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Sol Gabetta -《柴可夫斯基&圣桑》(Tchaikovsky Saint-Saëns Ginastera)[FLAC]

  • 状态: 精华资源
  • 摘要:
    古典类型全集作品
    发行时间2007年02月06日
  • 时间: 2014/11/05 00:35:36 发布 | 2014/11/07 06:52:49 更新
  • 分类: 音乐  古典音乐 

alanfish

精华资源: 2006

全部资源: 2007

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专辑英文名Tchaikovsky Saint-Saëns Ginastera
专辑中文名柴可夫斯基&圣桑
艺术家Sol Gabetta
古典类型全集作品
资源格式FLAC
发行时间2007年02月06日
地区美国
语言英语
简介

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专辑介绍:

 日内瓦瑞士罗曼德广播公司&柴可夫斯基大赛最佳詮释奖
 世界首度以弦乐伴奏录音:阿根廷籍作曲家金纳斯特拉「彭巴斯草原之歌第二号」
 使用珍贵稀有名琴--瓜达尼尼一七五九年的古琴

芳龄25岁的大提琴家修儿.嘉碧妲来自阿根廷,是钢琴家阿格丽希和巴伦波英的同胞。她的双亲则是法国人和俄国人。她十岁时获得第一座大提琴比赛的奖座,之后更分别获得日内瓦瑞士罗曼德广播公司、莫斯科柴可夫斯基大赛的最佳詮释奖。可以说是一位从神童一路获奖上来的常胜音乐家。瑞士政府特别为青年音乐家所设的大奖,她得以在2004年得以与葛济夫和维也纳爱乐共同举行一场音乐会。专辑中,她所拉奏的是世界上最珍贵的一把大提琴,由瓜达尼尼在1759年所造的古琴。

本片曲目中,最值得一提的首先是同为阿根廷籍的作曲家金纳斯特拉的「彭巴斯草原之歌第二号」,这首作品完成於一九五零年,此曲一般较为人知的版本是以大提琴和钢琴合奏的,而本片的弦乐伴奏,则是世上首度录音。这首作品是在描写横亙在亚马逊河流域上的广大彭巴斯草原的原始景象,金纳斯特拉藉由曲中的大提琴,运用最鲜明而特别的新演奏技法,刻划出这片蛮荒的景象,可以说是大提琴曲目中最具有想像力和原创力的一首乐曲。

其次则是柴可夫斯基小品,其中的「如歌行板」广为人知,出自柴可夫斯基第一号弦乐四重奏第二乐章中的作品,此曲动人的主题是一首俄国民谣,曾让大文豪托尔斯泰感动落泪。至於「夜曲」是为钢琴家普雷特涅夫喜爱,常在音乐会上当作安可曲的作品,改编自柴氏作品十九六首钢琴小品中的第四首。比较少为人所知的是「奇想风」一曲,此曲是在「洛可可主题变奏曲」完成后十年才问世的,这是柴氏少数为大提琴原创的作品,却较少为人注意和喜欢,此曲后半有一段相当艰难高技巧的擦弦奏乐段。

曲目
1-9柴可夫斯基:洛可可主题变奏曲 10.柴可夫斯基:如歌的行板 11.柴可夫斯基:奇想风 12.柴可夫斯基:夜曲
13-15圣桑:第一号大提琴协奏曲 16.金纳斯特拉:彭巴斯草原之歌第二号(世界首度录音)


商品条码 : 0828767595122
商品编号 : 82876759512
演奏者 : 修儿嘉碧妲 Sol Gabetta - 查看所有专辑
指挥家 : Ari Rasilainen - 查看所有专辑
乐团 :
作曲家 : 柴可夫斯基&圣桑 Tchaikovsky&Saint-Saens - 查看所有专辑
专辑名称 : 首张大提琴专辑(柴可夫斯基:洛可可变奏曲&夜曲&如歌行版&圣桑:第一号大提琴协奏曲)
Sol Gabetta
音乐类型 : 古典音乐 [CD 协奏曲]
发行公司/日期 : SONY MUSIC 2006/10/6
制作公司 : RCA
内含片数 : 1


还有 TMNEXT 曾推荐过的
Sol Gabetta Plays Tchaikovsky, Saint-Saëns, and Ginastera

Youtube 上找不到这张, 不过有韩国的 Soo Bae 演奏的版本.
http://www.youtube.com/watch?v=1d0okmsJuMY

像这样的 cello concert 真的是很棒啊 ~ 不会太气势磅礡盖住大提琴的甜美, 也不会太孤单 :oops:



商品编号: SND_82876759512
商品名称: Sol Gabetta Tchaikovsky Saint-Saens Ginastera (二手)
发行公司: SONY出品 2006年发行
产品资讯:

曲目:

1-9柴可夫斯基:洛可可主题变奏曲
10.柴可夫斯基:如歌的行板
11.柴可夫斯基:奇想风
12.柴可夫斯基:夜曲
13-15圣桑:第一号大提琴协奏曲
16.金纳斯特拉:彭巴斯草原之歌第二号(世界首度录音)

引用
Release Date February 6, 2007
Duration 01:04:31
Genre Classical
Styles Concerto

