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Lise de la Salle -《萧斯塔高维奇, 李斯特, 普罗高菲夫 - 第一号钢琴协奏曲》(Shostakovich, Liszt, Prokofiev- Piano Concertos No.1)[FLAC]

  • 状态: 精华资源
  • 摘要:
    古典类型协奏曲
    发行时间2008年02月26日
  • 时间: 2014/08/11 21:38:22 发布 | 2014/08/15 19:14:25 更新
  • 分类: 音乐  古典音乐 

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专辑英文名Shostakovich, Liszt, Prokofiev- Piano Concertos No.1
专辑中文名萧斯塔高维奇, 李斯特, 普罗高菲夫 - 第一号钢琴协奏曲
艺术家Lise de la Salle
古典类型协奏曲
资源格式FLAC
发行时间2008年02月26日
地区美国
语言英语
简介

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专辑介绍:

{古典/发烧}(Naive) Lise de la Salle / Shostakovich ; Liszt ; Prokofiev : Piano Concertos 留声机编辑优选盘

Lise de la Salle 丽丝.狄.拉.莎尔 1988 年出生於法国,5 岁开始学习钢琴,9 岁在法国电台公开演出,10 岁,在短短的一年时间内, Lise de la Salle 囊括了法国的所有钢琴比赛奖项。

Lise de la Salle

莉丝.狄.拉.莎耶

莉丝.狄.拉.莎耶(Lise de la Salle) 在欧洲、美国和亚洲各主要音乐厅的演出,建立了她令人印象深刻的国际成就。除了独奏会,她也经常受邀和许多知名乐团与指挥家合作演出,包含路易西 (Fabio Luisi)、马兹尔 (Lorin Maazel)、康隆 (James Conlon)、范斯克 (Osmo Vänskä)、赫瑞维格 (Philippe Herreweghe)、毕契科夫 (Semyon Bychkov)、狄米特里耶夫 (Alexander Dimitriev)、水蓝 (Lan Shui)、加菲根 (James Gaffigan)、斯蒂芬斯 (Karl-Heinz Steffens)、佛斯特 (Lawrence Foster) 和戴维斯 (Dennis Russell Davis) 以及其他许多指挥家,她也曾和已逝的指挥家马克拉斯 (Sir Charles Mackerras) 合作。

她参加过的音乐节有拉维尼亚音乐节 (Ravinia Festival)、南特和日本的狂热之日音乐祭 (Nantes)、莫里兹堡音乐节 (Moritzburg Festival)、莱茵谷音乐节 (Rheingau Music Festival)、威伯格艺术节 (Weilburger Schlossfestspiele) 和亚斯本 (Aspen Festival) 以及其他许多地方的音乐节。

莉丝.狄.拉.莎耶曾在伦敦威格摩尔厅 (Wigmore Hall)、纽约、莫斯科、圣彼得堡、柏林的爱乐厅 (Philharmonie)、路易斯安那博物馆 (Lousianna Museum)、杜塞道夫、多特蒙德、巴黎、慕尼黑、波士顿、蒙特利尔、哥本哈根、东京、莫里兹堡、琉森、布宜诺斯艾利斯和其他许多地方演奏,在纽约曾和维也纳交响乐团 (Vienna Symphony) 合作,另外还有波士顿交响乐团 (Boston Symphony)、柏林音乐厅管弦乐团 (Konzerthausorchester Berlin)、琉森交响管弦乐团 (Lucerne Symphony orchestra)、汉堡的北德广播交响乐团 (NDR)、法国国家管弦乐团 (Orchestre National de France)、辛辛那提与匹兹堡管弦乐团 (Cincinnati and Pittsburgh Orchestra)、NHK管弦乐团、捷克爱乐 (Tschechische Philharmonie)、伦敦爱乐 (Tschechische Philharmonie)、圣彼得堡交响管弦乐团 (St. Petersburg Symphony orchestra)、威玛邦立管弦乐团 (Staatskapelle Weimar)、芝加哥交响乐团 (Chicago Symphony)、慕尼黑爱乐 (Munich Philharmonic) 和其他许多著名乐团。

她在2002年与Naïve Classique唱片公司合作的首张CD,录制了拉威尔和拉赫曼尼诺夫的曲子,即广受评论家一致的讚赏。之后的四张CD都有得到许多的奖项和级高的评价。

她於2011年9月初在德国发行的CD仍是和Naïve Classique唱片公司合作。这张新的李斯特专辑赢得音叉唱片奖 (Diapason d’Or)、《ARTE杂誌》的「当月最佳专辑」(CD of the month) 以及《留声机杂誌》(Grammophone) 的「主编推荐」(EDITORS CHOICE)。除此之外,也得到国际上其他地方的好评,被称作为「世界级的演出」(world class playing)。

Gramophone Magazine

April 2008


“With this scintillating and eagerly awaiting recording, 19-year-old Lise de la Salle makes her concerto debut on disc. …performances are of the highest quality.”
The Guardian

“Everything about De la Salle's playing is astonishingly mature; technical challenges are met and never highlighted and she is always intent on seeking out the poetry beneath the teeming surfaces. This is distinguished piano playing.”
Gramophone Classical Music Guide

2010


“Liszt Piano Concerto No 1, S124 Prokofiev Piano Concerto No 1, Op 10 Shostakovich Concerto for Piano, Trumpet and Strings, Op 35 Lise de la Salle pf Gábor Boldoczki tpt Gulbenkian Foundation Orchestra, Lisbon / Lawrence Foster Naïve V5053 (60' · DDD) F66”


Lise de la Salle - Piano

Gabor Baldocki - Trumpet

Lisbon Gulbenkian Foundation Orchestra / Lawrence Foster

As the first piano concertos by each of these great composers, the three works featured on this new CD represent important staging posts in the development of the genre through the 19th and 20th centuries. Shostakovich, Liszt and Prokofiev were in their day considered to be outstanding pianists and these three pieces are all notable for there innovative and virtuosic style.

