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Julian Bream -《极品典藏》(The Ultimate Guitar Collection )[2 CD set][APE]

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  • 摘要:
    古典类型全集作品
    发行时间1999年03月09日
  • 时间: 2012/07/01 18:14:39 发布 | 2012/07/03 10:07:48 更新
  • 分类: 音乐  古典音乐 

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专辑英文名The Ultimate Guitar Collection
专辑中文名极品典藏
艺术家Julian Bream
古典类型全集作品
资源格式APE
版本[2 CD set]
发行时间1999年03月09日
地区美国
语言英语
简介

IPB Image

专辑介绍:

如果将布里姆所有的唱片摆满一桌,我相信你伸手去取的第一张仍然是这一辑《极品典藏》。专辑中除了维瓦尔第,多兰和卡廷的4首作品外,均为西班牙和巴西作曲家的知名吉他作品。这套小双张涵盖了布里姆自1959至1983年的唱片中的经典曲目,如果你囊中羞涩无法购买他的28CD全集,《极品典藏》无疑可以让你饱览大师近四分之一世纪的沧桑与辉煌。

值得一提的作品有:法拉的《磨坊主之舞》,热烈而富有感染力的扫弦使它成为一首非常流行的演奏曲目。泰勒加的《阿尔罕布拉宫的回忆》是膾制人口的小品,梦幻般的颤音对于布里姆来说简直是游刃有余。对吉他有革命性贡献的维拉-罗伯斯,其前奏曲深沉而带有大提琴的色彩。伊萨克·阿尔贝尼兹的西班牙题材作品是无数演奏家的保留曲目,甜美的《塞维丽亚》,激越的《阿斯图里亚斯》,明亮的《格拉那达》,辗转的《科尔多巴》,展现了西班牙各地的迷人风情。与伊萨克·阿尔贝尼兹同为钢琴家的恩里克·格拉那多斯,其作品也同样被改编为吉他曲,《西班牙组曲》的魅力长盛不衰。

最值得一提的是胡埃金·罗德里戈的《阿兰胡埃斯》吉他协奏曲。这个版本是世界上公认的最杰出的几个版本之一。在约翰·伊里奥特·加迪那才华横溢的指挥棒下,布里姆与蒙托维尔第管弦乐团配合得天衣无缝,将一首阿协演绎得令听眾如醉如痴。

第一乐章的小快板从容不迫,铺陈得体又显豪情满胸。第二乐章柔板须在安静的氛围以中等偏大的音量放出。淙淙的琶音如思绪潺潺,令人柔肠百转。随著情绪逐渐热烈,忧郁被豪迈的情怀遣散,直至回肠荡气的三组扫弦,把内心的担忧和阴沉一扫而光。第三乐章把紧绷的感觉释放,明朗的音乐已经没有了第一乐章中对前途未卜的疑虑,吉他在柔和的弦乐衬托下,静静地结束全曲。

Performer: Julian Bream
Composer: Mateo Albeniz, Francis Cutting, John Dowland, Manuel de Falla, Enrique Granados, et al.
Audio CD (March 9, 1999)
Number of Discs: 2
Label: RCA
ASIN: B00000I9M1

Selections recorded 1959-83.
This compilation contains both ADD and DDD recordings.
This collection is a treasure trove of essential guitar works played by one of the most renowned guitarists in the world. Apart from Bream's jubilant rendition of Vivaldi's Concerto in D and delicate performances of works by Dowland and Cutting, this CD is understandably devoted to Spanish and Brazilian composers, the source of the world's best-loved and most enduring works for guitar.
Mateo Albeniz was a Basque composer whose specialty was sacred works, but this early work, originally written for piano, has a fresh style that recalls Scarlatti and Soler. 'The Miller's Dance' by de Falla is a popular favorite due to its infectious and dramatic strummed passages. Tarrega's 'Recuerdos de la Alhambra' is a popular favorite that is memorable for its difficult tremolo (played with effortless aplomb by Bream). The singular and musically revolutionary mind of Villa-Lobos is represented by his dramatic Preludes, which are dark-hued works with cello-like melodies. But the standout here is Rodrigo's 'Concierto de Aranjuez,' one of the greatest work for guitar and orchestra ever written. This ravishing and sparkling performance under the baton of John Eliot Gardiner is no doubt the greatest modern rendition of this spirited and timeless work.

