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Nicola Benedetti -《 席曼诺夫斯基,肖松,圣桑》(Szymanowski, Chausson, Saint-Saens )[MP3]

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  • 摘要:
    古典类型全集作品
    发行时间2005年05月09日
  • 时间: 2014/10/01 13:06:21 发布 | 2014/10/04 14:43:54 更新
  • 分类: 音乐  古典音乐 

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专辑英文名Szymanowski, Chausson, Saint-Saens
专辑中文名 席曼诺夫斯基,肖松,圣桑
艺术家Nicola Benedetti
古典类型全集作品
资源格式MP3
发行时间2005年05月09日
地区美国
语言英语
简介

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压缩码率: 320Kbps

专辑介绍:

Nicola Benedetti 班娜德蒂

班娜德蒂以动人的舞台风采及出眾的音乐造诣,吸引全球乐迷及乐评人的广泛关注。2011/12乐季的重要演出,便包括了与伦敦交响乐团、荷兰电台乐团、三藩市交响乐团、底特律交响乐团及哈莱乐团等知名乐团的首演,与伦敦交响乐团﹝艾逊巴赫指挥﹞的演出、以及与纽约爱乐﹝基尔拔指挥﹞合作於纽约中央公园演奏。其他演出包括於伦敦交响乐团圣卢克教堂举行的独奏会、威格摩音乐厅独奏会、阿姆斯特丹音乐厅首演、与皇家爱乐巡迴英国多个城市演出、於拉维尼亚音乐节与芝加哥交响乐团首演,以及前往南非多个音乐厅巡迴演出。

在此之前,班娜德蒂又曾与爱乐乐团、皇家苏格兰国家乐团、伯明翰市交响乐团、德意志交响乐团,苏黎世大会堂乐团、日本爱乐、达拉斯、匹兹堡、三藩市及多伦多交响乐团等演出。曾经合作过的指挥名家,则有亚殊坚纳西、丹尼夫、李顿、马连拿、巴孚.约菲、比力尼俄夫、温力高斯及梵志登等。

班娜德蒂的演奏曲目广泛,经常演出不同类型的音乐,包括灌录约翰.泰弗纳和苏格兰作曲家麦美伦的委约新作、拓展受爵士乐影响的曲目、以及对巴罗克复古演奏的研究,后者更被结集成大碟「意大利亚」,由Decca Classics发行。

自2005起,班娜德蒂便开始参与CLIC Sargent ﹝萨金特儿童癌症及白血病关怀组织﹞的拉琴马拉松计划。2010年,班娜德蒂加入委内瑞拉国立青少年管弦乐团系统﹝El Sistema﹞的姊妹组织─苏格兰Sistema,参与「Big Noise」乐团计划,指导乐团的小乐手。同时,作为计划的委员及合作艺术家,班娜德蒂经常於苏格兰举行大师班、又於2011年前往南美举行大师班。

班娜德蒂是2008年英国古典音乐大奖最佳青年演奏家,曾为环球唱片/DG灌录五张大碟,最近期的大碟收录布鲁赫协奏曲及即将在港乐音乐会上演奏的柴可夫斯基协奏曲。其他录音包括:与伦敦交响乐团、圣马田室乐团及伦敦爱乐合作,以及萨拉沙替、佛瑞、拉赫曼尼诺夫、帕特及拉威尔作品的专辑。


Orchestra: London Symphony Orchestra
Conductor: Daniel Harding
Composer: Szymanowski, Karol [Composer], Saint-Saëns, Camille [Composer], Chausson, et al.
Audio CD (April 4, 2006)
Number of Discs: 1
Label: DG
ASIN: B000EOTF8U

editor rating 3 Stars
release date May 9, 2005
duration 73:08
genre Classical
styles Concerto

引用
review
[-] by Uncle Dave Lewis

Once again, a major classical label, in this case Deutsche Grammophon, has brought us a pretty, young face peering out from behind her violin. Nicola Benedetti is a teen, Scottish, and won the BBC's Young Musician of the Year competition in 2004. Before that, she also won first prize on a TV game show called Britain's Brilliant Prodigies. So Benedetti is a known quantity in the U.K., and Deutsche Grammophon, now a British company despite the name, was banking that even if her artistry didn't manage to travel that the local response to her recording debut, Nicola Benedetti Plays Szymanowski, Chausson, Saint-Saëns, would justify the money put into it. It did, and in May 2006, this debut finally hit the stands in the U.S., a little behind the release of Benedetti's second disc in Europe.

It is heartening that Benedetti has chosen Karol Szymanowski's Violin Concerto No. 1, Op. 35, as the centerpiece of her maiden voyage on disc, as opposed to the usual Tchaikovsky or Max Bruch's Violin Concerto No. 1. It is a work that most often appears along with its sister, Szymanowski's Violin Concerto No. 2, Op. 61; here Benedetti awards this connoisseur piece pride of placement. The filler material consists of standard violin encores of the kind that usually populate debut albums by young violinists, with one notable exception: a new work by composer John Tavener, Fragment for the Virgin, written expressly for Benedetti. It is a decent piece even though it feels a tad short, and is the most interesting thing on this disc. Another novel feature thrown in as a bonus is a track of Massenet's Meditation from "Thaïs without the soloist, so that listeners might be able to perform the piece themselves utilizing sheet music that can be downloaded and printed from Benedetti's website.

John Tavener has stated that Benedetti is "reminiscent of the young Menuhin," and if this is true, it would make sense, as she is a product of the Yehudi Menuhin School and even played the maestro's funeral in 1999. One hates to differ with the opinion of an esteemed composer, but the young Menuhin was rugged, flexible, and emotional, whereas Benedetti is lithe, lean, and a little coolly detached -- more like the young Jascha Heifetz. This is also in keeping with the way violin is taught in the West these days, steeped in the Heifetz aura of tonal perfectionism. Nicola Benedetti Plays Szymanowski, Chausson, Saint-Saëns has occasional sparks of inspiration, but does not set one's soul on fire. Part of it is the recording, which is exceptionally clear but quiet and fails to spotlight the soloist in the mix; Benedetti is often equal to, or placed a little below, the level of the orchestra. Conductor Daniel Harding, partnering with the London Symphony Orchestra, works hard to get the Szymanowski off the ground, but seems disinterested in the rest -- overall, it is a rather boring album, although Nicola Benedetti certainly looks good in her photographs. Perhaps the next disc will be better.


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专辑曲目

1. Szymanowski - Vivace assai 12:37
2. Szymanowski - Vivace scherzando 8:53
3. Szymanowski - Cadenza (Allegro moderato) 5:29
4. Saint-Saens - Havanaise in E for Violin and Orchestra, Op. 38 10:18
5. Chausson - Poeme for Violin and Orchestra, Op. 25 16:47
6. Massenet - Meditation from Thais 5:37
7. Brahms - Contemplation (Wie melodien zieht es mir) 3:20
8. Tavener - Fragment for the Virgin (world premiere recording) 4:30
9. Massenet - Meditation from Thais (performance track) 5:50

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