Born in 1988, Lise de la Salle performed her first concert at Radio France at the age of nine, and won First Prize at the Ettlingen International Competition at the age of twelve. A scholarship holder from the Fondation d’Entreprise Banque Populaire-Natexis and winner of first prizes at both the Young Concert Artists European Auditions and the Young Concert Artists International Auditions, Lise de la Salle has been a student of Pascal Nemirovski since she was ten. While continuing to work with him, she has also obtained a Premier Prix at the Conservatoire National Supérieur de Paris-CNR in the class of Pierre Réach and gone on to the postgraduate cycle at the Conservatoire National Supérieur de Musique de Paris, in Bruno Rigutto’s class.

“Everything about De la Salle's playing is astonishingly mature; technical challenges are met and never highlighted and she is always intent on seeking out the poetry beneath the teeming surfaces. This is distinguished piano playing.” Andrew Clements, The Guardian.

naïve V5053



5.0 out of 5 stars A subtle challenge to Richter and Ashkenazy? February 26, 2008
By Jim Shine
Format:Audio CD
This was a wonderful way of reacquainting myself with 3 concertos I hadn't heard in a while. Lise de la Salle, 18 when she recorded these, has already received much acclaim for her solo discs but this is the first full album of hers that I've heard.
Prokofiev wrote his first concerto when he was 21, so in the age sense at least de la Salle is an excellent match. The opening here, that memorable theme, seemed less huge than I remembered it, though still dramatic. Subsequently going back to the Ashkenazy-LSO-Previn recording confirmed my memory and highlighted what it is that de la Salle and her coperformers bring to the table. Ashkenazy and Previn play the concerto big, as one of the masterpieces of the repertoire, with all the gestures that entails. But with de la Salle and Lawrence Foster I get the impression that this is 21-year-old Prokofiev, who hasn't yet become one of the great composers - we're not looking at the music retrospectively, as it were, filtered through everything else we know of his work. That means the cheekiness of the work comes across more in the present performance - it's not part of the musical establishment yet. The recorded balance between piano and orchestra is also a factor, though: de la Salle is much more integrated. So at around 2:50 in the first movement, there's a moment where the orchestra sounds like it's trying to muscle past the piano but gets brushed aside - funny in de la Salle's performance, hardly noticeable in Ashkenazy's. What fascinates me, as it always does, is how 2 very different performances of a work can ultimately be equally valid. If you have a particular view of this concerto then you might not like de la Salle's version but I had an awful lot of fun.
It's the same story with the Liszt. Read more ›


Performer: Lise de la Salle
Orchestra: Libson Gulbenkian Foundation Orchestra
Conductor: Lawrence Foster
Audio CD (February 26, 2008)
SPARS Code: DDD
Number of Discs: 1
Label: Naive
ASIN: B000HD1OEG

Release Date 2006
Duration 59:21
Genre Classical
Styles Concerto

引用
Review by James Leonard [-]

Pianist Lise de la Salle has a big tone and a strong technique, but while she is surely up to the technical requirements of Prokofiev's and Shostakovich's first piano concertos, she seems out of her depth in their interpretive demands. She can pound her way through the muscular rhythms and massive sonorities in the outer movements of Prokofiev's concerto but appears immune to the lyrical poetry in the legato lines of the work's central Andante assai. Similarly, de la Salle can make the fur fly in the racing figuration of Shostakovich's concerto's closing Allegro con brio, but seems unaware of the sensual charms of the same work's central Lento. Her brilliant and bombastic take on Liszt's concerto is more effective, but of the three concertos here, that work makes the greatest demands on a pianist technique and the least demands on their interpretive abilities, and de la Salle's super virtuoso but superficial approach suits the work better.

More disappointing than de la Salle's performances, however, are the accompaniments provided by Lawrence Foster and the Lisbon Gulbenkian Foundation Orchestra. With his crisp downbeats and poised balances, Foster seems able enough to support the soloist, but the Lisbon ensemble seems too small, slack, and scrappy to provide the unstinting orchestral support de la Salle and the music need to succeed. And unfortunately the close, dry digital sound reveals every flaw in the orchestra's performance. Listeners looking for an introduction to this talented pianist are pointed in the direction of her stunning debut disc coupling works by Bach and Liszt.


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专辑曲目

SHOSTAKOVICH / LISZT/ PROKOFIEV

Shostakovich: Concerto No. 1 for piano, trumpet and strings in C minor, Op. 35

01. l Allegro moderato - allegro vivace - moderato
02. ll Lento
03. lll Moderato
04. lV Allegro con brio

Liszt: Piano Concerto No. 1 in E flat major, S.124

05. l Allegro maestoso
06. ll Quasi adagio
07. lll Allegro vivace - allegro animato
08. lV Allegro marziale animato

Prokofiev: Piano Concerto No. 1 in D flat major, Op. 10

09. l Allegro brioso
10. ll Andante assai
11. lll Allegro scherzando

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