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Train -《My Private Nation》[iTunes Plus AAC]

  • 状态: 精华资源
  • 摘要:
    音乐风格摇滚
    发行时间2003年06月03日
    地区美国
    语言英语
  • 时间: 2010/12/15 13:15:20 发布 | 2010/12/15 19:03:28 更新
  • 分类: 音乐  欧美音乐 

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专辑英文名My Private Nation
歌手Train
音乐风格摇滚
版本[iTunes Plus AAC]
发行时间2003年06月03日
地区美国
语言英语
简介

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唱片公司: 2003 Sony Music Entertainment Inc.
音乐类型: Rock
压缩比率: 256K iTunes Plus AAC
相关链接: iTunes

专辑介绍:

正版iTunes Plus AAC (256Kbps).若想了解AAC格式音频.请点我跳转.

感觉上这是Train最好的一张专辑(AMG评价四星半),编曲最为成熟,如果要我挑一张他们的代表作,那么我一定就选这一张了。它让你感觉到流行音乐也能做得很出味。

摇滚乐团“Train乐队”由5位具备丰富音乐才华的乐手所组成,1994年正式成军于旧金山。从还是一个在北加州地下表演场地表演的乐团,到1998年在Columbia旗下发行首张同名专辑“Train”,再到2000年终于独挑大梁地在旧金山最负盛名、最具历史性的The Fillmore会场举行演唱会,成功地创下门票全数销售一空的圆满成绩。一路行来,Train都凭借着其创作好音乐的信念、丰富的音乐元素,以及扎实的现场表演功力,让愈来愈多的乐迷逐步地被他们所征服,成为其死忠的追随者。“Train乐队”成员Charlie Colin、Rob Hotchkiss、Pat Monahan、Jimmy Stafford、Scott Underwood凭其出色表现使赢得了本届葛莱美奖四项大奖提名:年度最佳唱片、年度最佳歌曲、最佳摇滚乐团、最佳摇滚。


引用
Album Review
Following a hit is a tough thing for any band, and for Train, a cult band that literally came out of nowhere to land a monster single like "Drops of Jupiter" and a platinum album to boot, the pressure to deliver something "more" from label execs is intense. In addition, usually when a band decides to scrap its plans for one album and go back to the drawing board and do something else, it doesn't bode well for the finished product. Train has turned the tables on the redo jinx. Creatively, My Private Nation, Train's third album, is the moment this band has worked for since it started making records. Bringing Brendan O'Brien back on board as producer (perhaps the best rock producer out there right now) and as a co-writer on three songs, Train has upped the aesthetic ante by stripping away any notion that it has to prove that it is "sincere" as a band. The songs speak for themselves. The opening track, "Calling All Angels," which also serves as the first single, is the one song the Counting Crows wish they could still write. It's a huge rock song that signifies what the rest of the album elaborates on. Guitars, drums, backwards tracking of keyboards, and a huge chorus make it an anthem. But it's not so much how hooky and beautiful the tune is — and is it ever — as what it says: That in a time of great confusion, loss, and disorientation, one does not call for redemption, but asks for a sign of inspiration, for the courage to not surrender to despair. It's a tome about hope against the odds, acknowledging vulnerability, and accepting responsibility to remain focused and critical enough to win one's own redemption in everyday life, in order to become a better human being.

Other tracks — "All American Girl," "Save the Day," and the title track — may not feel as benevolent, especially the ones where O'Brien collaborates. These take on pop culture, social malaise, the pretension of honesty, and the selling of everything, and skewer them with acidic wit, huge monstrous guitars, and sonic architectures that defy description other than they make great rock & roll. Pat Monahan and Train don't pretend to speak for anyone; they speak about themselves in relating to the externals and internals of existence in the new century. These things include relating to each other, to their culture and generation, and to the world at large. In order to accomplish this without merely sounding the obvious, a certain degree of intimacy has to be given up in the mix, and "When I Look to the Sky," "Get to Me," "Following Rita," and the closing "I'm About to Come Alive" (one of the more honest love songs written outside of soul and country music in a decade) do just that. Under O'Brien's gorgeous multi-layered production with guitars coming from everywhere (remember how big he made Springsteen's sound on The Rising?) and strings floating and darting through the mix, chromatic shadings and the textures of contemporary psychedelia are rooted in the heart of an ambitious garage band. In other words, O'Brien doesn't make the band sound big, he gets the sound of how big Train actually is in a context that is as aurally beautiful musically as it is emotionally and lyrically poignant. My Private Nation is not an album about angst, but about transcending it and the paralyzing cynicism that goes with it. The question is, when was the last time listeners got a rock & roll album that could do that without cowering in fear of having its optimism shattered? Not in a long time. But that's because My Private Nation isn't about optimism; it's about the flickering glimmer in the darkness, in the heart, in the culture, in the world, and how it should — and can — be seized, right now.


歌曲试听:
❤ Calling All Angels

❤ All American Girl


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补上不能加精的两张:
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专辑曲目

1. Calling All Angels
2. All American Girl
3. When I Look to the Sky
4. Save the Day
5. My Private Nation
6. Get to Me
7. Counting Airplanes
8. Following Rita
9. Your Every Color
10. Lincoln Avenue
11. I'm About to Come Alive

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