Andre Previn -《What Headphones?》(什么耳机?)[FLAC]

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  • 时间: 2014/09/26 15:26:47 发布 | 2014/09/28 15:14:45 更新
  • 分类: 音乐  欧美音乐 


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专辑英文名What Headphones?
歌手Andre Previn

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1929年出生的Andre Previn虽然被尊为酷派的钢琴作曲大老,但骨子里Andre Previn是非常「古典」作风的,他许多作品在近代被某些擅长现代作品的古典乐手跟George Gershwin的作品相提并论,并且以古典的手法詮释。而弔诡的是Andre Previn本人的钢琴弹奏指法却与Oscar Peterson极其类似,无疑的是Andre Previn在爵士音乐与钢琴弹奏上的特有风格是建筑在某种介於爵士与古典的模糊界线上,这一点丝毫无损於他优雅的名声。

Andre Previn
One of the most versatile musicians on the planet, André Previn has amassed considerable credentials as a jazz pianist, despite carving out separate lives first as a Hollywood arranger and composer, and then as a world-class classical conductor, pianist, and composer. Always fluid, melodic, and swinging, with elements of Bud Powell, Oscar Peterson, and Horace Silver mixed with a faultless technique, Previn didn't change much over the decades but could always be counted upon for polished, reliable performances at the drop of a hat.

He started piano lessons in his native Berlin before the Nazi threat forced his family to move to Paris in 1938 and the U.S. the following year. Settling in Los Angeles, the wunderkind Previn began working as a jazz pianist, an arranger for MGM, and a recording artist for Sunset Records while still in high school -- and by his 18th year, his first recordings for RCA Victor had racked up substantial sales. Originally swing-oriented, Previn discovered bop in 1950 just before his induction into the Army. Upon returning to Los Angeles, Previn went into overdrive, gigging as a jazz pianist, scoring films, and playing chamber music. Forming a smooth boppish trio with Shelly Manne and Leroy Vinnegar, Previn scored a huge crossover hit with an album of jazz interpretations of My Fair Lady, which in turn led to a series of likeminded albums of Broadway scores and kicked off an industry trend.

By 1962, Previn started to make the transition away from Hollywood toward becoming a full-time classical conductor, dropping his jazz activities entirely. He stayed away from jazz for 27 years, with the exceptions of a handful of sessions with Ella Fitzgerald and classical violinist/dabbler Itzhak Perlman. Indeed, in 1984, he was quoted as saying that jazz was "an expendable art form" for him. But in March 1989, shortly before resigning from the Los Angeles Philharmonic in a dispute with management, Previn returned to jazz with a trio album for Telarc with Ray Brown and Joe Pass, showing that he had not lost an iota of his abilities. Subsequently, he returned frequently to the studio as a jazz pianist for Telarc, Angel, Deutsche Grammophon, and DRG when not freelancing as a conductor or composing classical scores. ~ Richard S. Ginell, Rovi

Andre Previn - p
Ray Brown - b
Mundell Lowe - g
Grady Tate - dr
Warren Vache - co
Richard Todd - French Horn
Jim Pugh - tb

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01. What Headphones?
02. You Are My All
03. Take A Train
04. Outside The Cafe
05. All Is Well
06. A Portrait Of Bert Williams
07. Warm Valley
08. Holy Spirit In Me
09. I'm Beginning To See The Light
10.You're Gonna Hear From Me
11.You Never Gave Up On Me






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