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Plumb -《Beautiful History - A Hits Collection》[Bonus Remix Version][2CD][MP3]

  • 状态: 精华资源
  • 摘要:
    音乐风格流行
    发行时间2009年11月13日
    地区美国
    语言英语
  • 时间: 2010/12/11 16:25:47 发布 | 2010/12/12 08:54:49 更新
  • 分类: 音乐  欧美音乐 

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专辑英文名Beautiful History - A Hits Collection
歌手Plumb
音乐风格流行
资源格式MP3
版本[Bonus Remix Version][2CD]
发行时间2009年11月13日
地区美国
语言英语
简介

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专辑码率: VBR 237Kbps
专辑风格: Pop/Rock

专辑介绍:

相信看过吸血鬼日记的人,是曾记得一首名为的Cut的歌,看过冒牌天神的人是曾记得一首God-Shaped Hole!可能你已经被她惊那放浪不经的歌声所征服,此时此刻我想你和我一样已经无法用言语去形容她的实力了!(声线个人觉得可以和伊凡主唱匹敌,夸张点来说应该还要好些!)也不知道此人到底是何方神圣!至于官网把她的歌定位Chirstian这让我很不解!我可以把她定位为Alternative Rock & Pop,但不管风格如何!对歌曲只有一个字:赞!我不喜欢电子,不喜欢RNB!就喜欢这种不会让人遗忘的POP!每次当自己的播放器响起她的声音总能让人不得不想去听第二遍第三遍的冲动!那么就让我们今天去倾听她那惊艳的歌声,了解plumb吧!

相关链接: iTunes

引用
Fackbook:
流派
Modern Rock/Alternative Yumminess
成员:
Tiffany Arbuckle Lee
Justin Carpenter
Doy Gardner
Rufus Ducote
Whit Stiles
唱片标签
Curb Records

网站
http://www.plumbinfo.com
http://www.myspace.com/plumb
http://www.ilike.com/artist/Plumb
影响
The Cure, Poe, Suzanne Vega, Garbage, Patty Griffin, Alanis
自传
Plumb
"Blink"

