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Sven Weisemann -《音乐播放器》(Xine)更新FLAC[MP3]

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  • 摘要:
    发行时间2009年
  • 时间: 2011/02/25 10:00:03 发布 | 2011/06/26 18:22:42 更新
  • 分类: 音乐  新世纪音乐 

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专辑英文名Xine
专辑中文名音乐播放器
艺术家Sven Weisemann
资源格式MP3
版本更新FLAC
发行时间2009年
地区英国
语言英语
简介

IPB Image

专辑码率:320Kbps
专辑风格:Ambient

专辑介绍:

一张让人安逸自然的氛围钢琴,音乐大多采用Piano Solo的方式表达艺人的内心,如果有时候有什么事情让自己烦心,或者疲惫!不妨试试今天带给大家的这张专辑,专辑整体亮点不多,个人认为还是很耐听的,一个字静!推荐分数:8.3分!

相关链接:Amazon

引用
In a year when experimental techno continued its foray into the increasingly blurry realms of dub, ambient and good old fashioned retrospective rawness, Sven Weisemann has been hard at work consolidating a reputation as one of the industry’s most promising boundary-nudging stalwarts. Using the Mojuba imprint in conjunction with sister labels a.r.t.less and Wandering to mark out separate sonic arenas, the young producer has never been shy about flirting with different manifestations of the sublime. After a.r.t.less’ Shove tested his signature warm dub techno formula against moments of alternately cold, stark percussion and beatless murmur back in May, Xine Zero more recently justified Wandering’s role as an experimental deep house stable, adding a new richness to his club-friendly offerings on Mojuba. Marrying epic string arrangements and gentle piano with a low-slung pulse and vocal mumble, Xine Zero signalled the young Berliner’s next move, reclining in the moments between his hectic DJ schedule to embrace his love for modern classical ambience.Given the exploratory nature of Weisemann’s work, it’s not surprising to find his first full-length release catalogued as the label’s “first voyage.” In contrast to previous singles (filed instead as “journeys”), Xine is, as promised, a far-reaching and ambitious ambient excursion into the soundscaped world of the classical composers he eagerly name-checked to RA as influences. Boldly nailing his colours to the wall by presenting the special edition in an embossed blue notebook that references Max Richter’s masterpiece, the finished product is appropriately lush and keeps with Mojuba’s insistence that their releases embrace visual art and music synonymously. Here, the presentation supplements his intended imaginary film score, the cover appearing as a sort of stage curtain ready to majestically unveil the drama within the music.Xine opens to a gentle beat workout accompanied by a nicely padded electronic ambience, a spaciousness which goes on to underlie the rest of the album’s narrative. Controlled pressure has long been Weisemann’s strength, but the twenty short pieces instead place his piano and cello skills at centre stage, dispersing minimal refrains and immaculately placed exchanges amongst sparse, airy percussion. Weisemann has a great appreciation for subtle melody, adding to the pervasive sense of personalised melancholy that draws the listener deep into an unrelenting reverie. In fact, the changes across the complete soundscape are so slight that it becomes hard to position Xine either as something for focused listening or ambient background material, and in both cases the narrative intention is lost without any clear sense of direction or variety guiding the listener to tangible points of closure. This is a record likely to reward and test your patience in equal measure.Despite the prevailing sense of flatline melancholy, the story’s most obvious drama occurs during “Xine XI – Swan of Desire,” whose vocals literally howl at a sense of tragic loss. Elsewhere, “Xine VII”’s minimalist piano swells to a beautifully hopeful climax, and the watery bass tones of “Xine IX” and “XIII” both evoke a sense of pulsating, organic life. Xine is most successful where the electronic framework is a little more invasive and the live instruments rub against its electronic supports, suggesting Wesiemann might have the most to offer the classical world when drawing more directly on his experience in techno. Despite these shortcomings, Xine still stands as a strong, personal statement by one of today’s most unflinchingly explorative and versatile producers.

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‘Slow Films In Low Light’ is a collection of remixes and re-workings by friends and artists from my now deleted album ‘Soundtrack To A Film In My Head Which Will Never Get Made’. The original album was released on the lovely Rope Swing Cities but I decided I wanted it to be a temporary release given the nature of the album. RSC and I decided to do a small release to coincide with the original, as a limited run CD-R featuring re-workings and remixes of the pieces by friends, namely The Remote Viewer, Geskia!, Ten and Tracer and Pan Am Scan.Over time it became apparent that this project needed to spread its wings, and with lots of support from the lovely Yasuhiko Fukuzono (Aus), and other close friends, I decided to ask more friends to join in with the project. I’m so lucky that all the friends I wanted and asked agreed to be involved, creating highly unique pieces from the original sources (sometimes changing them completely). As such I suddenly found myself with this amazing album, featuring past, present and future Home Normal, Tokyo Droning and Nomadic Kids Republic artists and good friends.The grand result is a really nice review of where Home Normal is at in some ways I guess, as well as highlighting where I am at musically too, albeit through the voices of others who know me. One of the results of these artists giving their time and enormous talents so freely to this was that I decided that this release should be for charity.In 1982 my father set up The Archway Foundation, a charity that focused on helping those in various walks of life who are deeply affected by loneliness. They hold weekly social events, organise dinners, visits, drivers to take people to places and all sorts of support work. I grew up attending and helping out the various events, but have less to do with them after my parent’s retirement and my moving away from Oxford. In these difficult economical times, charities, which rely on the donations of others, are suffering terribly. But these people still need all the support they can get, so I guess I just figure that, even if it’s a small level of support we can provide, at least we can try.“We’re born alone, we live alone, we die alone. Only through our love and friendship can we create the illusion for the moment that we’re not alone.” Orson Welles ALL the proceeds from this release will go to The Archway Foundation (http://www.archwayfoundation.org.uk/), a UK charity who serve those hurt by loneliness.


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115分流(FLAC)



专辑曲目

01. Xine
02. Xine II
03. Xine III: Aeron
04. Xine IV: Lyra
05. Xine V: Tearily
06. Xine VI: Harbor Lights
07. Xine VII: Abroad
08. Xine VIII: Life Cycle
09. Xine IX: Suri
10. Xine X: Awake
11. Xine XI: The Swan Of Desire
12. Xine XII: Ajna
13. Xine XIII: Ray
14. Xine XIV: Streams Of Living Water
15. Xine XV: Suna's Flow
16. Xine XVI: Avedon
17. Xine XVII: Blandish
18. Xine XVIII: Love In Vein
19. Xine XIX: Swell
20. Xine XX: Tyree's Meaningful Look

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