v

您的位置:VeryCD音乐古典音乐

音乐资源事务区


Maria Lettberg -《斯克里亚宾:钢琴独奏作品全集》(Scriabin: Solo Piano Works(Complete))Cappricio 49586[8CD][FLAC]

  • 状态: 精华资源
  • 摘要:
    古典类型奏鸣曲
    发行时间2009年1月6日
  • 时间: 2011/10/25 22:32:52 发布 | 2011/10/25 22:48:22 更新
  • 分类: 音乐  古典音乐 

毒蛇之眼

精华资源: 33

全部资源: 33

相关: 分享到新浪微博   转播到腾讯微博   分享到开心网   分享到人人   分享到QQ空间   订阅本资源RSS更新   美味书签  subtitle
该内容尚未提供权利证明,无法提供下载。
专辑英文名Scriabin: Solo Piano Works(Complete)
专辑中文名斯克里亚宾:钢琴独奏作品全集
艺术家Maria Lettberg
古典类型奏鸣曲
资源格式FLAC
版本Cappricio 49586[8CD]
发行时间2009年1月6日
简介

IPB Image

专辑介绍:

录音:Deutschlandradio Kultur, Studio 10, Berlin, 2004-2007
转载自avaxhome.ws, 豆瓣上的评分请点这里

来自musicweb-international的介绍:

引用

…………

The recordings proper are very well done indeed, the piano sound rich and vibrant, and the studio acoustic proving pretty much ideal – not so dry as to be tiring, not so reverberant that detail is obscured in the thicker textures. The interpretations, while described as ‘unique and original’, are actually in no way shockingly unconventional. Lettberg describes feeling entirely comfortable with Scriabin’s pianistic and musical language, finding it natural and ‘her own’, when she finally came to start working with his music. One of my favourite Scriabin performers of recent times has been Artur Pizarro, whose recordings appeared on Collins Classics. Comparing the two pianists with the 24 Preludes Opus 11 I can’t honestly say which I would now prefer. Both have a highly natural sense of rubato and phrasing, and while there are some differences of emphasis and taste in voicing certain passages I don’t find Lettberg lacking any of the poetry which draws me towards Pizarro. There does seem to be a more overt narrative going on in Pizarro’s playing; the stories seeming to gather and build into substantial novel. Lettberg’s playing allows the music to speak for itself a little more, the sense of abstraction possibly indicating a more intellectual approach. There is a searching among the notes more for questions than for answers – a sense of the moment, rather than that of a definitive statement.

…………


瑞典女钢琴家Maria Lettberg之介绍
引用
Maria Lettberg was born in Riga as the daughter of a professor of Russian literature and a mathematician. Her instrument has been an integral part of her life since she was seven years old. At the age of nine she made her first public appearance playing Beethoven’s Second Piano Concerto. Maria is Swedish and has lived in Berlin for several years. She speaks five languages.

Ms Lettberg`s talent was recognised and nurtured at an early age; she went straight from the central Latvian elite school for musically gifted children to the Petersburg Conservatory. There, she was able to develop her personality as a pianist considerably and perfect her virtuoso technique until she graduated with distinction in her concert examination.
Following her concert examination, she took the conscious decision to forgo what seemed so obvious; to try to make a name in the worldwide competitive arena. Instead of perfecting a repertoire to compete in this arena, she made good use of the freedom which scholarships afforded her to develop musically by participating in further courses of study, master classes and individual programmes (Royal College in Stockholm; Sibelius Academy, Helsinki). In this way she was able to widen her repertoire and to deepen her musical interests. Important teachers included Tatjana Zagorovskaja, Andrej Gavrilov, Paul Badura-Skoda, Menachem Pressler, Emanuel Krasovsky, Roland Pöntinen und Matti Raekallio.

Her most important achievement so far has been --- besides a large number of solo recitals, orchestra and chamber music performances, and radio and television programmes --- the recording of Alexander Skrjabin`s complete Solo-Piano work, in autumn 2007.
Maria Lettberg became known to the German public because of her work on Skrjabin`s Piano Solos and the concerts and regular radio broadcasts which accompanied the recordings. These recordings were a cooperation between Deutschland radio Kultur and Capriccio.

The positive experience in the intensive exploration of Skrabjin`s work motivated Maria Lettberg to continue working in this direction recording, discovering and creatively reviving important composers who interested her.

