乐事业一飞冲天。除了在Hyperion与小提琴家伊布拉吉莫娃合作过三张室内乐专辑,在法国厂牌Harmonia Mundi更有不少重点录音,是相当值得期待的新一代钢琴家。

浪漫钢琴协奏曲系列已经迈入第61集,持续不断的探索19世纪无人知晓的深处,试图挖掘更多浪漫年代的未知美好一直是本系列的宗旨。因而你会看到许多几乎不曾听闻的作曲家,经由当前的钢琴名家为我们重现这些作品的价值,令我们能在泛滥的已知曲目当中有其他的选择。德国作曲家杜勒的A大调协奏曲和德莱修克的向维也纳致敬两曲皆是首次录音,意义非凡。两人都是作曲家兼钢琴家,活跃於同时代而且都以神童之姿崛起,并且在当时各自称霸一片天。不过现实是残酷的,就如同本系列多数作曲家的命运,如今的乐迷几乎没人知道他们的来历。杜勒的钢琴协奏曲可以说具备所有引人注目的娱乐特质,用华丽绚烂的装饰包装著繁复的技巧宛若一道令人愉悦的经典甜食,但是这种走钢索般的惊险和喝采当然也考验独奏家的技巧,想要吸引注意没有点本事还是不要勉强。德莱修克的音乐会小品献给伦敦爱乐协会,乐曲一开头便散发出宛若贝多芬的慷慨激昂气势,中间也有不少桥段的确暗示著贝多芬的作品像是知名的热情奏鸣曲等等。向维也纳致敬就是一首会让人心情愉悦放鬆到底,却又能有效引起你听觉的最佳典范。这三首被人遗忘的作品透过霍华.薛利的超高技巧和自成一格的艺术性,彷彿从黑暗角落再次转生回到我们面前,塔斯马尼亚交响乐团与薛利在本系列曾合作多张膾炙人口的专辑,自然无须担心会有指挥与乐团格格不入或是默契不够的窘境,只需放下对未知作曲家成见,就能重新感受到百分百的浪漫氛围。

COMPOSER: Theodor Dohler (other composers in brackets after works)
TITLE: The Romantic Piano Concerto volume 61
TRACKS: Concerto for Piano and Orchestra in A opus 7 (THEODOR DOHLER). Morceau de

concert in C minor opus 27. Salut a Vienne 'Rondo brillant' opus 32 (ALEXANDER

DREYSCHOCK).
ORCHESTRA: Tasmanian Symphony Orchestra
CONDUCTOR: Howard Shelley
ARTISTS: Howard Shelley

CDA67950

引用
Orchestra: Tasmanian Symphony Orchestra
Conductor: Howard Shelley
Composer: Theodor Dohler, Alexander Dreyschock
Audio CD (September 10, 2013)
Number of Discs: 1
Format: Import
Label: Hyperion
ASIN: B00DOVXN1U

The Romantic Piano Concerto series reaches Volume 61, and continues to probe into the obscurest depths of the nineteenth-century piano world. Döhler’s Piano Concerto in A major and Dreyschock’s Salut à Vienne are both first recordings. The two composer-pianists were contemporaries, both child prodigies and both hugely admired in their day. Today their names are not even faintly familiar to concert-goers.

Döhler’s Concerto is pure entertainment: a lavishly ornamented virtuoso confection that requires a high-wire act from the soloist from start to finish. Dreyschock’s Morceau de concert, Op 27, is dedicated to the Philharmonic Society of London. It opens with a Beethovenian declamation—and indeed throughout the piece there are allusions to several Beethoven works, notably the ‘Appassionata’ Sonata. Salut à Vienne is a lighthearted but highly effective showpiece.

These all-but-forgotten works live again through the stylish artistry and technical brilliance of Howard Shelley, who is both soloist and conductor of his long-term collaborators, the Tasmanian Symphony Orchestra.




Dohler / Dreyschock / Shelley / Tasmanian Sym Orch
Release Date: 09/10/2013
Label: Hyperion Catalog #: 67950
Composer: Theodor Dohler, Alexander Dreyschock
Performer: Howard Shelley
Conductor: Howard Shelley
Orchestra/Ensemble: Tasmanian Symphony Orchestra
Number of Discs: 1
Length: 0 Hours 56 Mins.

Notes and Editorial Reviews
The Romantic Piano Concerto series reaches Volume 61, and continues to probe into the obscurest depths of the nineteenth-century piano world. Döhler’s Piano Concerto in A major and Dreyschock’s Salut à Vienne are both first recordings. The two composer-pianists were contemporaries, both child prodigies and both hugely admired in their day. Today their names are not even faintly familiar to concert-goers.

Döhler’s Concerto is pure entertainment: a lavishly ornamented virtuoso confection that requires a high-wire act from the soloist from start to finish. Dreyschock’s Morceau de concert, Op 27, is dedicated to the Philharmonic Society of London. It opens with a Beethovenian declamation—and indeed throughout the piece there are allusions to several Beethoven works, notably the ‘Appassionata’ Sonata. Salut à Vienne is a lighthearted but highly effective showpiece.

These all-but-forgotten works live again through the stylish artistry and technical brilliance of Howard Shelley, who is both soloist and conductor of his long-term collaborators, the Tasmanian Symphony Orchestra.


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专辑曲目

Piano Concerto in A major Op 7 [28'28] Theodor Döhler (1814-1856)
1. Maestoso [13'44]
2. Adagio [4'09]
3. Allegretto [10'35]
4. Morceau de concert in C minor Op 27 [16'42]

Salut à Vienne 'Rondo brillant' Op 32 [10'55] Alexander Dreyschock (1818-1869)
5. Introduzione – Tempo di marcia – [4'17]
6. Rondo: Allegro con moto [6'38]

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