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Badi Assad -《Echoes of Brazil 》(巴西回响)[FLAC]

  • 状态: 精华资源
  • 摘要:
    音乐风格爵士
    发行时间1997年04月22日
    地区美国
  • 时间: 2014/08/07 01:24:40 发布 | 2014/08/10 20:50:27 更新
  • 分类: 音乐  欧美音乐 

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专辑英文名Echoes of Brazil
专辑中文名巴西回响
歌手Badi Assad
音乐风格爵士
资源格式FLAC
发行时间1997年04月22日
地区美国
简介

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专辑说明:

贝姬.阿萨德 / 巴西回响 Badi Assad / Echoes of Brazil

唱片公司:Chesky
演出者:巴迪‧阿萨德
系列:Chesky爵士
音乐类型:爵士乐
唱片编号:JD154
高价版 / CD / 1 片装

*重新定义独奏家演出的深度与广度。The Los Angeles times
*贝姬是技巧与内涵兼具的名家。
*贝姬.阿萨德是当今巴西最令人兴奋与最具创意的吉他手。
*一张精彩的纯演奏专辑,以空心吉他重新詮释巴西知名音乐演奏家们经典作品,风格横跨samba 、choro、bossa nova、tropicalismo及Brazilian clasical。她不但没有模仿前辈的风格,反而开创造出独特且令人刮目相看的表现。

●音乐与演出
  贝姬·阿萨德(Badi Assad)是位优秀的艺人,潜心在传统复兴与前卫化概念的创作,她更是位爱国的艺人,因为最新专辑「巴西回声」( Echoes of Brasil )代表的是她受教於吉他音乐传统,成功地改革传统至回过头来向共同建构丰原音乐传统的前辈 Chico Buarque 、 Caetano Veloso 、 Milton Nascimento 深深一鞠躬的诚挚心意。

  「巴西回声」中的 14 首曲子取材著重在深具原创性且有至高影响力的吉他作曲家之最有名的作品,所以绝对是千挑万选,时间上横跨 20 世纪初 Joao PernammbuCo、Americo Jacomino 至路易斯·庞华及 Sergio Assad 当代的杰作,可以说包罗万象品味特殊,尤其透过贝姬兼具流行、古典、爵士手法加以改编,更让人有清新脱俗之感。"Batucada"(Nose o Rio)乃由路易斯·庞华的老师 Isaias Sario 和巴西著名的吉他兄弟档 Altamir 与 Edison Penha 的作品结合而成,充满了巴西吉他乐独特的轻鬆与热情,"Abismo de Rosas"由 Canhoto 作曲是流传多代的华尔滋经典曲目,贝姬用极典雅轻巧的古典手法加以詮释。"Escadao"是 50 年代由巴西前往美国发展成功的作曲家 Laurindo Almeida 的作品, Samba 与 Jazz 融合体美妙非常。"Sem Titulo"选自路易斯·庞华的作品,虽然只有简短两分鐘,却让人有之雀跃之感。"Bach-ianinha No.1"是著名吉他大师 Panlinho Nogueira 的大作,他不但自创无指甲弹法,连对和弦和节奏的认识,亦相当博大精深,而贝姬的詮释亦尽量贴近原味。"Interrogando"是 Joao Pernammbuco 的作品,为非洲根源节奏,"Jango"写成的吉他曲,同时点名了非洲传统与巴西音乐的影响,改编自巴西吉他‘敲击技法, Baden Powell 的作品"Tempo Feliz" 强调流畅的旋律和明快的节拍,在新一派巴西音乐中享有盛名,"Estudo Para Violao"是擅长整合传纸与现代的作曲家 Egberto Gismonti 的名曲,在此曲中,贝姬也提供了标準的示范,另外巴西当代作曲家中的 PauloBellinati 与 Maarci Pereira 贝姬选 Furiosa 及 Pixarim ,前者代表传统舞曲"Maxixe"之精华,后者则是‘ Pernambuco’地方最受欢迎的舞步,最后收录贝姬的大哥赛吉欧 · 阿萨德为电影" Natsa No Niwa" 所写献给已故太太布莉姬的作品"Farewell"带著浓厚的份色彩,是一首深刻内敛的佳作。

●录音鑑赏
  一支 Fisher 手制古典吉他,随手携带的敲击乐器,自由拍打身体部位的声响,和模仿各种动物突叫的声音构成贝姬 · 阿萨德最个人化的表演风格,在“精采个人秀”(CJ-019)、“节奏”( CJ-020 )两张以瞬间动感为主调的专辑中,犹如置身闐黑空间中,突然点燃的清晰明亮,简洁而无杂质。而新专辑“巴西回声”,贝姬 · 阿萨德则为我们揭发了巴西吉他音乐令人心醉神驰的旋律和气氛两大特点。