引用
最近在听这位大师级人物的Ultimate Guitar Collection
虽然我几乎不听古典音乐的
但吉他还是挺喜欢听的
顺带给大家介绍一下
以下译自BMG唱片公司的介绍

於1933年出生於伦敦,吉他手/鲁特琴手Julian Bream第一个乐器是由父亲送给他的.这个年轻的音乐家在1947年的Cheltenham做了他第一次的登台演出,在第二次世界大战过后不久便在英国显露了他过人的天赋.当时他才16岁,已经时常出现在BBC广播公司与电影配乐上,也开始探索伊莉莎白女王时期的鲁特琴曲目.1951年第一次在伦敦的温格摩尔(Wigmore)音乐厅表演.在皇家音乐学院毕业及服完兵役后,他开始在世界各地表演,包括每年度在美国与欧洲的巡演.

对於吉他音乐的精通他得自某些著名作曲家的灵感,如Benjamin Britten, Sir Michael Tippett, William Walton, Peter Maxwell Davies, and Toru Takemitsu等.他也同为身为当代著名的鲁特琴手,能够与Peter Pears, Robert Tear, George Malcolm, Peggy Ashcroft及他个人的乐团合作演出.

Bream先生被电视观眾们所熟知.主要是因为BBC在1976年的电视自传影片A Life in the Country.其他电视节目包含BBC一系列的大师讲座,与1984年他於西班牙当地制作一部八集的西班牙吉他音乐於不列颠第四频道播出.为了庆祝他第一次登台的五十周年纪念,BBC公司制作了This is Your Life向这位吉他手致敬.该片录制於1997年的伊莉莎白女王音乐厅的纪念音乐会.1991年可以在BBC广播与电视频道看见他,同样也能在伦敦的日本嘉年华看到他.在1992到1993年他在温格摩尔音乐厅表演过两次,一次是庆祝音乐厅的重新开张,一次是庆祝他的六十岁生日.在这段期间他巡迴演出,去过香港,台湾,韩国与日本.1994年第一次在土耳其与以色列演出并大获好评,下一年并在电影Don Juan de Marco的配乐中演出.


引用
完全对的起The Ultimate Guitar Collection 这个专辑名称
  
  The Miller's Dance弹的张力十足
  古典吉他超难曲目之
  三首西班牙小品-Fandango Passacaglia Zapateado
  布里姆的演奏仍然装饰奏清晰 声部分离度完美
  快速音阶跨弦把位大跳顺畅...(虽然zapateado似乎有点卡了一小下)
  重要的是旋律线的维持极为稳定 强弱分明
  
  个人长久反覆聆听的专辑之一

One well worth the price of two September 25, 2004
By Richard Christie
Format:Audio CD
This two cd set is an odd juxtaposition. The first cd consists of a sampler of Bream's career output - but without (and I believe the omission is disgraceful) any acknowledgement of Bream's significant contribution toward the creation of a truly 20th century concert repertoire for guitar. The second cd is a re-release of his superb early 1980's recording of Albeniz and Granados transcriptions with the added bonus of a sublime interpretation of the "Three Spanish Pieces" by J Rodrigo.

Speaking as a musician I find the selections and the production of the first cd problematic. We get a few of the more lightweight examples of renaissance lute and baroque guitar (but no JS Bach and no (solo) baroque lute work); we get no vihuela repertoire and nothing truly representative of classical period composition. We do have all six movements from two contrasting concertos but the remainder of the cd consists mostly of neo-romantic repertoire from the twentieth century. In addition the recording quality is highly variable; for example one of the Villa Lobos pieces sounds as though it was recorded in an indoor swimming complex (well, maybe not quite that bad). Given the cd's title more care should have been taken to better represent Bream's career and musical diversity. In the opinion of one familiar with Bream's output this is a disappointing selection. Well played but not representative of the artist nor the art form.

However the opposite is the case with the second cd. These recordings were made at a time when Bream set out to commit to (then) vinyl, via the guitar, the musical heritage of Spain. Bream here was at the height of his interpretive power - and a fine film documentary also resulted from this endeavour.

The inclusion of the Rodrigo set makes this cd a better buy than the original Albeniz and Granados recording, although those who find this compilation rewarding might perhaps profit from researching Bream's catalogue, and adding the complete recording from which the Rodrigo is sourced (circa 1980-90) to their collection.