In 2008 the first part (Piano Concertos) of Alfred Schnittke`s piano music was released in collaboration with Ewa Kupiec and the Radio Symphony Orchestra Berlin conducted by Frank Strobel.
In the meantime, Maria Lettberg has recorded the second part of the programme in cooperation again with Deutschland radio Kultur and Phoenix Edition: “Music for Piano and Orchestra”
with the RSO conducted by Frank Strobel and Schnittke`s “Piano Trio” and “Piano Quartet” with the Petersen Quartet.

In April 2011 Maria Lettberg will present the piano compositions of the Finnish composer Erkki Melartin in a set of two CDs, which she recorded for Deutschland radio Kultur in a co-production with Delta/Crystal Classics.
The fresh impulses which these recordings have generated have enriched Maria Lettberg`s wide repertoire. A personal selection of favoured composers such as Brahms, Schumann, Liszt and Chopin, but also Ravel and Debussy, Mozart and Haydn or Bach make for a very interesting concert programme with virtuoso elements and a musically coded idea.


本CD套装部分曲目之简介
引用
钢琴奏鸣曲

幻想奏鸣曲(Sonate-fantaisie,1886),二乐章。无作品编号,很晚才发现的年轻时代作品,现已被各个奏鸣曲全集收入,要听到不难。

钢琴奏鸣曲降e小调(1889),未完成。

钢琴奏鸣曲第1号,Op.6(1892),4乐章。

钢琴奏鸣曲第2号“幻想奏鸣曲(Sonata Fantasy)”,Op.19(1892~97),2乐章。

钢琴奏鸣曲第3号副题“心理状态”,Op.23(1897~98),4乐章。

钢琴奏鸣曲第4号,Op.30(1903),2乐章。

钢琴奏鸣曲第5号,Op.53(1907),单一楽章(以下奏鸣曲均是)。

钢琴奏鸣曲第6号,Op.62(1911)。

钢琴奏鸣曲第7号“白弥撒(White Mass)”,Op.64(1911~12)。

钢琴奏鸣曲第8号,Op.66(1912~13),实际是他最后写作的奏鸣曲。

钢琴奏鸣曲第9号“黒弥撒(Black Mass)”,Op.68(1911~13)。

钢琴奏鸣曲第10号,Op.70(1913)。

引用
其他钢琴曲

华尔滋,f小调(Valse),Op.1(1885)

3首小品(3 Pieces),Op.2(1887~89),第一首是霍洛维兹的最爱,是斯克里亚宾少年时的独白,旋律非常哀惋动人。

10首马厝卡舞曲(10 Mazurkas),Op.3(1889)

快板降e小调(Allegro appassionato),Op.4(1892出版)

2首夜曲(2 Nocturnes),Op.5(1890)

2首马厝卡风即兴曲(Deux impromputus a la mazur),Op.7(1892)

12首练习曲(Douze etudes),Op.8(1894)。第十二首是名曲中的名曲,技术超绝,情感奔放,展现过人的意志。

为左手的两首小品(2 Pieces pour le main gauche[2 Pieces for left hand]),Op.9(1894)

2首即兴曲(2 Impromptus),Op.10(1894)

24首前奏曲(24 Preludes),Op.11(1888~96)。大名曲,听到机会极多。

2首即兴曲(2 Impromptus),Op.12(1895)

6首前奏曲(6 Preludes),Op.13(1895)

2首即兴曲(2 Impromptus),Op.14(1895)

5首前奏曲(5 Preludes),Op.15(1895~96)

5首前奏曲(5 Preludes)Op.16(1894~95)

7首前奏曲(7 Preludes),Op.17(1895~96)

演奏会用快板(Allegro de concert),Op.18(1896)

波兰舞曲(Polonaise),Op.21(1897~98)

4首前奏曲(4 Preludes),Op.22(1897~98)。耳熟能详的名曲。

9首马厝卡舞曲(9 Mazurkas),Op.25(1899)

2首前奏曲(2 Preludes),Op.27(1899~1900)

幻想曲b小调(Fantaisie),Op.28(1900),斯克里亚宾最长的独奏曲之一。不论在演奏效果、和声设计上都堪称完美,第二主题更可以名列钢琴曲中最优美的旋律而无愧,是他的最高杰作之一。

