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Stevie Ray Vaughan And Double Trouble -《In Step》(齐步走)[SACD-R]

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  • 摘要:
    音乐风格摇滚
    发行时间1999年03月23日
    地区美国
    语言英语
  • 时间: 2012/06/09 13:46:27 发布 | 2012/06/09 19:56:21 更新
  • 分类: 音乐  欧美音乐 

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专辑英文名In Step
专辑中文名齐步走
音乐风格摇滚
版本[SACD-R]
发行时间1999年03月23日
地区美国
语言英语
简介

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专辑介绍:

◆Stevie的最后礼讚:专辑「In Step」短评

「In Step」是Stevie Ray Vaughan生前的最后一张专辑,也是他短短三十五年生命的「尾声」、一份给世人的厚礼。从1983年年发行首张个人专辑到1990年的猝然逝世,短短七年Stevie 只留下五张录音室专辑,和一张现场演唱会专辑,而这张「In Step」 则被公认为Stevie最成熟的颠峰之作。

1989年发行的专辑「In Step」 与其上一张录音室专辑「Soul to Soul」相隔四年,这位背负来自四方盛名之累的蓝调摇滚新希望回以乐迷更苍蓝的唱腔与清澈、更摄人心弦的吉他弦音,灌注成为「In Step」 中一气呵成的淋漓演出。

Stevie出道以来则以其天纵无碍的演奏风格与极为特出、在乐界有「KING TONE 」之称的自明性吉他音色为人称道。这张专辑中Stevie的炉火纯青的琴艺依旧令人惊豔讚嘆,而其吉他音色则一改过去的麻酥厚实,而呈现极具透明的现代感。歌曲中Stevie的吉他不再一枝独秀的抢眼,反而在各种键盘乐器与bass之烘托中取得更多的和谐与聆赏空间,反而让使得其吉他更为凝练、沈稳。

「In Step」在Stevie编曲概念的铺陈下,整张专辑充满深邃的厚度与张力。专辑的开场曲「The House Is Rocking」的吉他破音组构的丰厚音墙狂飆,从前奏的第一小节开始,Stevie的吉他像迫不及待急於衝破藩篱的迷魅巨灵,搭上鼓、BASS与钢琴,镇重宣告Stevie式的蓝调就是这个调调。Stevie以其独特的blues 唱腔搭配天衣无缝的吉他独奏,创作出慵懒俏皮的「Cross-fire」,Stevie向所有的蓝调吉他手展示:可以不用速弹、更不需矫饰的音色,照样可以弹出摄人心弦酥麻人身的乐曲。这首歌也为Stevie获得1989年最佳现代蓝调音乐录音奖((Best Contemporary Blues Recording)。慢板蓝调「Leave My Girl Alone」在Hammond B-3风琴的幽鸣声中开展,Stevie 唱出一个Bluesman 的爱恨情仇,情郎的嫉妒猜疑之情被一颗颗的吉他音符弹入听者的心坎里。一气呵成的蓝调演奏小品「Travis Walk」则展现出Stevie 与他的乐团Double Trouble 的非凡默契,全曲已臻多一个音符嫌多,缺一个音符有憾的精鍊。「Love Me Darling 」在充满戏謔挑逗的吉他前奏展开,全曲呈现出颇具时代感的蓝调摇滚新貌。习惯性的,Stevie会在每张专辑都会露一手爵士风格的演奏曲,在「In Step」也不例外,「Riviera Paradise 」正是整张专辑集大成的天成之作,个人认为此曲应当可被视为Stevie 生前的最佳代表作,也是Stevie 式的Jass-Blues的宣示与集大成作品。整曲Stevie 留了许多的空白与静默,就像中国山水画的留白技法,予人更多的聆想空间,而本曲圆滑、透明、甜润又带点苍凉的吉他音色(clean tone)绝对称得上是史无前例的无缺。抑扬顿挫峰迴路转的吉他鸣奏加上间奏的一段钢琴solo,使
聆听者彷彿在人间即能体验到Paradise的美醇。

