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Oscar Peterson -《The More I See You》(日久·情生)[APE]

  • 状态: 精华资源
  • 摘要:
    音乐风格爵士
    发行时间1995年05月16日
    地区美国
    语言英语
  • 时间: 2011/11/14 02:40:40 发布 | 2011/11/14 12:14:00 更新
  • 分类: 音乐  欧美音乐 

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专辑英文名The More I See You
专辑中文名日久·情生
音乐风格爵士
资源格式APE
发行时间1995年05月16日
地区美国
语言英语
简介

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专辑介绍:

这张是我初期听爵士乐时,所购入的唱片之一,当初对这几位乐手,并没有太深刻的认识,如今温故,反而显得更弥足珍贵。

Telarc 在早期有出版过许多张膾炙人口的爵士乐唱片,这一块也较不会有重刻唱片的问题,因为 Telarc 的唱片,几乎没有重刻片,有的话,也只是早期 Telarc 另外发行的 SACD,不过比较过一两张,SACD 与一般 CD 音质几乎是一样,当然这是因为我没有 SACD 的播放机,所以只能欣赏双层 SACD 中 CD 那层的表现,所以理论当然不太会有差别。

以当初 Telarc 以发烧唱片之姿,早年获得相当多乐迷的讚赏,唱片即以 20bit 发烧灌录,记得不久前刚过世的指挥家 Eric Kunzel,来过台湾好几次演出,实在很难在Telarc 中找到衰声的唱片,这张也是,有一贯的忠实录音效果,如同前所言,没有单一乐器肥大的形体,但也缺少乐器的质感,仍然能表现出 Oscar Peterson 快如闪电的技巧,及 Benny Carter 不疾不徐的萨克斯风音色,当然少不了的 Ray Brown 的坚强稳定的力量。

这张是 1995 年 1 月 15-16 日於加拿大的录音,这样的阵容不会再有,幸亏 Telarc 帮乐友们保留这样重要的演出。

After Oscar Peterson suffered a severe stroke in the spring of 1993, it was feared that he would never again play on a professional level, but two years of intense therapy resulted in the masterful pianist returning to what sounds, on this Telarc CD, like near-prime form. For the all-star date, The More I See You, Peterson tears into seven standards and two blues and outswings all potential competitors. Altoist Benny Carter at 87 sounds like he is 47 (if Carter had retired back in 1940 he would still be a legend), and flugelhornist Clark Terry (here 74) proves to be not only (along with the remarkable 90-year-old Doc Cheatham) the finest trumpeter over 70 but one of the top brassmen of any age. The cool-toned guitarist Lorne Lofsky and drummer Lewis Nash are also strong assets while bassist Ray Brown (a year younger than Peterson at a mere 68) displays his typical limitless energy on appealing tunes such as "In a Mellow Tone," "When My Dream Boat Comes Home," and a medium/up-tempo version of "For All We Know." The musicians all play up to their usual high level, making this a joyous comeback album for the great Oscar Peterson. ~ Scott Yanow Recorded at Manta/Eastern Sound, Toronto, Canada on January 15 & 16, 1995.

Personnel: Oscar Peterson (piano); Benny Carter (alto saxophone); Clark Terry (trumpet, flugelhorn); Lorne Lofsky (guitar); Ray Brown (bass); Lewis Nash (drums). Down Beat (10/95, pp.42-43) - 4 Stars - Very Good - "...a blue-chip summit of jazz bluebloods....an affable lesson in the lively art of conversation....Peterson proves himself supremely remarkable....reassuring evidence that some of jazz's most treasured careers are still intact and safe."
Jazziz (12/95, pp.98-100) - "...His facile, two-handed playing remains remarkably strong....a star lineup...romps..."

引用
2007年12月23日,爵士钢琴大师奥斯卡彼得森逝世,天堂爵士大乐团增加了一员猛将,而我们,失去了一位超人。

奥斯卡彼得森出生在加拿大,青年时期就在家乡蒙特娄一带演出,但是一直没有获得国际知名度。彼得森的崛起,算得上传奇,据说,有一次,知名的爵士制作人诺曼葛兰兹要离开蒙特娄,在前往机场的计程车上,听到收音机里传来美妙的钢琴声响,葛兰兹就问运将:「这音乐真不错,你知道这是谁吗?」运将老大把头一昂,挺胸答道:「这可是我们加拿大钢琴手,奥斯卡彼得森的现场实况广播,在美国,可是听不到的!」葛兰兹,立刻要求把车开回蒙特娄,直奔演出现场,把彼得森签了下来,从此,透过葛兰兹的行销资源推广,彼得森走上了当代顶尖爵士钢琴家的道路。

所有讨论彼得森音乐的文字当中,最常出现的三个关键词,是「快速」、「技巧」和「浪漫」,许多评论和乐迷都曾经提到,彼得森手指的速度令人眼花撩乱,难得的是,在高速的演奏当中,往往轻鬆自在地加入复杂的和声,一片繁花似锦,却又层次鲜明,演奏技巧之高,少有匹敌。同时代的爵士大师们都不吝给予彼得森高度的推崇,艾灵顿公爵称他为「键盘大君The Maharajah of Keyboard」,算是老前辈赐封的贵族头衔;贝西伯爵也说彼得森的钢琴演奏,无人能及。

1993年,彼得森68岁的时候中风,大为削弱了左侧肢体的灵活度,结果一年之内,老先生拖著病体复出,在维也纳开音乐会,同时也持续录制新专辑,95年的《The More I See You》专辑,早年常常很复杂的左手低音变得单纯朴实,音乐却是平和宁静,极为优美。

after a devastating stroke suffered two years earlier. On the opening track "In A Mellow Tone" it becomes evident that the listener is in for a happy and joyous treat. I read somewhere that Oscar never recovered full strength in his left hand. I can state there's no hint of any impairment here....and that can be said for his virtuosity and imagination as well. The musicians perform with the apparent ease of a hand crafted close tolerance piece of high performance machinery.

By the time you listen to "On The Trail", you can really appreciate the experience of these gentlemen, Clark Terry (age 74) playing a duet with muted trumpet in one hand and open fluglehorn in the other......Benny Carter (87) blowing some magnificent changes.....Ray Brown's (68) always excellent bass work....and of course Oscar (69). I also read that Oscar was criticized at one time for playing too many notes. To me they always seem to fit!

The younger players, Lorne Lofsky on guitar and drummer Lewis Nash round out a superb rhythm section.

This set is composed of 7 standards and 2 blues and should appeal to anyone who enjoys great straight ahead jazz, a small group including two great horn men, or any of these musicians individually or collectively.


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专辑曲目

01. "In a Mellow Tone" (Duke Ellington, Milt Gabler) – 4:53
02. "Gee Baby, Ain't I Good to You" (Andy Razaf, Don Redman) – 4:45
03. "On the Trail" (Harold Adamson, Ferde Grofé) – 7:03
04. "When My Dreamboat Comes Home" (David Franklin, Cliff Friend) – 8:17
05. "Ron's Blues" (Oscar Peterson) – 8:05
06. "For All We Know" (John Frederick Coots, Sam M. Lewis) – 8:39
07. "Blues for Lisa" (Peterson) – 9:15
08. "Squatty Roo" (Johnny Hodges) – 5:39
09. "The More I See You" (Mack Gordon, Harry Warren) – 6:02

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