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Agnes Obel -《Philharmonics》[FLAC]

  • 状态: 精华资源
  • 摘要:
    音乐风格民谣
    发行时间2010年10月12日
    地区丹麦
    语言英语
  • 时间: 2011/06/13 22:47:47 发布 | 2011/06/13 23:46:33 更新
  • 分类: 音乐  欧美音乐 

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专辑英文名Philharmonics
歌手Agnes Obel
音乐风格民谣
资源格式FLAC
发行时间2010年10月12日
地区丹麦
语言英语
简介

IPB Image

唱片公司:Pias
音乐风格:Contemporary Folk, Alternative, Indie

专辑介绍:

  Agnes Obel是来自丹麦的一位才华横溢的青年歌手、作曲家,她被喻为丹麦的天籁之音。她的创作不只限于一种音乐风格,在她的音乐中,往往会出现民谣及独立风格音乐的影子。她的歌曲能触及听众的心灵,因为这些歌曲即随性又简单,并且有着如梦幻般的诗意。

  Agnes Obel,来自丹麦的美人鱼。为什么会这么称呼她?因为在今年上海世博会丹麦馆的“美人鱼”主题活动中,Agnes Obel作为表演嘉宾之一,带给了我们怦然心动的优雅声音。

  不仅如此,Agnes Obel从小就接受了钢琴训练,并且结识了家乡哥本哈根许多当地的乐队以及音乐制作人,对于音乐的态度,自信的Agnes Obel总是会选择独自承担并且去享受音乐过程,编曲,填词,包括后期的混音制作都是一个人去完成,当钢琴声从她轻柔的指尖流动出来的时候,我就知道自己对她的喜爱,悲悯的气氛从Agnes Obel的声音中缓缓流露出来,很安静,很凄美。试想看着她独自一人坐在钢琴前的演绎,或许思绪也会跟着慢慢被吸引,静静的聆听这种感性的音乐。

  她曾表示:“非常欣赏那些能创造出属于自己音乐和旋律世界的音乐家和艺术家;能创造出流传性广的和永恒音乐的音乐家和艺术家;能创造简单和优雅旋律的音乐家和艺术家……”(baike.baidu.com)

Such is the exceptionally sparse nature of Agnes Obel’s debut album that it slips by almost unnoticed lest you lend it a distraction-free, focused ear. It is highly advisable you do so: the compositions that lie within are slow, sombre, sepulchral even, but not without a sense of occasionally singular beauty. A case in point is Riverside, which follows the instrumental Falling, Catching as the first song proper. Entirely built around piano and voice, its soft pleas for solitude and escape are utterly disarming, Obel’s mournful lyric as chilled as the body of water she’s inexplicably drawn to.

Philharmonics is a resolutely early hours affair; a kind of Scandinavian counterpart to the British duo Felix’s wonderful You Are the One I Pick of last year. But where that record generally eschewed structure in favour of dark flights into the surreal, Obel keeps things tight and lean here. Such elements as percussion and auxiliary instrumentation rarely impinge on these songs, and when they do it is sometimes difficult to tell (one notable exception being her meditative cover of John Cale’s I Keep a Close Watch, here simply titled Close Watch).

Oddly for an album that dabbles in such twilit, shadowy waters, it supplied communications giant Deutsche Telekom with music for their recent advertising campaign in Germany, which is where the Copenhagen-born Obel now resides. Just So is the track in question, and while its bright melodies and straightforward lyrics sit at odds with the surrounding, songs like this and Brother Sparrow do furnish Philharmonics some much-needed lightness.

Elsewhere, the title-track engages and unsettles in equal measure, returning to the theme of inescapable tides that opened the album (its first line is particularly striking – "Guess who died last night," Obel coos), while Over the Hill is probably the most traditionally pretty song at a slight three minutes. Obel’s sedative tones are the constant, and though Philharmonics’ deliberate arrangements veer close to the lugubrious at times, they’re capable of some genuinely mesmeric turns.

--James Skinner (BBC)

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专辑曲目

01. Falling, Catching
02. Riverside
03. Brother Sparrow
04. Just So
05. Beast
06. Louretta
07. Avenue
08. Philharmonics
09. Close Watch
10. Wallflower
11. Over the Hill
12. On Powdered Ground

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