Every Plumb record is an immersion into one of music's headiest streams. Each is unique, tied to the emotions and circumstances that inspired it, and yet each is timeless, identifiable as the outpouring of a singular artistic
vision. That vision took hold as Plumb began songwriting, after her first record label told her they expected her to. She poured her soul into the craft as she learned it.
"After I had been writing for a while," she says, "I began tapping into what was intimate and vulnerable in my heart, something that's not as easy as it may sound. And since that time I've tried to make my records almost journal entries, my diary, if you will, put to music. Those albums have communicated where I was at, at the time--almost a day, or even a year, in
the life of me."
These days, she says, her cup "overflows, with such sweetness added." In her life now are children--two boys, Solomon Fury and Oliver Canon, born 19 months apart--and her latest record, "Blink", logs the awe and trepidation attendant to that sometimes underappreciated miracle. At the same time--this is a woman for whom there is seldom just one level--it explores a profound
new appreciation for the depth and breadth of God's love, spurred by the indwelling of motherly love.
"This album, like the others, is where I was...it's also where I still am," she says, "knee-deep in motherhood. Two tiny children, neither one planned and both a beautiful surprise" were the real catalyst behind the muses and the songs.
The physical realities of her second pregnancy were as important to the process as the mental, emotional and spiritual.
"I became so jolly round, my nice term for huge, that I couldn't tour my rock records, and so my husband suggested I make a sort oflullaby-type record that we'd actually talked about in the past because of a close friends initial suggestion years ago--in an effort to make the best use of my time off the road. So that's kind of where it started."
"Blink" became another extraordinary rite of passage, a Plumb reflection on a life-changing phase of the journey, this time with a fittingly delicate, largely programmed musical embroidery replacing the normal rock setting. Her longtime programmer and occasional co-writer, Jeremy Bose, handled production and co-wrote three songs. Longtime producer Matt Bronlewee co-wrote three as well.
The album's ten songs include two covers--an ethereal take on the centuries-old "God Will Take Care Of You," and the lovely "Children of the Heavenly Father." The originals may rank among the purest expressions of the tender joys of motherhood ever recorded, reflecting the rapture of a woman rooted in and yet transported by the experience of new life. Songs like "My Sweet, My Lovely," "Me" and "Solomon's Song" reflect the intense intimacy and joy of motherhood. And yet, it wouldn't be Plumb without the trepidation, the acknowledgement that in the world every child enters, sorrow is as real as joy, and pain as persistent as pleasure. Songs like "In My Arms," the album's first single, and "Always" carry within their beauty a recognition of the limits of maternal love.
She came to the parallel with God's love as she was being wheeled toward her second emergency Caesarian.
"I was conscious of this rush of emotion," she says. "Fear for my life, fear for my child's life, and somewhere in me thinking, 'I want to love this baby as much as I love Solomon,' afraid I wouldn't. Then, when I heard Oliver cry and they showed him to me...I went from, 'Is it possible to love that great again?' to 'It's impossible not to love that great' in less
than one second. And I began to really understand how He loves us all the same, all unique, even when we think he has some kind of partiality. He doesn't. It was an overwhelming, life-altering moment of conviction. And when the record had been mixed and mastered, I sat and listened in the car in my driveway and wept. "That's how you love me,' I said. 'Knowing how much I love these little boys, knowing you love me more than that.' It's incredibly humbling."
"Blink" is the fifth CD of new material by a woman whose career is, she says, "not something I planned. It found me. It seems to be a pattern that happens in my life, I've been blessed with a series of opportunities, one after the other, and have continued to try and be faithful with each of them."
Perhaps the most famous of these came in 2001. "I had actually left the label and decided to be a full-time songwriter when a fan at one of the last shows handed me a note," she says. The fan said plumb's song "Damaged," about sexual molestation, had changed her life. "It hit me how much this wasn't about me, that I'd been given a gift to communicate, to encourage and inspire. A gift. And that it's not up to me to say, 'I won't do that anymore.' And if I think it is up to me, how much I'd
be missing out on the opportunity to be a part of something greater than myself."
It's a gift she was slow to actualize. Born Tiffany Arbuckle in Indianapolis, she grew up in Atlanta, singing in church and school. At 19, she began working as a backup singer, in part to earn money to help pay for nursing school. She began doing studio work and then touring. College went by the board and she eventually moved to Nashville, where, a month before her 21st birthday, she signed with a small label. When she was urged to write, she turned to Matt Bronlewee, her next door neighbor that sold her a guitar, who turned out to be an original member of Jars of Clay...and the two hit it off.
"It was perfect for me," she says. "His rule was that there were no rules. If I thought something sounded interesting, then that was my signature." Bronlewee would later describe her unique sound as "raw, lyrically introspective vocals floating across an epic soundscape." The two wrote everything on her first record, which she recorded in 1997 with a band collectively known as Plumb, a name taken from a song by Suzanne Vega. Songs like "Unforgivable," "Crazy" and "Endure," and a tour with Jars of Clay helped push sales over the 100,000 mark. The follow-up, candycoatedwaterdrops, featuring "Late Great Planet Earth," "Here With Me" and "God-Shaped Hole," among others, won the 2000 Dove for Modern Rock Album of the year, and two other tracks were hits for other artists--"Stranded" for Jennifer Paige and "Damaged" for Plummet in the UK. Following label difficulties, the fan's pivotal note, and marriage to Jeremy Lee, she signed with Curb as a solo artist. Beautiful Lumps of Coal (2003), which she co-produced, and Chaotic Resolve (2006), produced several hits and further extended her reputation in several musical genres. She has written songs for and with Michelle Branch, Mandy Moore and Kimberley Locke, among many
others, and her music has been heard in many films and on their soundtracks, including Bruce Almighty, Brokedown Palace, Just Married, The Perfect Man and Evan Almighty, among others, and on TV series including Dawson's Creek, ER,Felicity and Roswell.
Motherhood and the process of making Blink have changed to some degree the woman who has long been known as an exuberant rocker.
"My priorities have shifted," she says. "I've toned it down a little to create a little longevity for myself. I don't think trying to be a rock star allows me that opportunity. I've had many a day of running around in the hot sun at festivals, sweating my brains out and losing my voice. I've realized I'm still a valuable artist and that that lifestyle is damaging on so many levels. There's something very liberating about still being and writing what is real, and saying it even more beautifully. And still being able to rock out now and again..."
The process of being an artist, she maintains, will continue. "This is in me," she says. "I'm a wife and mother and singer and writer and so many other things... and in order for me to truly be faithful in any of those roles and relationships, I must be faithful to them all. Yes, now I am a mother, and I'm so much more than just that too. Sadly, that is something I think many women fail to realize after motherhood, and it's something their children can suffer for. I hope to inspire other women to continue to pursue their dreams and passions and be the gifts of unfathomable worth to a generation aching to respect them. The challenge is to keep them in priority... something that cannot happen on your own...so the accountability to maintain them is by far one of the most important facets to my life."
More than a decade into her recording career, she is not tied to the perks of stardom, but she is, as her reaction to the note from the fan in 2001 makes clear, aware of the power of what she participates in.
"Fame and fortune are fleeting," she says, "but real faithfulness, making a difference in a person's life, lasts for eternity.


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PS: 专辑推荐分数:9.8分!专辑听感:煽情,女声超赞,流行中的经典!

biggrin.gif tongue.gif laugh.gif Diging......hah!

In My Arms (Radio Edit): (楼主强荐)


Better:


God-Shaped Hole (2010) : (冒牌天神OST)


Cut: (吸血鬼日记OST)


Real:


I Can't Do This:



专辑曲目

CD1:

01. Stranded (2010)
02. Here With Me (2010)
03. Damaged (Redemption Extended Version)
04. God-Shaped Hole (2010)
05. Real
06. I Can’t Do This
07. Cut
08. Better
09. Blush (Only You)
10. In My Arms (Radio Edit)
11. Hang On
12. Beautiful History

CD2:

01. In My Arms (Bimbo Jones Radio Edit)
02. Cut (Bronleewe & Bose Radio Edit)
03. Hang On (Digital Dog Radio Edit)
04. Always (jRyann Radio Edit)
05. In My Arms (Bronleewe & Bose Extended Mix)
06. Cut (Digital Dog Extended Mix)
07. Hang On (Dave Aude Extended Mix)
08. Always (Bimbo Jones Extended Mix)
09. Hang On (Pete Hammond Extended Mix)
10.Always (Bronleewe & Bose Club Mix)
11.Cut (Digital Dog Radio Edit)

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