Review by Mike D. Brownell [-]

Cellist Sol Gabetta possesses a beautifully singing tone, an evenly warm sound across the range of her instrument, precise intonation, and a large array of colors and techniques at her disposal. Yet her debut album fails to make a tremendous impact on its listeners. While sheer technique and virtuosity shouldn't win out over considerations of musical artistry, works like the Rococo Variations still require at least a little bit of sparkle and dazzle to maintain the excitement. Despite her amply beautiful sound, Gabetta's interpretation comes across as cautious and lackluster. The seven variations lack adequate distinction in tempo and character, with the third, fourth, and sixth variations being interminably slow. The Saint-Saëns concerto is slightly more vigorous in the first theme, but by the second theme the tempo once again comes almost to a standstill. Ginastera's Pampeana No. 2, heard here in a version for cello and string orchestra, is the most interesting and vivacious piece on the disc, but is still not as fiery as it should be. The orchestra accompaniment is similarly sluggish and the playing in the string section is often imprecise. While listeners will most likely enjoy Gabetta's rich sound, they may wish to look elsewhere for a more lively and varied performance of all the works heard here.

Performer: Sol Gabetta
Orchestra: München Rundfunkorchester
Conductor: Ari Rasilainen
Composer: Camille Saint-Saens, Pyotr Il'yich Tchaikovsky, Alberto Ginastera
Audio CD (February 6, 2007)
SPARS Code: DDD
Number of Discs: 1
Label: RCA
ASIN: B000G04RVW

19 of 19 people found the following review helpful
You Will Not Hear A Purer, More Beautiful Cello Tone Anywhere!
By goodmusicman on March 6, 2007
Format: Audio CD Verified Purchase
Cellist Sol Gabetta produces a pure, almost vocal, tone in her cello playing that makes this instrument sound more beautiful than I have ever heard the cello sound. Naturally, the cello's sound is deeper than that of a violin, but it need not have the harsh, wailing, almost abrasive sound too often associated with cello playing. This is particularly true of Tchaikovsky's Rococo Variations, which is a sweet, lyrical work that needs more from a cellist than simply a dazzling display of virtuosity and, more importantly, should not sound heavy and mournful. Gabetta's approach suits this work perfectly, enveloping the listener in the glorious sounds of the cello, in perfect concert with the orchestra. In this performance, you can actually hear every note of the cello, allowing the listener to appreciate Tchaikovsky's beautiful melodies (based on Baroque themes). In short, you have never really enjoyed the Rococo Variations until you have heard this performance.

This CD also features Tchaikovsky's three other works for cello and orchestra, given stunningly ravishing accounts by Gabetta. These are not mere "filler" works; instead, they represent Tchaikovsky at his creative best, and it is wonderful to have all his works in this genre on one CD, especially when given such lovely performances. The CD also features Saint-Seans' Cello Concerto No. 1, given a fetching performance here, which highlights its lyrical qualities more than its rhapsodic qualities, which succeeds once again in drawing attention to the purity of Gabetta's tone. Indeed, throughout the work, she produces a consistently light and pleasant tone, as befitting music by this composer. The CD finishes with a wonderful 8 minute work by Argentinean composer Alberto Ginastera from 1950 that is exciting, colorful and inventive. This recording is the first recording of the work in its cello/orchestra version (the original was cello/piano). Gabetta once again does not disappoint, delivering a thrilling performance.

The Munich orchestra plays very well on these recordings and the sound quality is bold and clear with a close focus on the cello. Perhaps the only drawback to this is that it seems that one can hear the cellist's movements and breathing at times. (If others also find this to be the case, please note so in the "comment" section under this review or in your own review.)

Those who have been waiting for a cellist with a pure, singing tone (to rival what some violinists bring to that instrument), wait no more! Sol Gabetta has just such a tone and these performances are an absolute must-have for those looking for a beautiful cello sound.


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专辑曲目

01. Variations On A Rococo Theme, Op. 33: Moderato Quasi AndanteHOT
02. Variations On A Rococo Theme, Op. 33: Tema: Moderato Semplice
03. Variations On A Rococo Theme, Op. 33: Variation I: Tempo Del Tema
04. Variations On A Rococo Theme, Op. 33: Variation II: Tempo Del TemaHOT
05. Variations On A Rococo Theme, Op. 33: Variation III: Andante Sostenuto
06. Variations On A Rococo Theme, Op. 33: Variation IV: Andante Grazioso
07. Variations On A Rococo Theme, Op. 33: Variation V: Allegro Moderato
08. Variations On A Rococo Theme, Op. 33: Variation VI: Andante
09. Variations On A Rococo Theme, Op. 33: Variation VII E Coda: Allegro Vivo
10. Andante Cantabile, Op. Ph
11. Pezzo Capriccioso, Op. 62HOT
12. Nocturne (1888)
13. Cello Concerto No. 1 In A Minor, Op. 33: Allegro Non Troppo
14. Cello Concerto No. 1 In A Minor, Op. 33: Allegretto Con Moto
15. Cello Concerto No. 1 In A Minor, Op. 33: Tempo Primo
16. Pampeana No. 2, Rhapsody For Violonello (Version For String Orchestra)

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