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The Bassface Swing Trio -《A Tribute To Cole Porter》(向科尔波特致敬 )[LP 黑胶 24bit/96KHz][FLAC]

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  • 摘要:
    音乐风格爵士
    发行时间2008年04月25日
    地区德国
    语言普通话
  • 时间: 2012/08/05 00:15:42 发布 | 2012/08/05 08:10:42 更新
  • 分类: 音乐  欧美音乐 

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专辑英文名A Tribute To Cole Porter
专辑中文名向科尔波特致敬
音乐风格爵士
资源格式FLAC
版本[LP 黑胶 24bit/96KHz]
发行时间2008年04月25日
地区德国
语言普通话
简介

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专辑介绍:

在2007年,贝斯脸摇摆三重奏在Stockfisch发行一张直刻SACD,以完全现场演出的方式录制了盖西文致敬专辑。2008年,一样的CD封面,他们还会带给我们怎样的惊喜?这次致敬的对象是柯尔波特,另外一位伟大的美国歌曲创作者。
贝斯脸摇摆三重奏的曲风正如他们的团名,非常的摇摆。他们的爵士乐不会让你想正襟危坐严肃的聆听,而会想随著他们流畅轻快的拍子起舞打拍子。更棒的是,这次的演出加入了一位歌手芭芭拉柏克,她的歌声清亮而甜美,带著愉悦的表情,与这三重奏的音乐风格正好契合得天衣无缝。
最让人侧目的还是这张专辑的录制方式:以七支麦克风收录所有声音,并直接进入Sonosax类比混音座混成两声道的讯号,之后就进入emmLabs的类比数位转换器直接将讯号转为DSD储存。由於DSD单位元、超高取样率的特性与类比讯号没两样,而且又有超宽频宽(超过100kHz的高频延伸)与超大动态(超过120分贝!)的特色,因此这个DSD讯号就直接送到Neumann VMS-80的DMM刻片机直接刻成黑胶唱盘母片。在SACD的部份,也是以这DSD讯号直接进行母带处理,并且在DSD工作站上进行母带处理并烧成SACD母带,以这母带直接在压片厂制成母片压制,将讯号中可能减少的损失降至最低。
这过程有什么难处?有!为了配合黑胶唱片,乐手与歌手们必须将八首歌曲分成两次(A面与B面)一气呵成的演奏完毕,在四首歌曲之间任何的对话与动作都照样收录在唱片中,不能重复录制或修饰某个片段,因此聆听这张唱片就好像听到两段现场演唱会般的充满临场感。还好,四位艺人都是高手中的高手,连续四首歌曲的演奏完全难不倒他们,光听A面最后一曲的「Love For Sale」,从开头的贝斯演奏、曲中的爵士鼓精彩独奏到最后的钢琴尽情挥洒都可以听出乐手们热力四射的光芒。
充满奢华欢乐气息的柯尔波特歌曲、充满活力的爵士三重奏与充满潜力的女声新秀,加上Stockfisch直刻唱片最原汁原味的声音呈现,无论是音响迷、爵士乐迷一定都会被这张唱片深深吸引

资料一:

直刻唱片在几十年前就已经是高音质的绝高境界,而对这方面的制作,老虎鱼的老闆兼录音师Gunter Pauler绝非新手。他不但曾经接受B&W公司委託录制过著名的「Friends of Carlotta」直刻黑胶唱片(后来版权由Clearaudio买下继续发行),在老虎鱼也推出了数张直刻多声道SACD专辑,都有著音响迷们津津乐道的高超音质。本片又是一次精彩的直刻发烧鉅作,录音在老虎鱼自己的录音室中进行,所有的刻片设备也都集中在这边,所有的制作路径缩到最短,当然大幅度降低失真产生的可能性。

要制作直刻CD有很多种方式。Gunter Pauler最后决定以类比方式进行。所有的收音、混音、刻片过程完全不加入任何数位化的产品,一直到进入刻片头之前,才以另外一组讯号分送到数位处理,分别由emmLabs ADC8 MkⅣ进行DSD转码给SACD层、NEXUS 28-bit进行PCM转码给CD层使用,因此,三种不同媒介是以最接近、差异最少的方式来录制的,可以说是要比较三种不同媒体音质时不可或缺的利器!***若是音乐表现平平,一张直刻唱片音质表现再优异也是枉然。老虎鱼当然深知这个道理,因此请来了德国的贝斯脸摇摆三重奏负责演出,他们以极佳的默契与创意演出大家耳熟能详的六首盖希文名曲。值得一提的是使用了义大利名厂法奇欧理(Fazioli)的F228型钢琴,这款杰作的响板是由与史特拉第瓦利小提琴琴身相同的义大利红松木,音质充满华丽贵气。录音使用的器材包括了老虎鱼首次使用,自己以传奇的Neumann M7的关键零件自制的麦克风、SONOSAX混音檯与Neumann VMS-80 DMM刻片机等等,当然都是当前最高水準。录制的结果呢?钢琴华丽澄澈、贝斯弹性绝佳、鼓声坚实饱满,空间感、定位感等项目都有著上乘的表现。最重要的是音质非常的直接传真,与一般录音室混音作品有著截然不同的真实趣味。