随著Stevie的不幸过世,「king tone 」不再次悠扬,而Stevie那几把外表已斑驳但却极具个人历史性的Fender Stratocaster 电吉他亦找不到伯乐抚弄调拨。
1990年 8月27日,Stevie与哥哥Jimmie、吉他之神EricClaption、Robert Cray、蓝调老将Buddy Guy同台演出,Stevie那天的超凡演出抢夺了所有演出者的风采,震惊了所有在场的听眾,无疑的~现场的听眾那时大该都会认为Stevie绝对是当时地球上最了不起的吉他手。然而就在当天演唱会结束后,Stevie搭乘的直昇机在前往芝加哥的途中坠毁,一世英才空留未完的大业,也让他的乐迷失落悲丧不已,Stevie还来不及以吉他开创新的世纪,就英年早逝。直到现在,人们对Stevie的讨论与崇敬依旧,人们好奇的讨论:「假如Stevie至今还活著,他会弹些什么呢?」。崇敬的是:「Stevie延续著诸多蓝调吉他先行者的脚步而来,赋予自己的天纵的音乐才能与努力,为传统的蓝调开展了一个新的视界。

Audio CD (March 23, 1999)
Original Release Date: 1989
Number of Discs: 1
Format: Extra tracks, Original recording reissued, Original recording remastered
Label: Sony
ASIN: B00000ICN9

Stevie Ray Vaughan - In Step , Mobile Fidelity SACD (1989) Remaster

I am caught in the Crossfire !

In Step was Vaughan's 4th and final album with the Double Trouble lineup and is a wonderful album that all fans of blues MUST hear. And what way to hear better than on Mofi's SACD! This has to be one of my personal favorite Blues rock albums of all time.....clearly I am caught in the Crossfire ! Vaughan lets it all go on this album with some of his best R&B moments and a guarantee that your toes will never stop tappin '

As usual the folks at MoFi have done a great version in presenting this well balanced album in glorious SACD ! Like most of the MoFi releases this album at higher volumes just leaps out at you unlike most standard CD, Vinyl or 8-Track will ! (kidding about the 8-Track). I believe originally this was a pure digital recording and yet it carries many of the characteristics of the great analog era. Without a question Stevie Ray's vocals just leap out at you on this remaster and sound just so clean and distinctive. This master has a nice full dynamic sound that albeit less dynamic as other SACD releases still sounds nice and warm and very well produced (thus the analog reference earlier).

This SACD release is simply amazing and THIS is the reason why I love the pursuit of the audiophile





New Numbered Limited Edition Mini-LP-Style Packaging!

Vaughan's 1989 Grammy-Winning Album Viewed as His Masterpiece!

If for some strange reason someone had not heard or heard of Stevie Ray Vaughan by the late 1980s, In Step changed that in a hurry. Fueled by a desire to make up for lost time and delight in his reawakened commitment to life, the Texas guitarist turned in what many consider his greatest artistic statement, an album ensconced in sweat, soul, determination, and not an ounce of filler. In Step remains one of the five-greatest blues records of the past quarter century.

As part of the our Stevie Ray Vaughan catalog restoration project, Mobile Fidelity has remastered this 1989 classic from the original master tapes for an unprecedented sonic experience. Surpassing the myriad inferior remastered and reconfigured editions, this numbered limited-edition hybrid SACD allows you to savor Vaughan's shuffles, wah-wah pedal effects, and string-squeezing fervor like never before. They almost didn't happen.

The years leading up to In Step weren't kind to Vaughan. In terms of deserved critical praise, yes. And in terms of continually hitting giant artistic strides, certainly. But Vaughan became mired in a haze of whiskey and cocaine, getting sucked into a downward spiral that culminated with him collapsing on a London stage in 1986 and coming close to death. After checking himself in for treatment, embracing the 12-step program, and finally kicking his vices, Vaughan returned with a vengeance on In Step, the first record he made sober.