4首前奏曲(4 Preludes),Op.31(1903)

2首诗曲(Deux poemes),Op.32(1903)。第一首极有名,有份淡淡的哀愁感。

4首前奏曲(4 Preludes),Op.33(1902~03)

悲剧之诗(Poeme tragique),Op.34(1903)

3首前奏曲(3 Preludes),Op.35(1903)

悪魔之诗(Poeme Satanique),Op.36(1903),可爱而有活力的小曲子。

4首前奏曲(4 Preludes),Op.37(1903)

华尔滋(Valse),Op.38(1903)

4首前奏曲(4 Preludes),Op.39(1903)

2首马厝卡舞曲(2 Mazurkas)Op.40(1902~03)

诗曲(Poeme),Op.41(1903)

8首练习曲(Huit etudes)Op.42(1902~03)。第三首的震音技巧,和第五首的悲抑感是引人注目之处。

2首诗曲(Deux poemes),Op.44(1905)

3首小品(Trois pieces),Op.45(1904~05)

诙谐曲(Scherzo),Op.46(1905)

用华尔滋风格(Quasi-valse),Op.47(1905)

4首前奏曲(4 Preludes),Op.48(1905)。虽然短小,但每首都极有特色。

3首小品(Trois pieces*)Op.49(1905)

相簿的书页(Feuille d'album)(1905?),无作品编号。

4首小品(Quatre pieces),Op.51(1906)。第一首的清澄、慵懒非常有特色,甚至还有管弦乐改编版。可参考NAXOS编号8.550818的唱片。

3首小品(Trois pieces),Op.52(1905)。第二首“谜”可能是他最初的无调性作品,第三首的倦怠感独具特色,也有管弦乐版。可参考DECCA编号446 330-2的唱片。

4首小品(Quatre morceaux[4 Pieces]),Op.56(1907~08)

2首小品(Deux pieces),Op.57(1906~07)

相簿的缀饰(Feuillet d'album[Album-Leaf]),Op.58(1910),无调性的曲子。

2首小品(Deux pieces*[2 Pieces*]),Op.59(1910)

夜诗曲(Poeme-Nocturne),Op.61(1911~12),为他最长的钢琴曲之一(奏鸣曲除外),亦有管弦乐版。可参考DECCA编号446 330-2的唱片。

2首诗曲(Deux poemes*)Op.63(1911)

3首练习曲(Trois etudes)Op.65(1912)。后期名作,演奏技巧困难。为无调性,分别是右手九度、七度与五度的练习。斯克里亚宾从未在音乐会中演奏过它。

2首前奏曲(2 Preludes)Op.67(1912~13)

2首诗曲(Deux poemes),Op.69(1912~13)。非常古怪、滑稽的曲子。

2首诗曲(Deux poemes),Op.71(1914)

诗曲“朝向火焰”(Poeme "Vers la flamme"),Op.72(1914)。本是为了管弦乐曲而构想,非常有独创性,力量惊人,虽然几乎没有旋律的要素,但其一直向着顶点前进的态势是惊人的,最后达到炙烈的高潮。

2首舞曲(2 Danses),Op.73(1914)。是为了未完成的“神秘剧”中的场景所作,可由此一窥这部大作的内容。

5首前奏曲(5 Preludes),Op.74(1914)。斯克里亚宾自己解释“本组作品如同水晶般,可以反射出不同的光和色彩。”



专辑曲目

CD 1: Sonaten
01-04 Scriabin - Piano Sonata No. 1, Op. 6
05-06 Scriabin - Piano Sonata No. 2, Op. 19
07-10 Scriabin - Piano Sonata No. 3, Op. 23
11-12 Scriabin - Piano Sonata No. 4, Op. 30

CD 2: Sonaten
01 Scriabin - Piano Sonata No. 5, Op. 53
02 Scriabin - Piano Sonata No. 6, Op. 62
03 Scriabin - Piano Sonata No. 7, Op. 64
04 Scriabin - Piano Sonata No. 8, Op. 66
05 Scriabin - Piano Sonata No. 9, Op. 68
06 Scriabin - Piano Sonata No. 10, Op. 70

