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Gerald Garcia -《最受欢迎的巴洛克古典吉他》(Baroque Guitar Favourites )[FLAC]

  • 状态: 精华资源
  • 摘要:
    古典类型合唱
    发行时间1994年02月15日
  • 时间: 2014/09/15 14:01:55 发布 | 2014/09/17 21:25:38 更新
  • 分类: 音乐  古典音乐 

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专辑英文名Baroque Guitar Favourites
专辑中文名最受欢迎的巴洛克古典吉他
艺术家Gerald Garcia
古典类型合唱
资源格式FLAC
发行时间1994年02月15日
地区美国
语言英语
简介

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专辑介绍:

  Gerald Garcia (谢家齐)
  生于香港的英籍华裔吉他演奏家
  官方主页:www.geraldgarcia.com

  当很多人在Naxos的唱片上看到Gerald Garcia这样的名字的时候,都很难想象这会是一个出生于香港的中国人,尤其是这些唱片上都没有附上他的照片。

  当谢家齐1979年第一次出现在著名的维格摩尔音乐厅(Wigmore Hall)之后,他获得了几乎众口一词的高评价:“罕见的高质量的演奏”;“如果你喜欢听吉他,那麽谢家齐无疑是你最应关注的演奏家之一”……那是一场三个人的音乐会,约翰·威廉斯和帕科·佩纳都是如日中天的吉他大师,但谢家齐丝毫没有被他们的光芒所遮蔽。

  在爱丁堡、爱尔德堡、切尔滕纳姆、索斯班克……一般在英国举办的大型国际艺术节总少不了他的捧场,同时,他的音乐也通过广播和电视传到了世界各地。谢家齐的足迹遍及远东、欧洲、澳洲,他还是第一个来到中国演奏的英国吉他演奏家,如果不是因为受伤,相信1996年他陪同威廉斯访华演出时,会给中国的吉他爱好者留下更加美好的印象。

  谢家齐和很多世界顶尖的音乐家和音乐团体共同演出过,包括伦敦交响乐团、香港管弦乐团、约翰·威廉斯、帕科·佩纳、理查德·贝克等等。尤其是与长笛演奏家康维(Clive Conway)有著长期而愉快的合作。在录音方面,只要稍加留意便不难发现,谢家齐在八十年代末、九十年代初,是Naxos唱片公司吉他唱片的主角。

  作为一个演奏家,谢家齐也是多才多艺的。为了更好的感受文艺复兴以及巴洛克音乐的魅力,他也是演奏鲁特琴和比维拉的高手。

  除了演奏之外,谢家齐在作曲方面也投入了大量的精力。目前,已经有四张唱片的全部曲目都出自他的改编。另外,他为中级吉他演奏者创作的25首草图练习曲也已被霍尔姆奎斯特(John Holmquist)在Naxos公司录制了唱片。

  与此同时,谢家齐的教学活动也从未停止过。在英国、比利时、德国、美国,他是很多培训活动以及研讨会的主要教师和发起者。

  谢家齐早年在牛津大学学习化学,现在则住在牛津继续著他多姿多彩的生活。除了演奏、作曲、教学,骑车、烹饪、电脑音乐、瑜珈、指挥室内乐团都能够让他乐在其中。



Release Date1993
Duration 01:15:18
Genre Classical
Styles Concerto

Conductor: Peter Breiner
Composer: Antonio Vivaldi, Johann Sebastian Bach
Audio CD (February 15, 1994)
Number of Discs: 1
Label: Naxos
ASIN: B0000013NZ


Misnomer, nonetheless pleasant, tuneful, harmonic
By Leslie Richford on July 27, 2007
Format: Audio CD
"Baroque Guitar Favourites": Arrangements for Guitar of Music by Antonio Vivaldi (Trio Sonatas RV 82 and RV 85; Lute Concerto RV 93; Violin Concerto RV 277) and by Johann Sebastian Bach (Harpsichord Concerto BWV 1052). All arrangements by Gerald Garcia. Performed by Gerald Garcia, guitar, and members of the Camerata Cassovia, directed by Peter Breiner. Recorded at the House of Arts in Kosice, Slovakia, in June 1990. Music notes by Gerald Garcia (not, as stated on the cover, by Keith Anderson). Released in 1992 as Naxos 8.550274. Total playing time: 75'23".

