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Lise de la Salle -《舒曼:儿时情景、阿贝格变奏曲、幻想曲》(Schumann)[44.1Khz 24bits][FLAC]

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    古典类型全集作品
    发行时间2014年06月24日
  • 时间: 2014/08/18 19:30:28 发布 | 2014/08/21 19:00:42 更新
  • 分类: 音乐  古典音乐 

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专辑英文名Schumann
专辑中文名舒曼:儿时情景、阿贝格变奏曲、幻想曲
艺术家Lise de la Salle
古典类型全集作品
资源格式FLAC
版本[44.1Khz 24bits]
发行时间2014年06月24日
地区美国
语言英语
简介

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专辑介绍:

舒曼:儿时情景、阿贝格变奏曲、幻想曲 Schumann Scenes from childhood op.15, Abegg Variations op.1, Fantasie in C major op.17, (Lise de la Salle)

专辑编号: V5364
专辑类型: 单CD
发行年份: 2014
音乐厂牌: NAIVE


Lise de la Salle 丽丝.狄.拉.莎尔 1988 年出生於法国,5 岁开始学习钢琴,9 岁在法国电台公开演出,10 岁,在短短的一年时间内, Lise de la Salle 囊括了法国的所有钢琴比赛奖项。



Lise de la Salle

莉丝.狄.拉.莎耶

莉丝.狄.拉.莎耶(Lise de la Salle) 在欧洲、美国和亚洲各主要音乐厅的演出,建立了她令人印象深刻的国际成就。除了独奏会,她也经常受邀和许多知名乐团与指挥家合作演出,包含路易西 (Fabio Luisi)、马兹尔 (Lorin Maazel)、康隆 (James Conlon)、范斯克 (Osmo Vänskä)、赫瑞维格 (Philippe Herreweghe)、毕契科夫 (Semyon Bychkov)、狄米特里耶夫 (Alexander Dimitriev)、水蓝 (Lan Shui)、加菲根 (James Gaffigan)、斯蒂芬斯 (Karl-Heinz Steffens)、佛斯特 (Lawrence Foster) 和戴维斯 (Dennis Russell Davis) 以及其他许多指挥家,她也曾和已逝的指挥家马克拉斯 (Sir Charles Mackerras) 合作。

她参加过的音乐节有拉维尼亚音乐节 (Ravinia Festival)、南特和日本的狂热之日音乐祭 (Nantes)、莫里兹堡音乐节 (Moritzburg Festival)、莱茵谷音乐节 (Rheingau Music Festival)、威伯格艺术节 (Weilburger Schlossfestspiele) 和亚斯本 (Aspen Festival) 以及其他许多地方的音乐节。

莉丝.狄.拉.莎耶曾在伦敦威格摩尔厅 (Wigmore Hall)、纽约、莫斯科、圣彼得堡、柏林的爱乐厅 (Philharmonie)、路易斯安那博物馆 (Lousianna Museum)、杜塞道夫、多特蒙德、巴黎、慕尼黑、波士顿、蒙特利尔、哥本哈根、东京、莫里兹堡、琉森、布宜诺斯艾利斯和其他许多地方演奏,在纽约曾和维也纳交响乐团 (Vienna Symphony) 合作,另外还有波士顿交响乐团 (Boston Symphony)、柏林音乐厅管弦乐团 (Konzerthausorchester Berlin)、琉森交响管弦乐团 (Lucerne Symphony orchestra)、汉堡的北德广播交响乐团 (NDR)、法国国家管弦乐团 (Orchestre National de France)、辛辛那提与匹兹堡管弦乐团 (Cincinnati and Pittsburgh Orchestra)、NHK管弦乐团、捷克爱乐 (Tschechische Philharmonie)、伦敦爱乐 (Tschechische Philharmonie)、圣彼得堡交响管弦乐团 (St. Petersburg Symphony orchestra)、威玛邦立管弦乐团 (Staatskapelle Weimar)、芝加哥交响乐团 (Chicago Symphony)、慕尼黑爱乐 (Munich Philharmonic) 和其他许多著名乐团。

她在2002年与Naïve Classique唱片公司合作的首张CD,录制了拉威尔和拉赫曼尼诺夫的曲子,即广受评论家一致的讚赏。之后的四张CD都有得到许多的奖项和级高的评价。

