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Viktoria Mullova -《肖斯塔科维奇 · 普罗科菲耶夫: 小提琴协奏曲》(Shostakovich & Prokofiev - Violin Concertos)[APE]

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  • 摘要:
    古典类型协奏曲
    发行时间1989年05月23日
  • 时间: 2012/04/01 23:43:01 发布 | 2012/04/02 20:02:53 更新
  • 分类: 音乐  古典音乐 

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专辑英文名Shostakovich & Prokofiev - Violin Concertos
专辑中文名肖斯塔科维奇 · 普罗科菲耶夫: 小提琴协奏曲
艺术家Viktoria Mullova
古典类型协奏曲
资源格式APE
发行时间1989年05月23日
地区美国
语言英语
简介

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专辑介绍:

肖斯塔科维奇的《第一小提琴协奏曲A小调》完成于1947年,这一作品是为他的朋友同时也是他的室内乐搭挡David Oistrakh而创作的。由于苏联当时的政治原因,该作品直至1955年才得到公演。与交响乐一样,这一协奏曲也分四个乐章,顺序是:慢快慢快。乐章的安排明显带有肖作品中常有的象征意义。夜曲所描绘的并不是同名乐曲通常表达的夜半情侣幽会的情景,而是黑暗降临的一种时间概念。诙谐曲则表达了一种疯狂,即是主宰我们生活的每天无休止的忙碌,同时也表现了作曲家对犹太流浪音乐家在思想感情上的认同,乐曲在这里承载更多的是作曲家无言的悲痛。在乐章帕萨卡利亚中,乐曲所蕴涵的意义在肖的作品中时常出现,它其实也是为斯大林主义时代众多的受害者所创作的另一种形式的安魂弥撒。在最后一章中,通过小提琴演奏的华彩乐段把那些年代所有的焦虑和疯狂表现的淋漓尽致!

普罗科菲耶夫奇妙的《第二小提琴协奏曲》
普罗科菲耶夫的《第二小提琴协奏曲》以其个性化的音乐风格,成为二十世纪小提琴艺术史中的重要文献之一,完成于1935年作曲家从巴黎回国之后。
普罗科菲耶夫在自传中曾这样描述这部作品:“……这首协奏曲音乐和风格上都与《第一小提琴协奏曲》迥然不同。它写于好几个地方,反映我当时正过着游牧民族那样的巡回演出生活……”作品的第一乐章主题谱于回国之前的巴黎,第二主题谱于回国途中俄国境内的沃洛纳斯,最后总谱完成于巴库。虽然前后相距20余年,但与《第一小提琴协奏曲》相比,风格却相当接近,只是在写作构思上更为成熟,旋律也更富有浪漫色彩。
作品共分三个乐章。第一乐章中庸的快板,开始时,由主奏小提琴单独奏出情感丰沛的第一主题,而后乐队与之配合,音乐逐渐向前推进。小提琴奏第二主题时,弦乐声部以柔和的音调相陪衬。在明显的走句中,主奏小提琴尽情抒发,与乐队交织在一起,彰显出绚丽灿烂之美。
第二乐章行板尤为精彩,它的感情淳厚,旋律动人,拥有小夜曲一般的静谧和诗意。整个乐章在一个古典风格的架构里独具匠心地完成了完全是现代精神、现代意味的抒情性乐思,浪漫而迷人。
第三乐章朝气蓬勃的快板,采用回旋曲形式,分为三段。其中,节奏性很强的舞蹈场面经过变形后,就像是巫师或是妖魔在舞蹈着,表现了作曲家特有的讽刺幽默感。鼓声和其它打击乐器则轰隆作响,营造出非常刺激的音响效果。最终“狂暴地”结束全曲。

俄罗斯女小提琴家,就学于莫斯科音乐学院,科岗的学生,1980和1982年先后赢得芬兰西贝柳斯比赛和柴科夫斯基国际比赛第一名。1983年和指挥家乔达尼亚趁到芬兰举行独奏音乐会之际,到美国使馆要求政治避难,后又移居奥地利。穆洛娃的第一张唱片录于1985年,曲目是西贝柳斯和柴科夫斯基的协奏曲,这以后,她录制的唱片一张比一张好,几乎张张精彩。她的演奏,洋溢着难得的高贵气质,节奏、分句、层次,都处理得极为精致,她最有质量的作品是布拉姆斯、斯塔科维奇、普罗科菲耶夫的协奏曲。

1. Violin Concerto No. 1 in A minor, Op. 77 (revised as Op. 99)
Composed by Dmitry Shostakovich
Performed by Royal Philharmonic Orchestra
with Viktoria Mullova
Conducted by Andre Previn
2. Violin Concerto No. 2 in C sharp minor, Op. 129
Composed by Dmitry Shostakovich
Performed by Royal Philharmonic Orchestra
with Viktoria Mullova
Conducted by Andre Previn

