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Train -《For Me, It's You》[iTunes Plus AAC]

  • 状态: 精华资源
  • 摘要:
    音乐风格摇滚
    发行时间2006年01月31日
    地区美国
    语言英语
  • 时间: 2010/12/15 13:11:47 发布 | 2010/12/15 18:56:13 更新
  • 分类: 音乐  欧美音乐 

zjzjyy1990

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专辑英文名For Me, It's You
歌手Train
音乐风格摇滚
版本[iTunes Plus AAC]
发行时间2006年01月31日
地区美国
语言英语
简介

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唱片公司: 2005 SONY BMG MUSIC ENTERTAINMENT
音乐类型: Rock
压缩比率: 256K iTunes Plus AAC
相关链接: iTunes

专辑介绍:

正版iTunes Plus AAC (256Kbps).若想了解AAC格式音频.请点我跳转.

你可以在这张新唱片中找到 Pat Monahan, Jimmy Stafford (吉他) Scott Underwood (鼓手) 以及新加入的贝司Johnny Colt (来自前黑乌鸦"组合), 来自亚特蓝大的键盘手Brandon Bush , Johnny和Brandon .这些面孔都是自从火车乐团2003年巡演开始后一直存在的。这张新专辑很好的融合了成员的意见和风格。

"我们看上去做的不赖" 主唱以及乐队的核心Pat Monahan在乐团休息时候接受访问说" 我认为这张专辑更加真实和个人化, 也是非常适合我个人的一张专辑". Pat Monahan在这张专辑中带入了许多离婚后的个人感受, 无论是亲情, 爱情在歌词里的描述,都十分真实以及成熟。

在解释这张专辑名称的时候, PAT说" 之所以这样命名, 因为"你" 可以改变一切".新专辑中包含了单曲"CAB", PAT说,这张专辑的每一首歌都围绕着主题" FOR ME ITS YOU"展开,整张专辑就是我这些年的经历以及内心感受,我认为你不能选择你该经历些什么,是它们选择了你"

这张专辑在亚特蓝大混音完成, 里面我们可以看到熟悉的制作人:Brendan O'Brien (Pearl Jam, Bob Dylan, Neil Young, Rage Against The Machine, Trey Anastasio的制作人) O'Brien第一次和train乐队合作是在2001年。在2003年的 My Private Nation 中也可以看到他的影子.(其中的歌曲 "Calling All Angels"让他们获得了两个格莱美提名)


引用
Album Review
Train is one of the stranger cases in pop music. While they've been ubiquitous on radio since 2001's smash single "Drops of Jupiter" and have sold literally millions of albums, they are still considered by many to be an outsider act; they fit nowhere handy on the pop culture radar screen. Despite a sound as quintessentially American as the Counting Crows', and 11 years of slogging it out in bars, theaters, and concert halls, they seem to get very little respect. For Me, It's You is the band's third studio offering with producer, multi-instrumentalist, and co-conspirator Brendan O'Brien. Indeed, O'Brien is so closely identified with the band's sound on tape, he is basically a member. The sound of For Me, It's You is less strident than that of the band's previous offerings, but it's edgier and digs deeper into older musics and styles; O'Brien's filled the spaces with sometimes gritty textures. There's more blues and R&B in its feel. Frontman and chief songwriter Patrick Monahan doesn't feel he has to make you believe the authenticity of his emotions; he believes they're real and it's enough. But more than this, he and the band play looser than they ever have in the past, and he's become a solid singer. He doesn't always have the authority to pull off what he tries, but that's part of the album's charm.

The set's first single, "Cab," is the first-person witness of a New York cabbie, accompanied by a piano part that's worthy of one of Billy Joel's finest songs, painterly synth, strummed acoustic guitars, and a killer string arrangement. The report from the driver's seat is both inner and outer. As he observes what transpires through his windshield, he looks deeper at his inner weather. When Monahan sings, "Sometimes, I think I'm the only cab on the road," he's believable. It's a fine song, but it's not the best one here. The polished, full-bodied "Give Myself to You" eclipses it by virtue of its brief R&B-drenched bridge alone, but there's more, too. As the sequenced keyboard line quotes the refrain, the hook is established. Monahan tries his hand at a little covert white-boy R&B singing, and he does it well enough to make the listener wonder why he hasn't tried it before — when he sings "I'm either outta my head or outta my mind," one can hear him dig deeper into something he doesn't quite understand intellectually, but gets to a degree on the feeling level. This isn't a mistake; he tries it again on "Shelter Me," where he evokes both Steve Marriott and Chris Robinson (the band's new bassist, Johnny Colt, came from the Black Crowes). The tune doesn't quite work with all of its overblown backing vocals and textural dimensions that swallow the glorious Hammond B3 in it.

There's also the bridge in "Always Remember" where Monahan's vocal succeeds in saving an otherwise saccharine melody. "I'm Not Waiting in Line" shows Monahan trying on Mick Jagger's skin-tight pants. The tune sounds like the latter half of "Gimme Shelter," which was its model in sonics and groove. The hand percussion, piano, and Jimmy Stafford's lead phrasing are dead giveaways. Train does a credible read of Bob Mould's (remember Sugar?) "If I Can't Change Your Mind." The guitars twang and ring — though not quite roar — but the Hammond carries the day on top of a dirty tub thump. The slippery slow, bluesy stroll of the title track closes the set. This is the best kind of love song because it doesn't need to prove anything. It's loose, slippery, and feels raw. The classic "na-na-nana-na-nana-na" refrain, the greasy guitars, the chorus-like backing vocals and horns all give Monahan a ledge to slip out onto. And he does, bringing to the fore every hungry rock singer from Marriott's and Phil Lynott's ghosts to the young Jagger's and Rod Stewart's in his impassioned delivery. Ultimately, it's difficult to know who will embrace For Me, It's You. Critics have savaged their other outings, and it made no difference to radio or consumers. If the past is any indication, it'll be the dictate of the record's success or failure. Their willingness to bet the farm and grow as a band is commendable in an era where playing it safe is everything — and ultimately nothing.


歌曲试听:
❤ All I Ever Wanted

❤ Get Out


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注:试听曲目为原AAC文件压缩的192K的MP3,不能代表原文件音质. 本资源来自国外网站,感谢原购买者的分享!

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专辑曲目

1. All I Ever Wanted
2. Get Out
3. Cab
4. Give Myself to You
5. Am I Reaching You Now
6. If I Can't Change Your Mind
7. All I Hear
8. Shelter Me
9. Explanation
10. Always Remember
11. I'm Not Waiting in Line
12. Skyscraper
13. For Me, It's You

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