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《音乐综合处理效果器》(iZotope Nectar)v1.10 DX VST RTAS[压缩包]

  • 状态: 精华资源
  • 摘要:
    发行时间2011年
    制作发行iZotope, Inc.
    语言英文
  • 时间: 2011/05/28 21:34:14 发布 | 2011/05/30 08:11:26 更新
  • 分类: 软件  多媒体类 

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中文名音乐综合处理效果器
英文名iZotope Nectar
资源格式压缩包
版本v1.10 DX VST RTAS
发行时间2011年
制作发行iZotope, Inc.
语言英文
简介

IPB Image





软件类型:软件>多媒体类
软件性质:破解软件
操作系统:Windows
应用平台:Winall
问题反馈:http://www.izotope.com/support/
网站链接:http://www.izotope.com/products/audio/nectar/

这个新的插件包含了整套的歌声处理工具,具有一系列专门设计的歌声风格,功能由11个处理模块提供。 用户可以选择一个包含的风格然后根据自己的需求来定制。如果要对歌声进行深入的定制,用户可以切换到高级视图模式,这样就可以对所有的底层模块都进行控制了,它是一个非常强大的插件。

Nectar 包含音高修正,呼吸控制,压缩器,嘶声去除器,加倍器,饱和器,均衡器,门效果,限制器,延迟以及混响模块。 呼吸控制提供给用户一个目标模式,允许用户指定所需的呼吸声电平。 音高修正具有自动和图形音高编辑控制。

Nectar is a complete set of 11 vocal production effects combined in one plug-in that's designed to give you immediate results. Built-in Styles get the grunt work out of the way so you can focus on the creative finishing touches. Features include automatic pitch correction, manual note editor, breath control, gate, compressors, saturation, EQ, de-esser, doubler, limiter, reverb, delay and tons of built-in Style presets. Quickly get the 60s Motown sound, the early 90s grunge rock sound, a radio-ready podcasting sound, a subtle jazz vocal or a modern pop sound -- everything from delicate improvements to highly-produced robotic pitch effects.

Start by selecting one of Nectar's dozens of Styles. Unlike typical presets, Styles configure a professionally-designed effect chain with producer-level controls like Clarity, Warmth and Sparkle. From there, narrow in on the vocal sound you want or experiment with the advanced modules to create a new sound. Either way, Nectar is designed with both the beginner and professional in mind—you choose the level of detail you want to control.

12 Genres. 110 Styles.

* Alternative & Indie
* Classical
* Country
* Dance & Electronica
* Folk & Traditional
* Hip Hop & Rap
* Jazz
* Pop
* Rock
* Soul / R&B
* Special FX
* Voice Over & Spoken

代码
                                                ²               
    ²±°                                           ²±°°°±²              °±²
  ²±°           ²       ²         ²±±±²           ° °±
  ²±°°°±°    ²± °   ²° ²²±     ±±   ²°  °²±°°
  ° ²°  ²±  ° ±²±° ±°° ²±°°°   °±²²²  ±° ²±°°²±°
² ° ±° ²° ° ² ²° ²±°°° ²±°° ° °±²±² ±  ²±°°²± 
²  ²°° ²±° ±°  ²±° ²°±±°°° °± °±±²²° °±° ²°±²
²±   °°±²°   °° ²°  ²±°±°²±°²±°² °°±²±  °  ²° °±²
±°  °°°±²°° °  ±° ²°²±±°   °°°²²° ² °±
°  °°°±±²²²°  ° ²±°± °  ²  ° °±°   ²±° °
±°°±²    °°°°°°°°°  ²° ²° ²° ²²±±²      °±°  °±°  °
²±±²   °°° ²±°²±° ±°  ²±°±²     °   °° ² °±
²±±² °° ²±°°°°±±±±°°²±° ²±°  ²±°°±     °°±²°°     °±²
²²±±±°°²±°²±°°²±±° ° ²±±° ²²   °±²°°°°°±±²
   ²²±±±°²±       ²±±°°°°±²²±°  ²±±±²            ±²°°°±±²²
      ²²           ²²²±±²²°   ²²²²²          °±²
          ²²                    ²                 
                                     ²²²²

                      iZotope.Nectar.v1.10.DX.VST.RTAS-DYNAMiCS

      SUPPLiER..: Team DYNAMiCS                     DiSKS...: 7 * 5MB
      CRACKER...: Team DYNAMiCS                     DATE....: 0527 2011
      PACKAGER..: Team DYNAMiCS                     RELEASE#: DYNAMiCS-741
      PROTECTION: Custom                            FORMAT..: DX/VST/RTAS

               http://www.izotope.com/products/audio/nectar/

             ²²                                        ²²
           ²±±²²                                            ²²±±²
   °²±±²                °      °                ²±±²°
 °°±±±°°±²    ±²²           °±      ±°           ²²±    ²±°°±±±°° 
  °°±²²±°±² °±²²        ²²²  ²²²        ²²±° ²±°±²²±°°
°°±²   ²±°°°  ²±²²    °²±±²     ²²±²  °°°±²   ²±°°
±²   °±²    ²²  ±±°   ±°°±   °±±  ²²    ²±°   ²±
      °°±   ²²²²° °° °²²²²   ±°°      
° ±  °±   ° ²² ²°  °² ²²     ±°  ± °
     ²  °±     °°      °°     ±°  ²     
    °°  °°°°   ° °²          ²° °   °°°°  °°
  ±°           °°    ²          ²    °°           °±
²²                 ²°±                          ±°²                 ²²
²                   ²     - RELEASE NOTES -      ²                   ²
                                                                         


    Reverb improvements:

    * Nectar's Reverb has been overhauled for a better sound, including
      improved workflow for dialing in great vocal reverb settings.
      Because of these changes, users may notice that sessions saved with
      Nectar Version 1.0 sound different. For guidelines on adjusting the
      Reverb of existing sessions in Version 1.1, please refer to this
      knowledgebase article.

