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Nicola Benedetti -《义大利》(Italia)[FLAC]

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  • 摘要:
    古典类型全集作品
    发行时间2011年10月03日
  • 时间: 2013/05/31 13:04:18 发布 | 2013/06/07 09:52:47 更新
  • 分类: 音乐  古典音乐 

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专辑英文名Italia
专辑中文名义大利
艺术家Nicola Benedetti
古典类型全集作品
资源格式FLAC
发行时间2011年10月03日
地区英国
语言英语
简介

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专辑介绍:

BBC音乐杂誌四颗星

才二十五岁,苏格兰小提琴家班乃德提已经稳坐当今乐坛名家之列。八岁成为英国国家儿童乐团首席、九岁进曼纽因音乐学校成为曼纽因的学生,十四岁就已经展开忙碌的演奏生涯,十五岁赢得全英神童大赛冠军,十六岁更吸引导演以她为主角拍摄纪录片纪录她的神童生涯,并赢得BBC年度青年音乐家大赛首奖。十七岁演奏齐玛诺夫斯基第一号小提琴协奏曲,展现惊人的早熟音乐性,也让环球唱片集团捧著高达一百万英磅的签约金上门,并给她六张专辑的合约。

这张「义大利」专辑,是班乃德提在环球唱片集团发行的第六张专辑,也就是合约最后一张专辑,却是她第一张对全球发行的专辑。前五张专辑都限定在英国地区发行:第一、两张专辑在DG,第四张专辑在笛卡,但第五张专辑又转回DG。这张「义大利」专辑,她正式成为笛卡的国际专属艺人。

过去六张专辑中,第一张齐玛诺夫斯基和第二张孟德尔颂协奏曲的录音都登上英国古典榜冠军和亚军宝座,第四张专辑「幻想曲」也同样登上英国古典榜冠军,这样的成绩再加上多年来乐坛的肯定,让她在二十岁这年,就获得格拉斯哥卡勒多尼安大学颁发的荣誉博士学位,成为最年轻的得奖者。去年(2011)爱丁堡大学又再度颁发荣誉学位给她,肯定了她作为英国有史以来最受国际肯定小提琴家的地位。

这张专辑中名称虽是「义大利」,但其实是一张以巴洛克时代的义大利小提琴曲目为主的专辑。选择这样的曲目和专辑名称,主要是因为班乃德提的父亲就是义大利人,而为了强调她是苏格兰出身的小提琴家,这张专辑也特别回到爱丁堡录音,并且与苏格兰室内乐团合奏。专辑中除了演奏了以艰难闻名的塔替尼「魔鬼的颤音」小提琴奏鸣曲,以及韦瓦第「四季」协奏曲中的「夏」一曲外,还录了不太为人所知,但被小提琴家公认为最难的韦瓦第小提琴协奏曲「蒙兀儿大帝」(IlGrossoMogul),此曲是韦瓦第歌颂这个成吉思汗后代伟大君主的作品︰第一、三乐章技巧极其艰难华丽,非常让人兴奋。另外片中也改编了韦瓦第歌剧《朱斯提诺》(Giustino)中优美且华丽的花腔咏嘆调「我会满心欢喜的去看」(Vedroconmiodiletto)。此曲原为能唱到女高音的阉人歌唱家所写,唱腔充满了转音和花腔,小提琴拉来更显其旋律之繁复与巴洛克式华丽。

DECCA 4764342(1CD)028947643425
义大利【1CD】
Italia
妮可拉‧班乃德提, 小提琴
Nicola Benedetti, Violin / Bournemouth Symphony Orchestra, Kirill Karabits

Release Date: 01/24/2012
Label: Decca Catalog #: 001641202
Composer: Antonio Vivaldi, Giuseppe Tartini, Francesco Maria Veracini
Performer: Nicola Benedetti, Catherine Rimer, Christian Curnyn, Thomas Dunford
Conductor: Christian Curnyn
Orchestra/Ensemble: Scottish Chamber Orchestra

Audio CD (3 Oct 2011)
Number of Discs: 1
Format: CD
Label: Decca (UMO)
ASIN: B0052CD7M4

This is the kind of release on which the clothes worn by the soloist for the photo shoot get equal billing to the technical staff for the recording, but this is one case where we shouldn’t let fashionable marketing put us off: this is a stunning disc in all respects.