As for the Albeniz and Granados Bream offers his own transcriptions. These tread a fine line between fidelity to the piano scores and Bream's concept of what works on the guitar. As a general observation Bream seeks to include significantly more of the original score's textures than do many of his peers (e.g. J Williams, P Romero). At the same time he is not averse to significantly modifying the original (e.g. amongst others 'Granada' and 'Cordoba'). Such a process is part of any transcription but here the results are not only excellent but also personal to Bream, as a result we have further confirmation of the craft of a great performing artist.

Every listener will discover their own favourites and I have more than space allows me to relate. I believe that Bream brings more expression to his performances of the Valses Poeticos by Granados than any other guitarist I have heard, and the Passacaglia by Rodrigo is played with such a sense of a brooding menace that my spine tingles every time I listen to it.


IPB Image
Julian Bream, CBE (born 15 July 1933), is an English classical guitarist and lutenist and is one of the most distinguished classical guitarists of the 20th century.



专辑曲目

Disc 1

01. Antonio Vivaldi - Concerto in D for Lute and Strings Rv 93(ed. Bream) - Allegro giusto [0:03:51.52]
02. Antonio Vivaldi - Concerto in D for Lute and Strings Rv 93(ed. Bream) - Largo [0:03:49.73]
03. Antonio Vivaldi - Concerto in D for Lute and Strings RV 93(ed. Bream) - Allegro [0:02:10.42]
04. Francis Cutting - Packington's Pound [0:02:33.45]
05. Francis Cutting - Greensleeves [0:03:51.53]
06. John Dowland - Fantasia "A Fancy" [0:02:37.25]
07. Gaspar Sanz - Canarios [0:01:07.47]
08. Mateo Albeniz - Sonata in D (arr. Pujol) [0:03:59.00]
09. Isaac Albeniz - Leyenda (Asturias) from Suite española [0:05:58.23]
10. Manuel de Falla - The Miller's Dance (from The Three Cornered Hat) arr. Bream [0:02:19.25]
11. Francisco Tarrega - Recuerdos de la Alhambra [0:03:55.62]
12. Heitor Villa-Lobos - Choros No.1 [0:04:53.50]
13. Heitor Villa-Lobos - Prelude No.1 in E minor: Andantino espressivo [0:04:08.15]
14. Heitor Villa-Lobos - Prelude No.2 in D: Poco animato [0:02:39.38]
15. Joaquín Rodrigo - En los trigales [0:03:35.50]
16. Joaquín Rodrigo - Concierto De Aranjuez - Allegro con spirito [0:05:56.15]
17. Joaquín Rodrigo - Concierto De Aranjuez - Adagio [0:10:25.22]
18. Joaquín Rodrigo - Concierto De Aranjuez - Allegro con brio [0:05:02.50]

Disc 2

01. Isaac Albeniz / Mallorca, Opus 202 [0:07:22.72]
02. Isaac Albeniz / Cataluna : Suite Espanola, Opus 47 [0:02:59.68]
03. Isaac Albeniz / Granada : Suite Espanola, Opus 47 [0:05:39.05]
04. Isaac Albeniz / Sevilla : Suite Espanola, Opus 47 [0:04:48.45]
05. Isaac Albeniz / Cadiz : Suite Espanola, Opus 47 [0:04:23.72]
06. Isaac Albeniz / Cordaba : Cantos de Espana, Opus 232, No.4 [0:07:19.15]
07. Enrique Granados / Dedicatoria (from Cuentos para la juventud) [0:01:45.00]
08. Enrique Granados / La Maja De Goya (Tonadilla) [0:04:49.38]
09. Enrique Granados / Danza Espanola No.4 (Villanesca) [0:06:35.20]
10. Enrique Granados / Valses Poeticos [0:12:31.70]
11. Enrique Granados / Danza Espanola No.5 [0:04:15.07]
12. Joaquin Rodrigo / Fandango : Tres Piezas Espanolas [0:04:16.23]
13. Joaquin Rodrigo / Passacaglia : Tres Piezas Espanolas [0:07:25.20]
14. Joaquin Rodrigo / Zapateado : Tres Piezas Espanolas [0:03:02.42]

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