引用

5.0 out of 5 stars VIKTORIA MULLOVA PLAYS SHOSTAKOVICH & PROKOFIEV VIOLIN CONCERTOS, March 17, 2010
By
RBSProds "rbsprods" (Deep in the heart of Texas) - See all my reviews
(TOP 500 REVIEWER) (VINE VOICE)
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This review is from: Shostakovich: Violin Concerto No. 1/Prokofiev: Concerto No. 2 (Audio CD)
Five INSPIRED Stars! Outstanding performances! This is an inspired, fateful musical meeting between the award-winning violin virtuoso Viktoria Mullova and the works of two of the 20th Century's greatest Russian classical composers, Dmitri Shostakovich and Serge Prokofiev. Shostakovich and Prokofiev lived during the height of the Soviet Union, which was so paranoid it even controlled composers and their music. Shostakovich was criticized in the national press and formally censured twice by the Soviet Union which meant his works could not be performed, his income was reduced, and he was forced to publicly apologize. Serge Prokofiev left Russia before it became the USSR and lived in the USA and Europe, but he returned to his native country as the USSR was cracking down on artists, demanding obedience and allegiance. Viktoria Mullova, on the other hand, was born near Moscow, and as a globetrotting young violinist was kept on a short leash when traveling outside of the USSR. But in her highly-publicized defection in 1983, she put on a blonde wig, left her Stradivarius violin in her hotel room as a decoy, and sought political asylum in the US Embassy in Finland. She rose quickly to the front rank of world-class violin virtuosos. And on this 1989 recording, a youthful Mullova shows she has a deep understanding of the brilliant music of her 2 countrymen. The Royal Philharmonic Orchestra under the baton of Andre Previn is a great match with Mullova, showing Previn's 'attention to detail' in conducting the music of these two great composers.

The 'best of the best' begins with Dmitri Shostakovich's "Violin Concerto No. 1 in A minor, Opus 99". His works are daring, original, and ultimately hopeful which is probably what alarmed the government. On Shostakovich's complex whirlwind of music, Mullova is brilliant and explosive, as she tames this 4 movement musical whirlwind which is full of technical problems, playing it like a controlled dervish, making it come alive as a mesmerizing experience. The 10 minute plus Nocturne (Moderato) movement and the 11 minute plus Pasacaglia movement with its blazing 4 minute cadenza are both loaded with calm & stormy musical moments. Prokofiev's "Violin Concerto No. 2 in G minor, Opus 63" is a work of pure soaring beauty; not as technically demanding as the Shostakovich concerto, it is a test of the violinist's heart, command of nuance, and the ability to draw out the beautiful tone of the violin instrument itself. In her hands, Mullova's blazing intensity brings forth an impassioned performance especially during the Andante assai and the Allegro ben marcato movements. These are 2 works of great beauty and grandeur with Andre Previn and the RPO providing great support while expanding the tonal ambience. Viktoria Mullova is sensational throughout. This CD gets my Highest Recommendation. Five BIG Stars!
(Audio CD, with booklet translated into English, German, Italian, and French; 7 tracks; total time: 60:50.) (Trivia: Based on the timeframe, I believe Viktoria Mullova is playing her "Jules Falk" Stradivarius, not her 1750 Guadagnini violin, although the notes don't specify which of the two is used. Mullova lives in London with her husband and 3 kids.)
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5.0 out of 5 stars Captures the angst of the 20th/C., September 23, 2011
By
HardangerTroll - See all my reviews
This review is from: Shostakovich: Violin Concerto No. 1/Prokofiev: Concerto No. 2 (Audio CD)
Not having heard every extant recording for comparison, I will say that when I was majoring in music in Moscow (Idaho, that is) I repeatedly checked-out this recording from the library and was blown away by her heavy interpretation of the Shostakovich concerto. When I left, I looked for it at every bookstore in Houston and settled for the Maxim Vengerov/Rostropovich recording that somehow won an American Grammy. I was in the end ultimately disappointed--one night when I was listening to the V/R, I took it out and threw the CD against the wall, I regret that it was still playable and later threw it in the trash w/o any regrets. The same can be said for my preference for Keith Jarrett's recording of Shostakovich's 24 Prelude and Fugues contra Askernazy's recording, that also won a Grammy, incidently. Perhaps it is true that one is swayed or biased by FIRST EXPOSURE, and perhaps, I should have listened to the Oistrakh prior to writing this, but I nevertheless would stick to the sturm und drang performance of Viktoria Mullova's cd. The primary criticism is that Vengerov and, for that matter, Askernazy have questionable and audible lapses of intensity, whereas Viktoria Mullova is able to focus, nuance and sustain relentlessly. Her intonation throughout is exquisite, esp, her double-stops. An almost "definitive" interp. imo. an apogee that would be hard for anyone of her generation to match considering her proximity to latter-Soviet repression. Nastrohvia
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5.0 out of 5 stars Mullova Prokofiev, August 15, 2011
By
civeruss - See all my reviews
This review is from: Shostakovich: Violin Concerto No. 1/Prokofiev: Concerto No. 2 (Audio CD)
I was hesitant to buy this as I was suspicious about the sound quality. I need not have been. The sound is rich on a good stereo system, or my tubed headphone system.
Good sound is all very well, but if the performance is not good, who cares. In this case, the performance of both pieces, particularly the Prokofiev, is very exciting.
Viktoria Mullova is a really good violinist, and here she is at her best. It is certainly my favorite of any recorded performance of Prokofiev's Violin Concertos.


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专辑曲目

Shostakovich – Violin Concerto No. 1 a-moll, Op. 99
01. Nocturne (Moderato)
02. Scherzo (Allegro)5
03. Passacaglia (Andante)
04. Burlesque (Allegro con brio – Presto)

Prokofiev – Violin Concerto No. 2 g-moll, Op. 63
05. Allegro moderato
06. Andante assai
07. Allegro, ben marcato

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