CD 3: Preludes
01-24 Scriabin - 24 Preludes, Op. 11
25-30 Scriabin - 6 Preludes, Op. 13
31-35 Scriabin - 5 Preludes, Op. 15
36-40 Scriabin - 5 Preludes, Op. 16

CD 4: Preludes
01-07 Scriabin - 7 Preludes, Op. 17
08-11 Scriabin - 4 Preludes, Op. 22
12-13 Scriabin - 2 Preludes, Op. 27
14-17 Scriabin - 4 Preludes, Op. 31
18-21 Scriabin - 4 Preludes, Op. 33
22-24 Scriabin - 3 Preludes, Op. 35
25-28 Scriabin - 4 Preludes, Op. 37
29-32 Scriabin - 4 Preludes, Op. 39
33-36 Scriabin - 4 Preludes, Op. 48
37-38 Scriabin - 2 Preludes, Op. 67
39-43 Scriabin - 5 Preludes, Op. 74

CD 5: Etudes
01-03 Scriabin - 3 Pieces, Op. 2
04-15 Scriabin - 12 Etudes, Op. 8
16-23 Scriabin - 8 Etudes, Op. 42
24-26 Scriabin - 3 Etudes, Op. 65

CD 6: Mazurken/Valses
01 Scriabin - Valse, Op. 1
02-11 Scriabin - 10 Mazurkas, Op. 3
12-20 Scriabin - 9 Mazurkas, Op. 25
21 Scriabin - Valse, Op. 38
22-23 Scriabin - 2 Mazurkas, Op. 40
24 Scriabin - Quasi Valse, Op. 47

CD 7: Impromptus/Poemes (allerdings nicht P. de feu)
01-02 Scriabin - 2 Impromptus a la Mazur, Op. 7
03-04 Scriabin - 2 Impromptus, Op. 10
05-06 Scriabin - 2 Impromptus, Op. 12
07-08 Scriabin - 2 Impromptus, Op. 14
09-10 Scriabin - 2 Poemes, Op. 32
11 Scriabin - Poeme Tragique, Op. 34
12 Scriabin - Poeme Satanique, Op. 36
13 Scriabin - Poeme, Op. 41
14-15 Scriabin - 2 Poemes, Op. 44
16 Scriabin - Poeme-Nocturne, Op. 61
17-18 Scriabin - 2 Poemes, Op. 63
19-20 Scriabin - 2 Poemes, Op. 69
21-22 Scriabin - 2 Poemes, Op. 71
23 Scriabin - Vers la Flamme, Op. 72

CD 8: Einzelwerke (div. Trois Morceaux, Quatre Morceaux, Nocturnes usw.)
01 Scriabin - Allegro Appassionato, Op. 4
02-03 Scriabin - 2 Nocturnes, Op. 5
04-05 Scriabin - Prelude and Nocturne for the Left Hand, Op. 9
06 Scriabin - Allegro de Concert, Op. 18
07 Scriabin - Polonaise, Op. 21
08 Scriabin - Fantasie, Op. 28
09-11 Scriabin - 3 Pieces, Op. 45
12 Scriabin - Scherzo, Op. 46
13-15 Scriabin - 3 Pieces, Op. 49
16-19 Scriabin - 4 Pieces, Op. 51
20-22 Scriabin - 3 Pieces, Op. 52
23-26 Scriabin - 4 Pieces, Op. 56
27-28 Scriabin - 2 Pieces, Op. 57
29 Scriabin - Album Leaf, Op. 58
30-31 Scriabin - 2 Pieces, Op. 59
32-33 Scriabin - 2 Danses, Op. 73

正在读取……

这里是其它用户补充的资源(我也要补充):

暂无补充资源
正在加载,请稍等...

点击查看所有56网友评论

 

(?) [公告]留口水、评论相关规则 | [活动]每日签到 轻松领取电驴经验

    小贴士:
  1. 类似“顶”、“沙发”之类没有营养的文字,对勤劳贡献的楼主来说是令人沮丧的反馈信息。
  2. 提问之前请再仔细看一遍楼主的说明,或许是您遗漏了。
  3. 勿催片。请相信驴友们对分享是富有激情的,如果确有更新版本,您一定能搜索到。
  4. 请勿到处挖坑绊人、招贴广告。既占空间让人厌烦,又没人会搭理,于人于己都无利。
  5. 如果您发现自己的评论不见了,请参考以上4条。