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Roberto Prosseda -《浪漫钢琴协奏曲第62集 - 古诺:踏板钢琴与管弦乐团协奏曲全集》(Gounod - The Hyperion Romantic Piano Concerto series Vol. 62)[FLAC]

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  • 摘要:
    古典类型协奏曲
    发行时间2012年10月26日
  • 时间: 2014/11/27 12:46:15 发布 | 2014/11/29 15:17:21 更新
  • 分类: 音乐  古典音乐 

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专辑英文名Gounod - The Hyperion Romantic Piano Concerto series Vol. 62
专辑中文名浪漫钢琴协奏曲第62集 - 古诺:踏板钢琴与管弦乐团协奏曲全集
别名The complete works for pedal piano & orchestra
艺术家Roberto Prosseda
古典类型协奏曲
资源格式FLAC
发行时间2012年10月26日
地区美国
语言英语
简介

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专辑介绍:

浪漫钢琴协奏曲第62集 - 古诺:踏板钢琴与管弦乐团协奏曲全集 The Romantic Piano Concerto 62 - Gounod:The complete works for pedal piano & orchestra

义大利钢琴家普罗希达(1975年生)首度现身Hyperion。他的踏板钢琴曲目除了有舒曼、阿尔肯以及波利等人,颜尼欧.莫利康奈和麦可.尼曼等其他当代作曲家亦曾为他谱写新曲。普罗希奈最广为人知的就是他在DECCA的孟德尔颂录音,包含了八张钢琴作品全集。他曾经委託许多当代作曲家将孟德尔颂多首未完成的作品加以重建,第三号钢琴协奏曲就是一例。2009年他与夏伊、布商大厦管弦乐团合作此曲的现场录音赢得法国音叉杂誌的金音叉与古典杂誌的「衝击奖」等荣耀。

2011年普罗希达首度以踏板钢琴演出(钢琴下方还有一排键盘得用双脚操纵,与管风琴相似),让古诺写给该乐器的协奏曲能在现代重现。踏板钢琴让管风琴家得以在教堂以外的地方能够练习,在舒曼、李斯特以及阿尔肯等人的努力下,此类曲目开始变多,阿尔肯在钢琴制造商艾拉德举办的一系列沙龙音乐会上大显身手,1876年古诺在该场合听到他弹奏圣桑的作品。十年后古诺放弃歌剧创作转向宗教音乐以及器乐作品。古诺自己写过四手踏板钢琴曲目,这些代表他晚期风格的作品全是因为一位才女路希耶.帕利寇特(1860年生,师从纪尔芒学习管风琴、跟随阿尔肯的私生子艾力-米利恩-狄拉伯学习钢琴)的才华感动了古诺而决定为她谱曲。很有可能当阿尔肯宣布不再公开演出之后,狄拉伯便转而指导路希耶学习踏板钢琴。1882年3月6日路希耶在巴黎普蕾亚音乐厅举办音乐会演奏巴哈、阿尔肯和纪尔茫的作品。可惜的是1895年路希耶嫁给第二任丈夫之后便决定放弃演奏事业专心相夫教子。

浪漫钢琴协奏曲系列进入62集后,首次以踏板钢琴为主角。一般人对古诺的印象多半是歌剧和宗教作品,专辑内的作品刚好可以让我们见识到这位19世纪重要钢琴家的另一面。


专辑编号: CDA67975
专辑类型: 单CD
发行年份: 2013
国际条码: 0034571179759
音乐家:
Orchestra della Svizzera Italiana 义大利瑞士管弦乐团 Howard Shelley, conductor 霍华.薛利, 指挥 Roberto Prosseda, piano (b1975) 罗贝托.普罗希达, 钢琴
音乐厂牌: Hyperion

Performer: Roberto Prosseda
Orchestra: Orchestra della Svizzera Italiana
Conductor: Howard Shelley
Composer: Charles Gounod
Audio CD (November 11, 2013)
Number of Discs: 1
Format: Import
Label: Hyperion
ASIN: B00FBE9470

Release Date November 12, 2013
Duration 55:49
Genre Classical
Styles Concerto
Recording Date October 24, 2012 - October 26, 2012

引用
Review by James Manheim [-]

The Hyperion label's massive series devoted to the Romantic piano concerto (this is volume 62 and counting) has had a few entries of dubious value. But the purpose of a comprehensive series is to uncover some lost gems by sheer force of numbers, and that's just what happens here. The pedal piano is an almost-forgotten relic of the 19th century, but it was fairly popular in its own time, and even as august a work as Mozart's Piano Concerto No. 20 in D minor, K. 466, may have been composed with one in mind. It's worth a revival, and Italian pianist Roberto Prosseda had to cobble one together here: no original instrument was readily at hand. As the name suggests, it is essentially a piano with an organ keyboard. Charles Gounod, who is a composer too much known for just a few big hits, wrote four works for the instrument, all in the late 1880s, and they're delightful. There are two four-movement concertos, one of them denoted a Suite concertante in A major. The Concerto for pedal piano in E flat major is a bit more idiomatic to the instrument, and its slow movement, with a nifty hunting motif in its second-movement scherzo is most enjoyable. The two concerto slow movements are fine examples of Gounod's melodic idiom. The two shorter works at the end of the program are less distinctive melodically, but they would have been showpieces for the instrumentalist for whom they were written, and at the very least they fill in a gap in our knowledge of French music. Prosseda gets able support from the series' instigator, Howard Shelley, here conducting the Orchestra della Svizzera Italia.


The Romantic Piano Concerto series reaches 62 and makes an interesting (although temporary) departure: these four works are for pedal piano (a piano which includes a separate keyboard for the feet, to be played rather in the manner of an organ). Gounod was inspired by the talent of the young and apparently very attractive Lucie Palicot (born circa 1860) whom he heard performing Alkan’s music for pedal piano in 1882. Gounod is far better known for his operatic and liturgical compositions: these works show a different side to this nineteenth-century luminary.

Italian pianist Roberto Prosseda makes his debut on Hyperion. He gave the first modern performance of Gounod’s Concerto for pedal piano and orchestra. His pedal piano repertoire also includes the original works by Schumann, Boëly and Alkan and new pieces written for him by Ennio Morricone, Michael Nyman and other contemporary composers.


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专辑曲目

Charles Gounod: Suite concertante In A major
01. Entrée De Fête: Moderato Maestoso
02. Chasse: Allegro Con Fuoco
03. Romance: Andante Cantabile
04. Tarentelle: Vivace

Charles Gounod: Concerto for pedal piano in E flat major
05. Allegro Moderato
06. Scherzo
07. Adagio Ma Non Troppo
08. Allegretto Marziale, Pomposo

Charles Gounod: Fantaisie sur l’hymne national russe
09. Fantaisie Sur L'Hymne National Russe

Charles Gounod: Danse roumaine
10. Danse Roumaine

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