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Natalie Clein -《浪漫大提琴》(The Romantic Cello)[FLAC]

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  • 摘要:
    古典类型全集作品
    发行时间2007年01月16日
  • 时间: 2013/09/18 23:05:22 发布 | 2013/09/19 11:06:20 更新
  • 分类: 音乐  古典音乐 

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专辑英文名The Romantic Cello
专辑中文名浪漫大提琴
艺术家Natalie Clein
古典类型全集作品
资源格式FLAC
发行时间2007年01月16日
地区美国
语言英语
简介

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专辑介绍:

英国大提琴家克莱儿上一张布拉姆斯大提琴奏鸣曲录音,为她赢得英国古典年轻艺术家奖(Classical Brit)。克莱儿16岁参加英国BBC青年音乐家年度大赛,以艾尔佳大提琴协奏曲获得首奖。她是英国皇家音乐院Alexander Baillie的高徒,在校时获得伊莉莎白皇后奖学金,赴华沙参加欧洲年轻音乐家大赛获奖,之后师事海恩利希.席夫。目前克莱儿是相当炙手可热的大提琴家,多次和阿格丽希、陈万荣、柯瓦契维奇等人合作。本片中克莱儿持瓜达尼尼1777年所制的「辛普森」名琴演奏。

萧邦与拉赫曼尼诺夫两人的大提琴奏鸣曲,都是为了大提琴家好友所写。萧邦是为了法国大提琴家法兰荷姆所写,他花费了一番心思创作,手稿上充满涂涂改改的痕迹。此曲是萧邦生前最后一首发行的乐曲,1848年於百雅音乐厅首演,隔年他就与世长辞了。至於拉赫曼尼诺夫的奏鸣曲则是写给大提琴家好友布兰杜可夫,两人是忘年之交。这首1901年完成的奏鸣曲是拉氏生平最后的室内乐创作。和萧邦的奏鸣曲一样,曲中的钢琴和大提琴都有著非常高难度的演奏乐段,而钢琴也经常扮演主角,此曲第一乐章中甚至出现一大段钢琴独奏,而拉氏表示,此曲中两种乐器的重要性都远远超过传统奏鸣曲。

萧邦/ 拉赫曼尼诺夫: 大提琴奏鸣曲

2006年12月
萧邦/ 拉赫曼尼诺夫: 大提琴奏鸣曲
Chopin/ Rachmaninov: Cello Sonatas

作者 / 娜塔莉.克莱儿/ 查尔斯.欧文 Clein, Natalie/ Owen, Charles
出版社 / 金牌大风音乐文化股份
出版日期 / 2006/11/03

Release Date: 01/16/2007
Label: Emi Classics Catalog #: 66938 Spars Code: DDD
Composer: Frédéric Chopin, Sergei Rachmaninov
Performer: Charles Owen, Natalie Clein
Number of Discs: 1
Recorded in: Stereo
In Stock: Usually ships in 24 hours.

Notes and Editorial Reviews
EMI has given this disc the title ‘The Romantic Cello’. This is the kind of description that encourages the potential purchaser to expect a selection of charming miniatures. In fact Natalie Clein and her accomplished pianist Charles Owen perform two of the great sonatas of the duo literature, works that gain in strength and reward with each new hearing. And these artists will certainly offer substantial rewards to those who choose to acquire this appealing recording, which provides excellent sound and technical assurance in equal measure.

In fact the weakness of this release lies in the packaging rather than the performances, and not just because of the inappropriate title. For it is one of those CDs that suffers at the hands of an over-zealous designer, since the movement headings and other details can only be read in tiny print against a florid and unsympathetic background. This dark Green ‘Victorian wallpaper’ design was no doubt chosen with the imagery of ‘The romantic cello’ in mind. To make matters worse, the otherwise excellent notes by John Warrack fail to mention the Chopin Polonaise Brillante, which is a pity. It is unlike EMI to fall prey to such poor editorial judgement, the design aspect of which serves no sensible purpose.

Rant over - on to the music. The sound perspective seems ideal for duo performances, since the pleasing cello tone and the piano detail are beautifully balanced. Charles Owen is a skilful pianist who is experienced in this repertoire, and it shows. For he has already recorded both sonatas for Somm (SOMMCD026) with Jamie Walton, giving performances which more than hold their own in distinguished recorded company.

The Rachmaninov Sonata has for some years been generously served in the recorded music catalogue, for example through the outstanding performance by Yo-Yo Ma and Emmanuel Ax (Sony SK46486). It is a substantial work lasting more than 35 minutes across four movements, so performers need a secure structural awareness and a long-term vision in addition to a strong technique. Clein and Owen possess these talents and the range of colour they bring to the extended opening movement sets the standard for the whole. As the music progresses so too does its sense of purpose and direction, as Rachmaninov surely intended.

The Scherzo which follows has the drive and passion to suggest the dark forces that could preoccupy the composer, while the slow movement and finale have that special eloquence that lies at the heart of Rachmaninov’s style. The more straightforward approach of the beautiful Vocalise, the composer’s transcription of his own song without words, does merit the description ‘the romantic cello’.