她於2011年9月初在德国发行的CD仍是和Naïve Classique唱片公司合作。这张新的李斯特专辑赢得音叉唱片奖 (Diapason d’Or)、《ARTE杂誌》的「当月最佳专辑」(CD of the month) 以及《留声机杂誌》(Grammophone) 的「主编推荐」(EDITORS CHOICE)。除此之外,也得到国际上其他地方的好评,被称作为「世界级的演出」(world class playing)。



"Alongside the powerful concertos by Rachmaninoff, Liszt, Prokofiev or Chopin she plays all over the world, Lise de la Salle has a special link with Robert Schumann's early piano pieces. She chose the Abegg Variations op.1, Kinderszenen op.15 and the Fantasie in C major op.17 for her first recording dedicated to the German romantic master. A repertoire in which she has a lot to say and reveal. ""Right from the Abegg Variations, his first work, you can feel everything, it’s fascinating: his impetuosity, his urge to start writing, to express totally everything he wants to convey, the birth of passionate love like a sort of adolescent joy, very luminous, carefree, pure, free of torment. The Abegg Variations represent sheer desire at its purest."" ""These three works offer a genuine journey, full of con-trasts, in which the listener can easily find wonder, surprise, and kaleidoscopic shifts from one emotion to another. I like it when you don’t ever settle into a com-fort zone. I’m looking for emotions – that’s what guides me. These pieces aren’t for children, but assume the character of innocence and candour that one finds in childhood. I’d even go so far as to say that they adopt the tone of late adolescence and early adulthood."" -- Lise de la Salle"

引用
V5364
Discs: 1
Release date: 2nd June 2014
Barcode: 0822186053645
Length: 60 minutes

"I’ve always listened to a lot of Schumann. He fascinated me when I was a little girl of six or seven. I’ve always been attracted by the manic side of him, his very individual ‘touch’, and I’ve always loved surrendering myself to his music. I feel very close to it. But although Schumann is one of the composers I get most out of, I waited a long time before I played him ‘seriously’... I think I didn’t want to risk being disappointed by myself. I couldn’t bring myself to imagine that everything I had dreamt about this music might not take shape exactly as I wanted. So I waited until I was completely ready, and that moment came a few years ago. The Fantasie was the apotheosis of those dreams of mine. So I built this programme around it. As for the Kinderszenen, I often played the piece Der Dichter spricht as an encore; I think it’s extraordinarily evocative, yet without any trace of technical demonstration – the power it packs into just a few notes is deeply moving to me. In a recording, I especially like to take the listener by the hand and set out to show him or her the greatest possible number of things. I always try to find a trajectory in my programmes. That’s what we have on this disc: beginning with the Fantasie as my starting-point, I double back to the very start of Schumann’s career with the Abegg Variations, then I follow the course of the short pieces, very varied in atmosphere, that make up the Kinderszenen. A musical journey needs those contrasts, and Schumann draws the essence of emotion from them." Lise de la Salle

At the age of 14, Lise de la Salle's first recording (Ravel, Rachmaninov) marked the start of her collaboration with Naïve.

In 2004, her second album (Bach, Liszt) was named CD of the Month by Gramophone. This was followed in 2007 by a third CD, the First Concertos of Shostakovich, Liszt, and Prokofiev with Lawrence Foster and the Gulbenkian Orchestra, which won the same distinction in Gramophone. In 2008 came a double album of Mozart and Prokofiev featuring a DVD (Lise de la Salle, Majeure!) directed by Jean-Philippe Perrot, which was named Editor’s Choice in Gramophone and BBC Music Magazine Choice. The year 2010 saw the release of a Chopin recording, featuring the Second Concerto with the Dresden Staatskapelle under Fabio Luisi and the four Ballades. The most recent additions to her discography are a Liszt programme and 'Lise de la Salle: A Portrait.'

Conductor: __
Composer: Schumann
Audio CD (June 24, 2014)
Number of Discs: 1
Label: Naxos of America, Inc.
ASIN: B00J36A42G






Lise de la Salle, piano
Photo Credit: Lynn Goldsmith

"She might just be the most exciting young artist in classical music right now."

- PIONEER PRESS



“De la Salle played so well that, for much of the concert, the audience had to remember to breathe...the exhilaration didn’t let up for a second until her hands came off the keyboard and everyone could finally come up for air.”

- THE WASHINGTON POST

Before the age of twenty, Lise de la Salle was already recognized as ‘a talent in a million’ (GRAMOPHONE). Lise has awed critics with her artistry and mesmerized audiences throughout the United States and Europe. Lise de la Salle's most recently released recording, LISZT out now on Naive, has been awarded the Diapason d'or, a Gramophone "Editor's Choice" nod, an International Record Review "Outstanding" designation in the publication's July/ August 2011 edition, and widespread critical acclaim in print and online.


