James Galway -《James Galway 精选专辑》(The Greatest Hits)[FLAC]

  • 状态: 精华资源
  • 摘要:
  • 时间: 2013/11/18 21:08:18 发布 | 2013/11/19 12:12:42 更新
  • 分类: 音乐  古典音乐 


精华资源: 2006

全部资源: 2007

相关: 分享到新浪微博   转播到腾讯微博   分享到开心网   分享到人人   分享到QQ空间   订阅本资源RSS更新   美味书签  subtitle
专辑英文名The Greatest Hits
专辑中文名James Galway 精选专辑
艺术家James Galway

IPB Image


※ 日本唱片艺术杂誌準推荐 ※


CD编号 : BVCC37284
演奏者 : 詹姆斯高威 James Galway
指挥家 :
乐团 :
作曲家 : 多普勒 Doppler - 查看所有专辑
专辑名称 : 多普勒:匈牙利田园幻想曲&长笛炫技曲集(best100:84)
The Greatest Hits Of James Galway
音乐类型 : 古典音乐 [ 器乐作品]
发行公司/日期 : SONY MUSIC 

Irish flutist James Galway is a superb interpreter of the classical flute repertoire and a consummate entertainer. His silky tone and masterful technique, charismatic personality, and varied programs appeal to audiences of all ages and musical tastes.

Galway was born on Carnalea Street in a working-class neighborhood of Belfast, Northern Ireland. His father, James, was a shipyard riveter, and his mother Ethel worked as a winder in a spinning mill in West Belfast. The Galways were a musical family: Galway’s father played the flute and accordion in local bands and his mother taught herself to play piano. Jimmy’s first instruments were a harmonica, an old violin, and a penny whistle, but it wasn’t until he picked up a flute at about age nine that he seriously began to practice. He took informal lessons from his father and paternal grandfather and learned to read music from the leader of a local flute band. When he was ten years old he entered three solo competitions in the Irish Flute Championships and won them all.

While a student at the Mountcollyer Secondary Modern School, Galway came to the attention of Douglas and Muriel Dawn, who set him on the path to a musical career. A flutist with the BBC Northern Ireland Symphony Orchestra, Muriel gave Galway lessons in the rudiments of flute playing. Douglas found him a job as an apprentice piano tuner, arranged for him to perform with the Belfast orchestras, and was instrumental in the Belfast Education Committee’s awarding the young flutist with a scholarship to study at the Royal College of Music in London. For three years Galway studied with renowned flutist John Francis before transferring to the Guildhall School of Music to study under Geoffrey Gilbert, whom Galway cites as one of the most important technical influences in his life. In the early 1960s Galway attended the Conservatoire National Supérieur de Musique in Paris, where he studied with Gaston Camelie, who also taught Jean-Pierre Rampai. Galway never completed a degree, however, because he failed to attend classes peripheral to his interests.

Upon his return to London, Galway played flute and piccolo in several orchestras: Sadler’s Wells Opera Orchestra, the Royal Opera House Orchestra, the BBC Symphony Orchestra, and the London Symphony Orchestra (LSO). In the late 1960s, while on a tour of the United States with the LSO, Galway met and took some lessons with the celebrated French flutist Marcel Moyse, who was then living in Vermont. His lessons with Moyse inspired Galway to strive for greater artistry—particularly a greater variety of tone colors—in his playing.

Galway left the LSO to join the Royal Philharmonic Orchestra, and in 1969 he became principal flutist of the Berlin Philharmonic Orchestra under the world renowned conductor Herbert von Karajan. As Galway had for a long time been unsatisfied with orchestral performing, and even working with such a celebrated orchestra and conductor did not fulfill his need to express himself more fully, he began to accept extra-orchestral engagements. Michael Emmerson, a talent scout who has since become involved in managing RCA Red Label records, spotted Galway and offered to manage his solo career. In the summer of 1975, with Emmerson’s encouragement, Galway struck out on his own. In his first year as a solo performer, Galway taught flute for a semester at the Eastman School of Music in Rochester, New York, toured widely, and made four records. By the end of that year it was obvious to everyone that Galway had found his niche.