The results teem with intensity, passion, and edge. Vaughan aggressively tears into uptempo hellraisers such as "The House Is Rockin'" and "Scratch-N-Sniff," grabbing each song by the scruff, shaking them, and refusing to let go. He courageously delves into his personal scars on the semi-autobiographical "Tightrope" and "Wall of Denial," confessionals that leave nothing to the imagination. A pair of instrumentals and several powerhouse covers round out an effort defined by Herculean consistency, songwriting, and poignant honesty. That Vaughan was killed in a helicopter accident one year after its release only adds to the sense of urgency-and bittersweet feeling, particularly since everything here serves to uplift.

Mobile Fidelity's numbered limited-edition hybrid SACD brings Vaughan's soul blues and lyrical playing to the fore. The naked tones wrought from his guitar, triumphantinflection of his voice, and every riveting string bend are captured with extreme delicacy, so you don't miss a note. What's more, the spacious arrangements and intricate acoustics get plenty of sonic legroom to stretch out on a vast soundstage. Hear the record that forever solidified Vaughan as a legend the way the man himself intended.

代码
A Slice of Heaven September 19, 1999
By A Customer
Format:Audio CD
I had heard the name Stevie Ray Vaughan a lot, and I believe I had heard one or two songs on the radio, but for some odd reason, I never really heard his music until a little while after his passing. Then, in 1991, I got a job with a blues band in Dallas playing piano and organ. Stevie's from Oak Cliff - a section of Dallas. I love playing blues, because when the band members listen to each other, things fall together. It has a lot of similarities to jazz that way. So, it tuned out that many of the songs started by the guitarist (who had known Stevie and was excellent in his own right), were SRV songs. A joy to play. During breaks, customers would play the jukebox, and that was the time I wanted to unwind in. It seems like every break, someone's quarter went to selecting this long, absolutely beautiful, slow 6/8 instrumental. I could literally feel stress evaporating from my body. I found myself going into a meditative state, just smiling and feeling total relaxation. It wasn't like any new age massage music, though... it had grit. I later found out that it was Riviera Paradise by Stevie Ray. Wow! A twelve minute cure for what ails you... with all the grit & beauty; the bittersweet quality of life itself.

I love all of Stevie's upbeat rockers with his satisfyingly fluid guitar work that flows like a river with a mission. This particular album, which expresses many things he had learned while struggling with the addictions of show biz fast lane life, is perfection. There's an understanding of life well lived that oozes through the most down to earth blues feelings you can find. And when Riviera Paradise comes on, it literally transports you to a place of receptiveness... where you can accept yourself, both strengths and weaknesses, and allow the better life that's available for anyone that will let it in.

It's so unfortunate for us that Stevie Ray was taken so suddenly; so soon. But it's clear from this album that he was intact and ready for anything. And when you take in his entire catalog of recorded music, you experience a man on a journey, who, no matter what he was going through, was always able to speak volumes through his guitar, and who's wonderfully unique voice (which I think sometimes is overshadowed by the guitar virtuosity) has the perfect man-on-the-street way of letting us all relate. If you like blues at all, this is an absolute must. Also, if you're not a blues fan, try starting with Riviera Paradise. Several times I have played that cut for people who have said they wouldn't be interested in SRV. I haven't told them what or who it was... just let it play. It's ALWAYS met with ooohs and ahhhs. "Who is that?" "What CD is that on?" They then have to hear more from the creator of that slice of heaven.



专辑曲目

01. The House Is Rockin' Written-By – D. Bramhall*, S. R. Vaughan* 2:23
02. Crossfire Written-By – B. Carter*, C. Layton*, R. Wynans*, R. Ellsworth*, T. Shannon* 4:09
03. Tightrope Written-By – D. Bramhall*, S. R. Vaughan* 4:38
04. Let Me Love You Baby Written-By – W. Dixon* 2:41
05. Leave My Girl Alone Written-By – B. Guy* 4:15
06. Travis Walk Written-By – S. R. Vaughan* 2:19
07. Wall Of Denial Written-By – D. Bramhall*, S. R. Vaughan* 5:35
08. Scratch-N-Sniff Written-By – D. Bramhall*, S. R. Vaughan* 2:41
09. Love Me Darlin' Written-By – C. Burnett* 3:18
10. Riviera Paradise Written-By – S. R. Vaughan* 8:49

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