资料二:

发烧界殿堂品牌(老虎鱼)与红遍全亚洲的德国重量级爵士三种奏组合"比费斯摇摆三重奏"配合拥有摄人魅力的嗓音的爵士女歌唱家巴巴拉向美国著名百老汇音乐剧作曲家波特致敬专辑,重新演绎波特多首音乐剧及爵士乐佳作.这个崭新组合给您一个意想不到的爵士之旅,令您彷如返回歌舞升平的百老汇歌剧时代般,金碧辉煌.由(老虎鱼)专业录音师悉心泡制,突验爵士最引人入胜之处,震撼无比!


唱片名称:A Tribute To Cole Porter 向波特致敬集
艺术家:比费斯摇摆三重奏 The Bassface Swing Trio
音乐类型:爵士
唱片公司:老虎鱼
唱片编号:SFR35740562
内圈编码:IFPI 07K8
出版时间: 2008-04-25

Published on May 23, 2008
The Bassface Swing Trio – Tribute to Cole Porter – Stockfisch
The Bassface Swing Trio – Tribute to Cole Porter – Stockfisch Direct Cut stereo-only SACD SFR 357.4056.2, 39:04 ***1/2 [Distr. by Elusive Disc]:

(Barbara Bürkle, vocals; Thilo Wagner, piano; Jean-Philippe Wadle, doublebass; Florian Hermann, drums)

This is a hi-res encore from the Bassface Trio to their first Stockfisch SACD, a tribute to George Gershwin, which we reviewed here last year. This time the instrumental-only piano trio asked in excellent vocalist Barbara Bürkle, whose umlauted last name seems to suggest that perhaps English is not her first language. Yet one would never know that hearing her perfect pronunciation and phrasing of all the great and witty Porter lyrics. And she’s also always on key – something one doesn’t always get in many recordings of vocalists. There are eight tracks on this rather short disc time-wise, and two of the tracks are strictly instrumental. The tunes are some of Cole’s classics, and one misses not a thing with the clean cabaret-style delivery of Ms. Bürkle plus the transparent sonics provided by Stockfisch.

Their engineers mixed a pickup by seven mikes down to an analog mixer in stereo only. (This is not a typical multichannel SACD.) The musicians all played straight thru every tune – there were no edits, and there are longer pauses with some conversation between tracks, just as on vinyl direct discs. The analog mix went thru a high-grade DSD 1-bit converter, from which the SACD master was produced. I’m not sure I understand the Direct Cut reference in this instance, since neither the SACD nor the DMM vinyl disc were cut directly from the mike mixer signals, as all the direct-discs in my vinyl collection were. The 180g LP is really a copy of the DSD master. However, the sonics are terrific on the SACD. I didn’t have the SACD/Vinyl Bundle which I had reviewed simultaneously on the first album. Stockfisch only produced 500 pieces and since I had previously found the SACD about the same as the vinyl, I didn’t ask for it this time.

The CD layer sounds very good, but after switching to the SACD layer a more accurate description for the 44.1K option would be listening to the music when you have a serious head cold. I know I’ve been lax in comparing the two or three options on most SACDs in reviews, but in spite of that idiotic AES paper about them sounding the same, there’s a world of more transparent sound in the SACD stereo options, not to mention the surround options. (It was only at the beginning of SACD’s introduction that Sony and some other labels were careless and actually made the SACD layer sound worse than the CD layer on a few discs.)

I have to say I enjoyed the first all-instrumental Bassface disc more. The trio really picks things up on the two instrumentals here, especially on the closing I Love Paris. That one jump! – and was my favorite track on the album – unlike their accompaniment on the vocals. This is a thoroughly pro quartet of musicians, I was just hoping for a touch more courage and perhaps edginess in their improvisations. Ms. Bürkle is very good, but again I was hoping for a little bit more unique delivery on her part.

TrackList: Dream Dancing, Easy to Love, Night and Day, Love for Sale, It’s De-Lovely, You’d Be So Nice to Come Home To, Ev’ry Time We Say Goodbye, I Love Paris.