Since then Galway has become one of the most popular soloists on the international music scene. He tours widely to enthusiastic crowds that include flute students, flutists, and amateurs of classical and popular music alike. Galway programs concerts with particular audiences in mind and performs on any one of nineteen handmade gold flutes, which have become his trademark, and a penny whistle. Not hesitant to talk to audiences or appear in the media, Galway’s lilting brogue, twinkling eyes, and quick wit are known to many who have seen him on "Live From Lincoln Centre," "Sesame Street," talk shows, or credit card commercials.

Galway’s lengthy discography includes most of the masterpieces of the flute repertoire as well as forays into country, folk, jazz, and modern popular music. His more than 30 RCA Victor recordings are bestsellers—he has one platinum and several gold albums to his credit—and his hit records with John Denver, Cleo Laine, and Henry Mancini have made him one of the most successful crossover artists of our time.

Ever attentive to the quality of his recorded works, Galway has refused to release albums that did not entirely satisfy him. His recording of the Mozart concertos, which won the Grand Prix du Disque, attests to his concern for quality. Although critics sometimes decry Galway’s recording of popular tunes, Galway cites a famous precedent. "My own model is [violinist] Jascha Heifetz," he told Bob Porter in the Dallas Times Herald. "He recorded everything from Bach to ‘Ave Maria.’ He was the biggest influence on what I have done with my life."

Since the flute repertoire is limited, Galway has transcribed pieces originally composed for other instruments, such as Vivaldi’s The Four Seasons and commissioned new pieces by composers Joaquín Rodrigo and John Corigliano, among others.

The lifestyle of a celebrity on tour takes its toll. Galway had become known as a serious carouser, and after he underwent a crisis of conscience in 1987, he adopted a stricter lifestyle, checking into a health farm to lose weight. He also returned to a more regular practice regimen and decided to cut short his fledgling conducting career as too time-consuming. In 1989—after a twelve-year hiatus—he resumed teaching. He teaches in his home in Lucerne, Switzerland, and conducts masters classes in the cities where he performs. Galway is also co-authoring a book on flute performance and technique with Australian flutist and writer Andrew Richardson. What advice does Galway give his students? "Practice all the time, just non-stop practice, and listen to other people in the same business; establish where you’re at, where you’re going and what you’re going to do about it," he told Patricia Harty of Irish America Magazine.

IPB Image


01. Doppler ~ Fantaisie Pastorale Hongroise, Op.26 - |11:33|
02. Rimsky-Korsakov ~ The Flight of the Bumblebee - |1:15|
03. Chopin ~ Minute Waltz - |2:12|
04. Gluck ~ Dance of the Blessed Spirits from 'Orfeo ed Euridice' - |8:07|
05. Mendelssohn ~ Scherzo from 'A Midsummer Night's Dream' - |4:22|
06. Dinicu ~ Hora Staccato - |2:08|
07. Dvorak ~ Humoresque - |3:32|
08. Kreisler ~ Liebesfreud - |3:36|
09. Kreisler ~ Schon Rosmarin - |1:53|
10. Schumann ~ Traumerei - |3:27|
11. Drigo ~ Serenade from 'Les Millions d'Arlequin' - |3:08|
12. Bricciardi ~ Carnival of Venice - |6:39|
13. J. S. Bach ~ Minuet and Badinerie from Suite No.2 - |2:47|
14. Rachmaninoff ~ Vocalise - |4:20|
15. Debussy ~ Syrinx - |2:12|
16. Bizet ~ Carmen Fantasy - |10:45|






(?) [公告]留口水、评论相关规则

  1. 类似“顶”、“沙发”之类没有营养的文字,对勤劳贡献的楼主来说是令人沮丧的反馈信息。
  2. 提问之前请再仔细看一遍楼主的说明,或许是您遗漏了。
  3. 勿催片。请相信驴友们对分享是富有激情的,如果确有更新版本,您一定能搜索到。
  4. 请勿到处挖坑绊人、招贴广告。既占空间让人厌烦,又没人会搭理,于人于己都无利。
  5. 如果您发现自己的评论不见了,请参考以上4条。