Nicola Benedetti already has a track record of fine recordings, including her Fantasie album and an excellent Szymanowski Violin Concerto. Here she breaks away from romantic repertoire to explore Italian Baroque repertoire which ‘she had never expected to feel quite so at home in’. After a certain amount of stylistic experiment she seems to have hit on an approach which sounds natural, vibrant, and reasonably authentic - whatever one takes that to mean. She is in fact playing on metal strings but with a Baroque bow borrowed from Rachel Podger, and using vibrato as a vehicle for expression rather than standard tone production. The arias are a mild exception in this regard, in which she goes closer to imitating a singing voice but still with admirable restraint. This to my ears is a convincing, indeed a winning combination of technical thought and intuitive response to some very fine music.

Benedetti’s superb solos aside, the Scottish Chamber Orchestra is also something of a model in these pieces, proving to sound entirely at home with this Italian Baroque repertoire. The recording is superbly balanced, with the harpsichord blending nicely with the strings as it should, the soloist forward but not excessively close or voluminous. The programme is a marvellous mixture of meaty concertos, more intimate sonatas, and arrangements of some vocal works which sound excellent in this setting. One of the highlights is Vedrò con molto diletto from Vivaldi’s Il Giustino, which is one of those pieces with juicily dramatic harmonies over which the ‘voice’ draws beautifully expressive lines. Nulla in mundo pax sincera is from a motet, and while more gentle is no less moving.

Of the concertos there are of course a few highlights. I particularly like the energetic theorbo strumming in the third movement Allegro of Vivaldi’s Concerto in D major RV 208, the “Grosso Mogul”. Tartini’s Devil’s Trill sonata is a familiar work, but given a superb performance here, Benedetti seeking the emotional heart of the piece as much as the virtuoso display, which she renders with ease and enjoyably breezy wit. Vivaldi’s Concerto in A minor is from La Cetra, combining trademark technical fireworks with those moments of sparse clarity which zap straight into the emotions through their apparent simplicity. Sandwiched between this and Tartini’s remarkably exploratory late Concerto in A minor D115 is an all too brief sonata movement from Francesco Veracini, some of whose legendary life events are briefly outlined in the booklet. The Tartini concert deserves mention for its central Andante cantabile movement, which is made to sound a little like a performance from a glass harmonica through the rise and fall of pure string tones. The final piece is “Summer” from The Four Seasons, played both sensitively and impressively by all concerned.

This is the kind of CD which is sheer joy from beginning to end, and one you will want to put on again and again, and again. It doesn’t pose difficult questions or set itself up to be the product of any particular kind of historical or intellectual approach to the repertoire. The impression is just that of a bunch of expert musicians getting the very best out of what they are performing, recorded in an ideal environment by a crack production team. Not only for these reasons is this like a breath of fresh Mediterranean air coming through your loudspeakers. With Nicola Benedetti’s remarkably fine playing one always has the impression that the rest of the musicians are at the peak of their abilities, raising their game and playing their socks off to make this a very fine disc indeed.

引用
Nicola Benedetti与Petrus Guarneri (1751)名琴

英国小提琴家新秀Nicola Benedetti非常年轻,出生於1987年。她4岁依铃木教学法习琴,於1997年进入曼纽因音乐学校跟随Natasha Boyarskaya学习。后来她离开曼纽因音乐学校后,目前继续在英国随Maciej Rakowski私下习琴(Maciej Rakowski是英国室内乐团前首席)。

目前Benedetti在英国是颇被眾人期待看好的新星。由於Benedetti有义大利人血统,他父亲的制药事业非常成功,所以她比别人幸运的是她很年轻时便拥有自己的好琴。Benedetti现在使用的是Petrus Guarneri (1751)名琴,这把琴是Petrus Guarneri 最晚年的几把作品之一。我听过BBC上Benedetti於曼纽因纪念音乐会上的演奏录音,她的琴音饱满而丰润且洋溢著热情,Benedetti在小提琴技巧上也相当稳定而杰出。她的Petrus Guarneri名琴的音量大且穿透力极佳,是把相当出色的独奏家乐器。