    Pitch-related improvements:

    * Adds a "Non-formant preserving" mode, which allows you to turn formant
      preservation on or off. Small (less than 1.5 semitone) shifts that
      occur in subtle pitch correction often sound better with formant
      preservation turned off, while large shifts will be better with
      formant preservation on. Tip: Turning off formant preservation is
      also good for special effects (like the Chipmonk and Dark Lord Styles).
    * In supported hosts, dragging a note in the Manual Pitch Editor now
      creates a color highlight to better see the target pitch of the
      note you're dragging.
    * In supported hosts, dragging a note will also produce a tone so you
      can hear the target pitch of the note you're dragging.
    * Pitch transpositions now sound more natural due to a change in the
      envelope shape.
    * Optimizations to pitch correction algorithms for faster performance.

    Doubler improvements:

    * Adds Low, Medium, and High quality modes to the Doubler module. Note
      that the version 1.0 Doubler was the equivalent of the High quality
      mode.
    * Doubler CPU usage is dramatically lowered in Version 1.1 (5.7x at
      High quality and 13x at Low quality).

    Other changes and fixes:

    * Improved host compatibility on OS X in 64-bit VST formats.
    * Includes the new iZotope Crash Reporter to help customers
      automatically submit crash reports to iZotope for rapid diagnosis
      and bug fixing.
    * In several hosts, keyboard shortcuts meant for the host are no
      longer "eaten" by some windows, especially in the floating Manual
      Pitch Editor window.
    * Stability enhanced in several hosts. Rare crashes or hangs in isolated
      hosts were also fixed.
    * Performance improvements for Tracking mode.
    * Pitch algorithm quality improvements: fixed bugs causing glitching
      such as stuttering, clicking, and popping.
    * Minor bugfixes and performance enhancements.



             ²²                                        ²²
           ²±±²²                                            ²²±±²
   °²±±²                °      °                ²±±²°
 °°±±±°°±²    ±²²           °±      ±°           ²²±    ²±°°±±±°° 
  °°±²²±°±² °±²²        ²²²  ²²²        ²²±° ²±°±²²±°°
°°±²   ²±°°°  ²±²²    °²±±²     ²²±²  °°°±²   ²±°°
±²   °±²    ²²  ±±°   ±°°±   °±±  ²²    ²±°   ²±
      °°±   ²²²²° °° °²²²²   ±°°      
° ±  °±   ° ²² ²°  °² ²²     ±°  ± °
     ²  °±     °°      °°     ±°  ²     
    °°  °°°°   ° °²          ²° °   °°°°  °°
  ±°           °°    ²          ²    °°           °±
²²                 ²°±                          ±°²                 ²²
²                   ²     - iNSTALL NOTES -      ²                   ²
                                                                         

      1. Unpack
      2. Install
      3. Use cracks



             ²²                                        ²²
           ²±±²²                                            ²²±±²
   °²±±²                °      °                ²±±²°
 °°±±±°°±²    ±²²           °±      ±°           ²²±    ²±°°±±±°° 
  °°±²²±°±² °±²²        ²²²  ²²²        ²²±° ²±°±²²±°°
°°±²   ²±°°°  ²±²²    °²±±²     ²²±²  °°°±²   ²±°°
±²   °±²    ²²  ±±°   ±°°±   °±±  ²²    ²±°   ²±
      °°±   ²²²²° °° °²²²²   ±°°      
° ±  °±   ° ²² ²°  °² ²²     ±°  ± °
     ²  °±     °°      °°     ±°  ²     
    °°  °°°°   ° °²          ²° °   °°°°  °°
  ±°           °°    ²          ²    °°           °±
²²                 ²°±                          ±°²                 ²²
²                   ²         - GREETS -         ²                   ²
                                                                         

                                We hate you all.

             ²²                                        ²²
           ²±±²²                                            ²²±±²
   °²±±²                °      °                ²±±²°
 °°±±±°°±²    ±²²           °±      ±°           ²²±    ²±°°±±±°° 
  °°±²²±°±² °±²²        ²²²  ²²²        ²²±° ²±°±²²±°°
°°±²   ²±°°°  ²±²²    °²±±²     ²²±²  °°°±²   ²±°°
±²   °±²    ²²  ±±°   ±°°±   °±±  ²²    ²±°   ²±
      °°±   ²²²²° °° °²²²²   ±°°      
° ±  °±   ° ²² ²°  °² ²²     ±°  ± °
     ²  °±     °°      °°     ±°  ²     
    °°  °°°°   ° °²          ²° °   °°°°  °°
  ±°           °°    ²          ²    °°           °±
²²  ‏     ²°±                          ±°²                 ²²
²  °   °  ²                            ²                   ²
                                                               
         CoH<CPH>  


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