AVAILABILITY:

2013-2014

October 10-20, 2013; February 21-March 4, 2014; April 21-May 2; 2014

2014-2015

October 20-November 2, 2014; February 9-22, 2015; April 13-May 3, 2015

RECORDINGS ON NAÏVE:
Rachmaninov/Ravel; Bach/Liszt (August 2005 Gramophone Record of the Month); Mozart / Prokofiev (with DVD documentary) (2006); Piano Concertos n°1 Shostakovich/ Liszt/Prokofiev (April 2008 Gramophone Record of the Month); Chopin, Piano Concerto 2, Opus 2; Four Ballades (August 31, 2010 release); Liszt, Originals and Transcriptions (May 31, 2011 release, Diapason d'Or, Gramophone "Editor's Choice," International Record Review "Outstanding")

PROGRAM SAMPLE 2013-14:
Schumann: Scenes d'Enfants
Schumann: Fantasie in C major, Op. 17
Chopin: 24 Preludes

PROGRAM SAMPLE 2014-15:
Bach/Busoni: Chaconne
Debussy: Selections of Preludes
Brahms: Theme and Variations, Op. 18b in d minor
Ravel: Gaspard de la Nuit

CRITICAL ACCLAIM:

“de la Salle gives us a Liszt recital of astonishing strength, poetry and, for one so young, musical maturity. Whether in fist-shaking defiance, radiance or baleful resignation, she is superbly responsive to Liszt's rhetoric in the Dante Sonata. Here, as elsewhere, everything is given time to "speak, to weep and sing and sigh" (part of Liszt's own definition of a true virtuoso).”
- September 2011 | GRAMOPHONE MAGAZINE

“Ms. de la Salle is eminently musical; she offers depth as well as virtuosity.” —THE NEW YORK TIMES



“An extremely personal beauty emanated from the pieces that she played. Lise de la Salle articulated all the voices with wonderful clarity and variety of expression.” – VANITY FAIR (GERMANY)



“These days, it seems that every young virtuoso has a spectacular technical ability, but this player has something considerably more: original, thoughtful interpretive talent that is alive to all the nuances of the score and is never content with merely playing the notes.” — THE SEATTLE TIMES


引用
Schumann Traumerei
Kinderszenen No. 7 ("Träumerei"), for piano, Op. 15/7
舒曼梦幻曲

此曲出自由德国作曲家舒曼(Robert Schumann, 1810–1856)於1838年创作的《童年情景》钢琴套曲,是舒曼回忆中的童年情景 身为书商的儿子 舒曼的童年可说是充满文学气息 他接触到的文学远超过音乐。

1838年28岁的舒曼沉醉在与小师妹妻子克拉拉Clara Wieck的浪漫爱情之中,创作了这首共有十三首小曲的「儿时情景」曲集,都是描述幼儿们无忧无虑,快乐嬉戏的童年生活。其中的第七首旋律优美温馨,描述孩子玩累了,听著妈妈的摇篮曲入睡,接著进入梦中奇幻情景。
原曲是钢琴曲,


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专辑曲目

01. Kinderszenen Op. 15: I.Von fremden Ländern und Menschen
02. Kinderszenen Op. 15: II.Kuriose Geschichte
03. Kinderszenen Op. 15: III.Hasche-Mann
04. Kinderszenen Op. 15: IV.Bittendes Kind
05. Kinderszenen Op. 15: V.Glückes genug
06. Kinderszenen Op. 15: VI.Wichtige Begenbenheit
07. Kinderszenen Op. 15: VII.Träumerei
08. Kinderszenen Op. 15: VIII.Am Kamin
09. Kinderszenen Op. 15: IX.Ritter vom Steckenpferd
10. Kinderszenen Op. 15: X.Fast zu ernst
11. Kinderszenen Op. 15: XI.Fürchtenmachen
12. Kinderszenen Op. 15: XII.Kind im Einschlummern
13. Kinderszenen Op. 15: XIII.Der Dichter spricht
14. Abegg-variationen Op. 1
15. Fantasie in C major Op. 17: I.Durchaus fantastisch und leidenschaftlich vorzutragen, Im Legenden-Ton
16. Fantasie in C major Op. 17: II.Mäßig. Durchaus energisch
17. Fantasie in C major Op. 17: III.Langsam getragen. Durchweg leise zu halten

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