Chopin’s opus numbers are not the most logical in the repertory; his Polonaise for cello and piano was written in 1829. It is an appealing piece, and at nine minutes not insubstantial, although the emotional voltage is not like that of the later Sonata. It was composed for the young Princess Wanda Radziwill and her father, and is a brilliant salon showpiece, deserving association with the description ‘the romantic cello’.

The Cello Sonata of 1845, however, is quite another matter. This is one of Chopin’s greatest works from the wonderful final phase of his tragically short career. Clein and Owen start out almost tentatively, but there is method in their restraint, since it allows for the eloquence and emotional range of the music to expand and explore its many shadings of mood. The phrasing is beautifully sensitive to the special nature of the music, as it is in the other movements too. The rhythms of the Scherzo are delivered with much sensitivity and shading, thanks to the recorded sound as much as the performance, while the opening theme of the slow movement has a wonderfully tender restraint of dynamic from both players. There have been some famous recordings of this piece, for example by Pierre Fournier and Jean Fonda (DGG 477 5939, from 1971) and by Mstislav Rostropovich (also DGG, 419 860 2, from 1980). While these rightly remain benchmarks, and project strong musical personalities to admirable effect, Clein and Owen prove themselves to be worthy interpreters of all this wonderful music.

-- Terry Barfoot, MusicWeb International

引用
克莱恩《浪漫大提琴》 [引用 2009-2-13 17:50:05]

  肖邦除钢琴外,极少有为其他乐器写长篇作品,大提琴却属例外,他的《G小调大提琴奏鸣曲》现在仍然为大提琴家经常演奏的曲目,是浪漫情调音乐的杰作之一。肖邦此曲作於与乔治·桑分离之后,4个乐章中,只有第一乐章中庸的快板较长大,大提琴和钢琴表现出的两个主题的对答,旋律优美流畅,呈现出肖邦式的诗意叙述感。第二乐章谐謔曲是灿烂的快板,克莱恩的大提琴以歌唱性的特色,多数时间在表现主旋律,但插入的钢琴段落,也极尽浪漫效果。后面的最缓板三段体,主要主题呈送葬进行曲的形态,由大提琴、钢琴交互演奏,以对话般的形态结尾,此段音乐似乎才开始透显出一份忧思。最后的奏鸣曲式快板,第一主题含有略带哀愁的半音阶进行,第二主题则明朗而单纯。除奏鸣曲外还,肖邦还写有一首轻松的《芳兰舞曲》,亦是大提琴家喜爱的曲目。

  拉赫玛尼诺夫同样用G小调写成的大提琴奏鸣曲,亦是十分动听的抒情作品,最后还加奏了一首从声乐作品改编过来的拉赫玛尼诺夫最美旋律之一的《练声曲》,这曲有各种不同的改编谱,大、小提琴独奏同样人听人爱,但个人认为,用大提琴来演绎更接近人声。而Natalie Slein的演奏给人温馨、悠闲的感受,如同知己的倾诉。
  
  现年仅29岁的女大提琴家纳塔莉·克莱恩(Natalie Clein),是首位蠃得在华沙举行的欧洲青年音乐大赛首奖的英国音乐家。她是伦敦音乐院的高材生,获得英国皇太后的奖学金。

  克莱恩被称为自杜普蕾以来最引人注目的新秀。她1994年17岁时便获得BBC大奖,稍后又获得欧洲电视网青年音乐家大奖。获奖后,她毅然拋弃所有名利的诱惑,悄悄来到维也纳,跟随海因裏希·席夫私人学习。如今她已在英国小有名气,并被纳入EMI旗下,开始了她新的艺术生涯。
  
  前辈演奏家为肖邦这部大提琴奏鸣曲已留下了几个著名版本,如罗斯特罗波维奇与阿格裏奇演奏版、杜普蕾与巴伦博伊姆演奏版、斯塔克和裏卡尔多·雷克霍(Ricardo Requejo)演奏版、马友友与艾克斯演奏版等等。尤其是杜普蕾的那个版本,应该给后辈的小同胞克莱恩留下了很好的借鉴。莱恩的演奏极有深度,而钢琴也展示出辉煌的技巧。听克莱恩演录的这部肖邦作品,总的感觉是优美与成熟并存。与克莱恩配对的钢琴演奏家查尔斯·欧文(Charles Owen)在录音中也显示出深厚的功力。


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专辑曲目

Chopin: Sonata for cello & piano in G minor, Op. 65, CT. 204
01. 1. Allegro moderato [10:05]
02. 2. Scherzo [05:04]
03. 3. Largo [03:23]
04. 4. Finale: Allegro [06:19]
05. Introduction and Polonaise brillante for cello & piano in C major, Op. 3, CT. 148 [09:00]

Rachmaninov: Sonata for cello and piano in G minor, Op. 19
06. 1. Lento - Allegro moderato [12:42]
07. 2. Allegro scherzando [06:25]
08. 3. Andante [05:48]
09. 4. Finale: Allegro mosso - Moderato - Vivace [10:20]
10. Vocalise, instrumental arrangement, Op. 34/14 [06:12]

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