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《Sample Modeling出品长号音乐素材》(Sample Modeling The Trombone KONTAKT)[光盘镜像]

  • 状态: 精华资源
  • 摘要:
    素材分类音乐
    出品机构Sample.Modeling
    发行时间2010年12月
    对白语言英语
    文字语言英文
  • 时间: 2010/12/24 13:45:56 发布 | 2010/12/24 14:09:27 更新
  • 分类: 资料  素材 

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中文名Sample Modeling出品长号音乐素材
英文名Sample Modeling The Trombone KONTAKT
资源格式光盘镜像
素材分类音乐
出品机构Sample.Modeling
发行时间2010年12月
地区美国
对白语言英语
文字语言英文
简介

IPB Image

资源简介

Sample Modeling出品的长号音乐素材.

官网链接:http://www.samplemodeling.com/en/products_trombone.php

就像小号一样. 长号是最通用的,动态的,灵活的和表现的乐器之一。具有广泛的音色范围.
在广大的音乐风格中长号是不可缺少的工具. Sample Modeling特此打造了优质的Trombone
音乐素材样本.

Like the trumpet, the trombone is one of the most versatile, dynamic, flexible and expressive musical instruments. It covers an incredibly wide range of sounds and moods.
Whether a classical sacred work, a military march or a powerful fanfare, a pop song or a huge orchestral arrangement - the trombone is an indispensable instrument in a vast majority of musical styles.

However, it’s extremely difficult to emulate, even more than the trumpet, due to the presence of the slide - a true challenge for developers of virtual instruments.

That’s why we chose it next.

The Trombone family expands Samplemodeling™ technologies beyond the original limits. An entirely new class of Harmonic Alignment has been developed, allowing continuous transition across virtually infinite dynamics, at the same time perfectly preserving the peculiar, “spiky” waveform of this instrument. Multi-microphone anechoic recording, coupled to a specially devised “early reflections” impulse response, allowed to reproduce the full, rich timbre of the instrument including its radiation pattern, adding at same time a virtual space to the anechoic sound.

The base material of the instruments (two Tenor, one Valve and one Bass Trombone) consists of 714 MB of samples, chromatically performed by a professional trombone player over a very wide dynamic range. All samples are unlooped, and have a minimum duration of 8 sec. As “The Trumpet”, the Trombone engine is structured according to an adaptive model, based on the performance “fingerprints” of the real instrument. The purpose of the model is to minimize the differences between the real phrases and those played by the virtual instrument.

Proprietary modal resonance IRs, innovative techniques for sample modulation, and advanced AI midi processing are used for real time construction of all articulations and morphing across dynamics, vibrato, legato, portamento, trills, vibrato-like endings, shakes and so forth.

Pseudo-random detuning, based on real performance-derived trends, is another outstanding new feature of The Trombone, adding further realism.

A completely new chapter concerns the slide. The real trombone is one of the few wind instruments that can produce a true glissando up to six semitones. Though very difficult to obtain with a sample-based instrument, the effect of the slide has been perfectly reproduced in our virtual trombone by a novel application of the “Harmonic Alignment” technology. Ultra-realistic slide effects can be obtained by proper use of the pitchbend, but are also automatically activated by overlapped legato. As in the real instrument, a continuous glissando effect will be obtained if the portamento interval is within +/- 3 semitones.

The Trombone is supplied with the NI Kontakt Player 4, the read-only version of Native Instruments latest flagship sampler. It involves many new features and bugfixes, including 64 bit, extended memory and multicore support, DFD optimisation, better compliance with some OS and hosts, aftertouch support etc. The Player is included as a separate installer, and no additional software is required to play the instrument. Stand-alone mode, as well as plugin formats VST, DXi, RTAS and AU are supported.

The instruments can be also loaded and played in the full version of Kontakt 4. Please note, however, that they cannot be opened or modified, and no access to the samples, impulse responses or instrument programming is provided.