COMPOSER: Antonio Vivaldi (other composers in brackets after works)
TITLE: Italia
TRACKS: Concerto In D RV208 'Grosso Mogul'. Vedro Con Mio Diletto - Aria from Giustino (Vivaldi). Sonata in G Minor Devil's Trill (Tartini). Concerto in A minor RV358 'La Cetra' (Vivaldi). Largo - from Sonata VI of Sonata Accademiche op.2 (Veracini). Violin Concerto in A minor D115 'A Lunardo Venier' (Tartini). Nulla In Mundo Pax Sincera - Aria. Four Seasons : Summer : Allegro Non Molto / Adagio e Piano - Presto Forte / Presto (Vivaldi).
ORCHESTRA: Scottish Chamber Orchestra
CONDUCTOR: Christian Curnyn
ARTISTS: Nicola Benedetti

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华文曲目的 翻译源于 shilei9912 发布在 164楼的评论。 谢谢

作曲:安东尼奥·维瓦尔第
D大调小提琴协奏曲(RV208)“格罗索大亨”
[1]1.快板
[2]2.叙事性地
[3]3.快板

作曲:安东尼奥·维瓦尔第
[4]朱斯提诺咏叹调
指挥 尼古拉 贝纳德蒂,苏格兰室内乐团

作曲:朱塞佩·塔蒂尼
朱塞佩·塔蒂尼G小调奏鸣曲(魔鬼的颤音)
[5]1.慢板,演奏速度很慢
[6]2.快板,颤音不时出现
[7]3.慢板/快板交替


作曲:安东尼奥·维瓦尔第
协奏曲A小调RV356选自《和谐的灵感》
[8]1.慢板:愉快而充实
[9]2.忧伤 惆怅
[10]3.喜庆的急板
指挥 尼古拉 贝纳德蒂,苏格兰室内乐团

维拉西尼
A大调第六号奏鸣曲(作品二)
[11]广板

朱塞佩·塔蒂尼
A小调小提琴协奏曲
[12]1.如歌的快板
[13]2.如歌的行板[
[14]3.急速的快板板

安东尼奥·维瓦尔第
[15] 圣殿中的努拉 作品530号


安东尼奥·维瓦尔第
G小调小提琴协奏曲(四季):夏天
[16]1.不过分的快板
[17]2.广板
[18]3.快板
指挥:尼古拉·贝内代蒂,苏格兰室内乐团



专辑曲目

Antonio Vivaldi (1678 - 1741)

Concerto In D RV208 "Grosso Mogul"
[1] 1. Allegro [5:28]
[2] 2. Recitativo: Grave [2:39]
[3] 3. Allegro [6:35]

[4] Vedro con mio diletto - aria from Giustino [4:20]
Nicola Benedetti, Scottish Chamber Orchestra

Giuseppe Tartini (1692 - 1770)

Sonata in G Minor (Devil's Trill)
[5] 1. Andante [4:35]
[6] 2. Allegro [3:48]
[7] 3. Andante/Allegro [5:27]
Nicola Benedetti, Christian Curnyn

Antonio Vivaldi (1678 - 1741)

Concerto in A minor RV358 "La Cetra"
[8] 1. Adagio-Presto [2:56]
[9] 2. Largo [1:58]
[10] 3. Allegro [3:03]
Nicola Benedetti, Scottish Chamber Orchestra

Francesco Maria Veracini (1690 - 1750)

Sonata No. 6 in A Major (from Sonate accademiche op.2)
[11] Largo [3:40]
Nicola Benedetti, Christian Curnyn

Giuseppe Tartini (1692 - 1770)

Violin Concerto in A minor, D115 "A Lunardo Venier"
[12] 1. Allegro-Cantabile - Allegro Assai [4:32]
[13] 2. Andante-Cantabile [5:00]
[14] 3. Presto [5:23]

Antonio Vivaldi (1678 - 1741)

[15] Nulla in Mundo Pax Sincera [6:58]

The Four Seasons: Summer
[16] 1. Allegro Non Molto [4:46]
[17] 2. Adagio e Piano - Presto Forte [2:12]
[18] 3. Presto [2:42]
Nicola Benedetti, Scottish Chamber Orchestra

Total Playing Time [1:16:02]

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