- John Sunier

引用
最顶级的录音 最发烧的声音
Stockfisch唱片录音採用二十八位元的类比数位转换器、NAGRA-D等超发烧设备录制,并以B&W NAUTILUS 801进行鑑听。

七支麦克风直接立体声混音为DSD母带,精妙的捕捉四位音乐人在录音室中一气呵成的现场演出,完全不做任何剪辑,以最真实、完美的声音呈现出美国歌取名家柯尔波特音乐之美

在2007年,贝斯脸摇摆三重奏在Stockfisch发行一张直刻SACD,以完全现场演出的方式录制了盖西文致敬专辑。2008年,一样的CD封面,他们还会带给我们怎样的惊喜?这次致敬的对象是柯尔波特,另外一位伟大的美国歌曲创作者。

贝斯脸摇摆三重奏的曲风正如他们的团名,非常的摇摆。他们的爵士乐不会让你想正襟危坐严肃的聆听,而会想随著他们流畅轻快的拍子起舞打拍子。更棒的是,这次的演出加入了一位歌手芭芭拉柏克,她的歌声清亮而甜美,带著愉悦的表情,与这三重奏的音乐风格正好契合得天衣无缝。

最让人侧目的还是这张专辑的录制方式:以七支麦克风收录所有声音,并直接进入Sonosax类比混音座混成两声道的讯号,之后就进入emmLabs的类比数位转换器直接将讯号转为DSD储存。由於DSD单位元、超高取样率的特性与类比讯号没两样,而且又有超宽频宽(超过100kHz的高频延伸)与超大动态(超过120分贝!)的特色,因此这个DSD讯号就直接送到Neumann VMS-80的DMM刻片机直接刻成黑胶唱盘母片。在SACD的部份,也是以这DSD讯号直接进行母带处理,并且在DSD工作站上进行母带处理并烧成 SACD母带,以这母带直接在压片厂制成母片压制,将讯号中可能减少的损失降至最低。

这过程有什么难处?有!为了配合黑胶唱片,乐手与歌手们必须将八首歌曲分成两次(A面与B面)一气呵成的演奏完毕,在四首歌曲之间任何的对话与动作都照样收录在唱片中,不能重复录制或修饰某个片段,因此聆听这张唱片就好像听到两段现场演唱会般的充满临场感。还好,四位艺人都是高手中的高手,连续四首歌曲的演奏完全难不倒他们,光听A面最后一曲的「Love For Sale」,从开头的贝斯演奏、曲中的爵士鼓精彩独奏到最后的钢琴尽情挥洒都可以听出乐手们热力四射的光芒。

充满奢华欢乐气息的柯尔波特歌曲、充满活力的爵士三重奏与充满潜力的女声新秀,加上Stockfisch直刻唱片最原汁原味的声音呈现,无论是音响迷、爵士乐迷一定都会被这张唱片深深吸引!

【曲目】
01. Dream Dancing 梦幻之舞
02. Easy To Love 爱你很容易
03. Night And Day 夜与日
04. Love For Sale 出卖爱情
05. It’s De-Lovely 超可爱
06. You’d Be So Nice To Come Home To 你能回家真是太好了
07. Every Time We Say Goodbye 每次我们说再见
08. I Love Paris 我爱巴黎


引用
A hi-res stereo encore from the Bassface Trio to their first Stockfisch album, a tribute to George Gershwin

A great small jazz band, a legendary American composer and marvelous sound. Previously this mixture created one of the most remarkable sound recordings, the Direct-to-disc-Cut of the Bassface Swing Trio with their tribute to Gershwin. Could things become any better than this? Hard to imagine, but true. Proof enough of this: The Bassface Swing Trio again, this time featuring singer Barbara Bürkle, a fine selection of Cole Porter jazz tunes entitled Tribute to Cole Porter.

Brilliant dynamic vocals from jazz singer Barbara Burkle accompanied by the likes of pianist Thilo Wagner, bassist Jean-Philippe Wadle and drummer Florian Hermann. High-quality performances of Cole Porter songs like "Night and Day", "Easy To Love" and "It's De-Lovely" all on Limited Edition, Hand-numbered high-quality 180g vinyl with Hybrid Stereo SACD included!

Direct-to-disc has been and still is the biggest challenge in audiophile music production. Unforgettable are the works of Sheffield, Jeton and courageous cutting engineers like Stan Ricker, who out-maxed the technical possibilities of that time by provocative back-cutting.

The Stockfisch sound engineers mixed the sound of seven microphones in an analog mixer to a stereo sum. They enjoyed this creative listening phase whilst doing this exciting down-mix. The musicians played two sets of four pieces - live, there were no edits or digital tricks involved.

For collectors of audiophile specials, this release is also available as DSD 2.8224 MHz-TO-DISC Vinyl 180g LP + SACD Hybrid-bundle - limited to 500 units, numbered and signed by Günter Pauler.

Musicians:
- Thilo Wagner (piano)
- Jean-Philippe Wadle (bass)
- Florian Hermann (drums)
- Barbara Burkle (vocals)

Features:
- Direct Metal Mastered 180g Vinyl
- Vocals from jazz singer Barbara Burkle


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专辑曲目

1. Dream Dancing
2. Easy To Love
3. Night And Day
4. Love For Sale
5. It's De-Lovely
6. You'd Be So Nice To Come Home To
7. Ev'ry Time We Say Goodbye
8. I Love Paris

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