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Gipsy Kings -《Pasajero》(旅人之歌 )[APE]

  • 状态: 精华资源
  • 摘要:
    音乐风格摇滚
    发行时间2006年10月24日
    地区美国
    语言英语
  • 时间: 2013/02/18 23:47:44 发布 | 2013/02/20 07:34:23 更新
  • 分类: 音乐  欧美音乐 

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精华资源: 2006

全部资源: 2007

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专辑英文名Pasajero
专辑中文名旅人之歌
歌手Gipsy Kings
音乐风格摇滚
资源格式APE
发行时间2006年10月24日
地区美国
语言英语
简介

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专辑介绍:

 睽违两年 佛朗明哥畅销天团--吉普赛国王 2006最新专辑

 连续多年主宰Billboard世界音乐与拉丁艺人排行榜

 全球销售逾1300万张的佛朗明哥天团

来自南法的吉普赛国王(Gipsy King)成军於一九七○年代,由西班牙著名的佛朗明哥音乐家Jose Reyes的两位儿子Nicolas和Andre Reyes及其表兄弟等共八人组成,原以Los Reyes为名在西班牙及法国等地四处游走,参与婚礼及庆典演出,到处流浪演出的生活方式接近四海为家的传统吉普赛人,遂更名为Gipsy Kings。

吉普赛国王演唱的语言以法语、西班牙语及吉普赛方言Gitane为主,音乐从佛朗明哥出发,佐传统佛朗明哥吉他与唱腔以吉普赛音乐的沧桑及豪迈,揉合中东、拉丁美洲和北非的地域音乐特质,再加上略为流行化的编曲方式和手风琴演奏,听来流畅且热情奔放,面对各样听眾丝毫没有文化隔阂。一九八八年,该团体推出同名专辑Gipsy Kings时曾在欧洲地区造成轰动,从此成为全球各大世界音乐及拉丁音乐排行榜的常胜军。

暌违乐坛两年,吉普赛国王的新作旅人之歌(Pasajero)仍以佛朗明哥为音乐基础,并尝试运用丰富的管乐烘托融合了多样世界音乐元素的特出节奏。专辑中,许多听眾耳熟能详的 “Chan Chan”是拉丁爵士与佛朗明哥的完美结合,“Purblos”带有浓厚的雷鬼气味,而“Canastero”虽带探戈节奏,却以佛朗明哥吉他搭配演奏。拥护传统西班牙音乐的乐迷,听见“Guaranga”和专辑同名曲“Pasajero”里道地的佛朗明哥唱腔和炫技的吉他演奏必要拍案叫绝。

吉普赛国王的音乐感染力强烈,洋溢著异国风情,是而能成功地跨越国际疆界,成为当代少有的世界音乐天团!

Audio CD (October 24, 2006)
Original Release Date: 2006
Number of Discs: 1
Format: Import
Label: Sony Bmg Europe
ASIN: B000HDR9R2

review
[-] by Thom Jurek

It's been two years since the Gipsy Kings' masterpiece Roots, an album where they kissed big, extravagant production, as well as big drums and keyboards, goodbye. Apparently old habits are hard to break. On the cover of 2007's Pasajero, the Kings look back to the natural thang. They are posed on a picnic table in the middle of some wild grass and trees, playing together, laughing, and singing. Covers can be deceiving, and this is one of them. Pasajero is a big return to glossy sound, extravagant production, big drums, dub bass, and electronic programming and percussion. There's no problem if you dig your Kings that way, of course. The group lays down impeccable nuevo flamenco fusion with all sorts of world traditions, such as reggae on "Pueblos," with a splashy horn section playing in fine dub-cum-mariachi style and a bubbling bassline over the drums. The Reyes family knows what it wants, apparently, as the horns and keyboards dig deeper into both reggae and son grooves on "Mira la Chica." Not only do they not give up their danceable edge, they seem intent on making it so pronounced that it overrules everything else. The raw vocals are there, but they seem at odds with the sheen of the production by Philippe Eidel and the Kings.

The return to the slicker stylings and the integration of more forms are utterly comprehensible when one considers how much Latin popular music has changed in the past couple of years. The Kings are used to being on top of the charts, and they aren't about to throw in the towel to go back to folk music. That said, there are rootsy tunes here, though they are in the minority. That doesn't mean this record is a loss: far from it. On "Café," the band (with Eidel on accordion) goes backward, strutting through a joyous singalong son. "Canastero" is a mid-tempo ballad full of passion, pathos, and the kind of longing that's hard to find anywhere but in the Kings' best songs. One of the more experimental tunes, "Sol y Luna," features the upright bass playing of Bernard Paganotti (he's amazing throughout the album), and also a shimmering kit drum played by Patrice Renson, with Ava Saty's duduk playing a stunning little melody throughout this heady romantic tune. It may, in fact, be the finest moment on the record -- and an all too brief one. The percussion and upright bass playing on "Guaranga" are fine ballast for the fiery flamenco guitaristry on the instrumental. In sum, Pasajero is a mixed bag, in terms of an eclectic mix of tunes. The big-band numbers don't work quite so well, but they aren't in the majority here either. [Pasajero was re-released in 2007 on Nonesuch as an enhanced CD with bonus video footage]

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专辑曲目

01. Si tu me quieres
02. Pueblos
03. Mira La Chica
04. Café
05. Chan Chan
06. Canastero
07. Donde sta mi amor
08. Amor
09. La tounga
10. Soly luna
11. Guaranga
12. Pasajero
13. Recuerdos
14. La vida de Gipsy

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