  敲击式的唱法虽不再使用,但 Dave Finck 的倍低音琴,以及 Jamey Haddad 、 Valtinho二人的打击乐器,同样令发烧友在聆听时可以充分领略结实的低频与瞬间暂态的妙处,当然清楚的音像解析,仍旧是 Chesky 录音的第一特色。曲 1 急促的吉他拨弦带出了优美的主题,轻快活泼的节奏底下潜藏著贝斯低鬱醇美的弦声,偶而几声清脆的打击乐清楚可得。曲3、5有极完整的音频配置,打击乐器 Q 中带黏的音色,砂铃击乐持续的寒翠和贝斯剔透的震弦感真实完整。曲 5 感受如曲 6 , 13 吉他和贝斯重奏,后者或拉或拨,音色相当动听”曲 7 吉他独奏,高解析的录音,活现了演奏者指法上的每一动作。曲 10 开场细碎的敲击乐声如雨滴而下”曲 12 、 14 吉他弦音穠纤度,最适合独自沈思时聆听。

巴西回声 Echoes Of Brazil / 贝姬阿萨德 Badi Assad
唱片编号:CJ042
唱片公司:福茂 DECCA
发行日期:2013-02-22
商品单位:1CD

01 Batucada(和川)
02 Abismo德罗萨斯
03 Escadao
04 Emotiva1号
05 无标题
06 Bachianinha1号
07 讯问
08 快乐时光
09 华尔兹和两种爱
10 研究违反
11 豪达Fusa
12 Pixaim
13 狂怒
14 告别

Entirely instrumental, Echoes of Brazil finds Badi Assad making the acoustic guitar her sole focus and paying tribute to some of Brazil's many heroes of the instrument. This splendid CD may not be the last word on Brazilian guitarists (who have played a crucial role in samba, choro, bossa nova, tropicalismo and Brazilian classical), but Assad does a fine job of reminding us what some of them contributed. It would have been impossible to tell the entire story on a single CD, and she makes no pretense of her tribute being all-inclusive. Assad, whose only accompaniment is acoustic bassist David Finck, salutes everyone from Garoto and Laurindo Almeida to Egberto Gismonti, Baden Powell and Luiz Bonfá. Much to her credit, she doesn't become a slavish imitator of any of them, and consistently demonstrates that she is a distinctive and impressive representative of the guitar herself. ~ Alex Henderson Photographer: Luciana Pampalone. Translator: Angela Olinto. Arrangers: Sergio Assad ; Badi Assad. Personnel: Badi Assad (guitar); David Finck (acoustic bass); Valtinho, Jamey Haddad (percussion). Liner Note Authors: Sergio Assad ; Badi Assad. Jazziz (8/97, p.80) - "...guitarist Badi Assad may be the best thing to happen to Brazilian music in years....ECHOES OF BRAZIL provides an overview of the Brazilian guitar tradition....the album's 14 tracks trace the history of popular Brazilian music....it's Assad's exquisite string work...that makes these echoes of Brazil so listenable."

Audio CD (April 22, 1997)
Number of Discs: 1
Label: Chesky Records
ASIN: B000003GH1

Label:Chesky Records ‎– JD154
Format:CD
Country:US
Released:1997
Genre:Jazz
Style:Latin Jazz

引用
Product Description
One of the most exciting and innovative guitar players performing today is Brazil's Badi Assad. A virtuoso whose technical ability never overshadows the visceral impact of her playing, Assad, is, quite simply, a wonder to behold. On her third Chesky release, Echoes of Brazil, Badi pays homage to the trend-setting and boundary-breaking guitarists who influenced and shaped her style. Echoes is a historical anthology that illustrates the trajectory of rich hues and nuances that the guitar, the primary compositional instrument of Brazilian music, has affected in Brazilian culture. And, what's more, the impact of these songs has now stretched far beyond the borders of Brazil to be embraced by music-lovers around the world. Starting with Isaias Savio's "Batucada," and including works by Luis Bonfa, Baden Powell, and Badi's brother Sergio Assad, this disc is the most moving and tuneful history lesson you'll ever have. Backed by an acoustic bass and two dynamic percussionists, Badi tackles a number of styles popular, traditional, classical and song structures choros, waltzes, proto-Bossa Novas, sambas and emerges as an equal to the greats she is honoring. A diverse and beautiful collection of Brazilian songs, Echoes of Brazil is both a glimpse into Brazil's musical past, and a look into its future: Badi Assad.


Credits

Bass [Acoustic] – David Finck
Engineer [Recording] – Bob Katz
Guitar [Fisher] – Badi Assad
Other [Executive Producer] – David Chesky, Norman Chesky
Percussion – Jamey Haddad, Valtinho Anastacio
Producer – Sérgio Assad

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专辑曲目

01. Batucada (Nos E O Rio) 3:16
02. Abismo De Rosas 4:35
03. Escadao 4:16
04. Emotiva No. 1 3:01
05. Sem Titulo 2:05
06. Bachianinha No. 1 3:23
07. Interrogando 2:59
08. Tempo Feliz 3:29
09. Uma Valsa E Dois Amores 3:08
10. Estudo Para Violao 4:23
11. Jorge Da Fusa 2:53
12. Pixaim 2:57
13. Furiosa 3:47
14. Farewell 3:11

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