Sir Eugene Goossens & London Symphony Orchestra -《安蒂尔：狂欢节芭蕾组曲等》(Antill: Corroboree; Ginastera: Panambi)Everest SDBR3003 / EVS3003 / DAD-1029[FLAC]

状态： 精华资源
摘要：
古典类型: 交响曲
发行时间: 2009年12月8日
时间： 2011/10/20 18:22:48 发布 | 2011/10/20 20:21:19 更新
分类： 音乐古典音乐

毒蛇之眼

精华资源: 33

全部资源: 33

相关：

该内容尚未提供权利证明，无法提供下载。

专辑英文名: Antill: Corroboree; Ginastera: Panambi

专辑中文名: 安蒂尔：狂欢节芭蕾组曲等

艺术家: Sir Eugene Goossens
London Symphony Orchestra

古典类型: 交响曲

资源格式: FLAC

版本: Everest SDBR3003 / EVS3003 / DAD-1029

发行时间: 2009年12月8日

地区: 美国

语言: 英语

简介:

专辑介绍：

录音时间：1960年
音乐格式： 24bit 96kHz / DVD-Audio

顶级录音天碟 - 1960年尤金.顾森斯指挥伦敦交响乐团演奏，于EVEREST唱片公司录音，尤金.顾森斯早在1947年就以指挥演出澳洲籍作曲家安提尔，原住民族舞蹈曲目狂欢节芭蕾组曲被世人所知。90年代VANGUARD CLASSICS公司意外发现了几十卷完好无损的EVEREST早期名盘母带，从而使这批精彩绝伦的唱片以CD形式面世。其中这个安蒂尔的《狂欢节》芭蕾组曲的录音，2000年的时候就被选入超级CD榜单。到了2002年的榜单里，HP把它升级成为您现在见到的这张Classic Records唱片公司发行的DAD版本。声音转录出奇的好，大量的打击乐器搭配管弦乐营造出强大的动态，各种打击乐器具有极准确的定位与DAD唱片所特有的实体感。管弦乐层次分明，细节突出、令人听出耳油。可以这样讲本唱片代表了EVEREST唱片公司录音美学的典范，但这是一张不适合大众听音口味的唱片。

TAS当家HP在2002年超级CD榜单里为这四张DAD单独开辟的一个【特别推荐】部分，HP的评语是【这是我曾听过最好的两声道唱片】

引用

Corroboree is a ballet written by Australian composer John Antill(安蒂尔) in the 1940s. It was first performed as a concert suite in 1946. In July 1950 it was performed as a ballet, at the Empire Theatre in Sydney, choreographed by Rex Reid, with dancers of the Melbourne-based National Theatre Ballet.

Wildly successful and seen as a national "coming-of-age",[1] the ballet was performed again with new choreography by American-born dancer, choreographer and writer Beth Dean in 1954. Notably, Dean and her Australian husband, Victor Carell, had spent several months in remote outback Australia researching Aboriginal ceremonies, costumes and dance, upon which Dean's version was based.[2] In this first production, Dean danced the role of the Initiate herself.

引用

Ginastera(希纳斯特拉) designated Panambí his Op. 1, but he had withheld or destroyed at least fifty earlier works in characteristically ruthless self-criticism. He reached only slightly more than fifty opus numbers at the time of his death, unlike Handel who probably could have reached fifty opera between breakfast and lunch. The ballet exemplifies one strain of Latin-American nationalism from the Twenties and Thirties: the evocation of indigenous Indian culture, as shown by such works as Chávez's Sinfonia India and piano concerto and Villa-Lôbos's Amazonas and Uirapurù. Ginastera took an authentic folk tale of love and sorcery from a regional tribe. The idiom is that of early Stravinsky, before he lost his Debussyan roots. One can trace much of the sound of the ballet to Firebird, especially in the finale, a depiction of dawn, in which Ginastera transports the last pages of Firebird to Argentina.