Over the last 20 years, the Naxos label has done a great deal to obtain its reputation as one of the leading classical guitar labels. Its very first guitarist was Gerald Garcia, who was not slow to show the way forward by extending the rather limited guitar repertoire by making arrangements of pieces originally written for other instruments. This is what he has done here, too: None of the music on this disc was written for guitar, it is all arranged by Garcia himself, who plays a modern guitar and definitely not a baroque instrument. This rather makes the title of the disc a misnomer: no baroque guitar, no guitar music at all in the original, and certainly no guitar favourites as these arrangements were only made shortly before the disc was recorded! It would have been more to the point to entitle the whole: "Baroque Favourites arranged for Modern Guitar", but I suppose the marketing strategists wouldn't have liked that very much!

What we do get to hear here is some very pleasant, tuneful, harmonic baroque melodies in which the part of the main soloist (lute, violin, harpsichord) is replaced by Garcia's skilful and tasteful guitar-playing which is, in its turn, put very much in the forefront by the engineer. For the concertos, the necessary accompaniment is by the Camerata Cassovia, a chamber ensemble taken from members of the Slovak State Philharmonic of Kosice in Eastern Slovakia; the higher string parts sound quite acceptable, while I found the lower strings (the "basso continuo") to be rather dull and uninspired. For the Bach, this continuo includes a harpsichord, providing a sonic background that does not let the listener forget that it is an arrangement of a harpsichord concerto that he is listening to. The Vivaldi trio sonatas were originally for violin, lute and continuo, and they are here played with the guitar as a suitable replacement for the lute, but with a viola d'amore in place of the violin, a decision which not only subordinates the string playing to the guitar, but which also sounds quite pleasing. Unfortunately, the strictures on the basso continuo apply here, too: Pavol Gimcik, cello, and Maria Lickova, modern harpsichord, provide nothing more than the absolutely necessary accompanying chords, so that it is definitely better to concentrate on Gerald Garcia's delightful guitar playing.

This is definitely music that you can listen to for hours on end in the background. If you are not worried about historical authenticity and love the sound of the classical guitar, and if you are prepared to accept the rather lame continuo accompaniment, you will find this disc most enjoyable. Vivaldi's and Bach's music is so optimistic and so harmonically rich that it can bear any number of such arrangements.

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专辑曲目

Vivaldi, Antonio
Garcia, Gerald, arranger(s)
Violin Concerto in E Minor, RV 277, "Il Favorito" (guitar trans. Garcia)
01. I. Allegro 00:05:22
02. II. Andante 00:05:56
03. III. Allegro 00:05:22

Vivaldi, Antonio
Trio Sonata in C Major, RV 82
04. I. Allegro non molto 00:04:05
05. II. Larghetto - Lento 00:04:13
06. III. Allegro 00:02:33
Trio Sonata in G Minor, RV 85
07. I. Andante molto 00:04:14
08. II. Larghetto 00:02:40
09. III. Allegro 00:02:19

Vivaldi, Antonio
Garcia, Gerald, arranger(s)
Lute Concerto in D Major, RV 93 (guitar trans. Garcia)
10. I. Allegro giusto 00:03:45
11. II. Largo 00:04:38
12. III. Allegro 00:02:31

Bach, Johann Sebastian
Garcia, Gerald, arranger(s)
Harpsichord Concerto in D Minor, BWV 1052 (guitar trans. Garcia)
13. I. Allegro 00:09:14
14. II. Adagio 00:08:21
15. III. Allegro 00:10:10

Total Playing Time: 01:15:23

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