IPB Image

代码
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                 Sample.Modeling.The.Trombone.KONTAKT-DYNAMiCS                  
                                                                                
      SUPPLiER..: Team DYNAMiCS                     DiSKS...: 57*15MB          
      CRACKER...: n/a                               DATE....: Dec 2010          
      PACKAGER..: Team DYNAMiCS                     RELEASE#: DYNAMiCS-1488    
      PROTECTION: n/a                               FORMAT..: KONTAKT          
                                                                                
             http://www.samplemodeling.com/en/products_trombone.php            
                                                                                
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      Like the trumpet, the trombone is one of the most versatile, dynamic,    
      flexible and expressive musical instruments. It covers an incredibly      
      wide range of  sounds and moods. Whether a  classical sacred work, a      
      military  march or a powerful  fanfare, a pop song or a huge orches-      
      tral arrangement - the trombone is  an indispensable instrument in a      
      vast majority of musical styles.                                          
                                                                                
      However, it’s  extremely  difficult  to  emulate, even more than the      
      trumpet, due  to  the  presence of the slide - a true  challenge for      
      developers of virtual instruments.                                        
                                                                                
      That’s why we chose it next.                                              
                                                                                
      The Trombone family expands  Samplemodeling™ technologies beyond the      
      original  limits.  An  entirely new class of  Harmonic Alignment has      
      been  developed, allowing  continuous  transition  across  virtually      
      infinite  dynamics,  at  the  same  time  perfectly  preserving  the      
      peculiar,  “spiky”  waveform  of  this  instrument. Multi-microphone      
      anechoic  recording,   coupled   to  a   specially  devised   “early      
      reflections” impulse response,  allowed to reproduce the full,  rich      
      timbre of the instrument  including its radiation pattern, adding at      
      same time a virtual space to the anechoic sound.                          
                                                                                
      The base material of the  instruments  (two Tenor, one Valve and one      
      Bass  Trombone)  consists  of  714  MB  of  samples,   chromatically      
      performed by a professional trombone player over a very wide dynamic      
      range. All  samples  are  unlooped, and have a minimum duration of 8      
      sec. As “The Trumpet”,  the Trombone engine  is structured according      
      to an adaptive model, based on the performance “fingerprints” of the      
      real  instrument.  The  purpose  of  the  model is  to  minimize the      
      differences between the real phrases and those played by the virtual      
      instrument.                                                              
                                                                                
      Proprietary  modal  resonance IRs, innovative  techniques for sample      
      modulation, and  advanced AI midi processing  are used for real time      
      construction  of  all  articulations  and  morphing across dynamics,      
      vibrato,  legato, portamento,  trills, vibrato-like endings,  shakes      
      and so forth.                                                            
                                                                                
      Pseudo-random detuning, based on real performance-derived trends, is      
      another  outstanding  new  feature of  The  Trombone, adding further      
      realism.                                                                  
                                                                                
      A completely  new  chapter  concerns the slide. The real trombone is      
      one of the few wind instruments that can produce a true glissando up      
      to  six  semitones. Though  very  difficult to obtain with a sample-      
      based  instrument, the  effect  of  the  slide  has  been  perfectly      
      reproduced in our  virtual  trombone by a  novel  application of the      
      “Harmonic  Alignment”  technology. Ultra-realistic slide effects can      
      be obtained by proper use of  the  pitchbend, but are also automati-      
      cally  activated by overlapped  legato. As in the real instrument, a      
      continuous  glissando  effect  will  be  obtained if the  portamento      
      interval is within +/- 3 semitones.                                      
                                                                                
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      1. Unpack                                                                
      2. Burn or Mount                                                          
      3. Copy  the  library  on  your  hard drive and import it in cracked      
         Kontakt.                                                              
                                                                                
                                                                                
                         SAMPLE MODELING - THE TROMBONE                        
                         ******************************                        
                         86901-58018-03037-81309-94530                          
                                                                                
                    Remember to BUY the stuff if you USE it.                    
                                                                                
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