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Kanye West -《My Beautiful Dark Twisted Fantasy》[Deluxe Version][iTunes Plus AAC]

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  • 摘要:
    音乐风格嘻哈/说唱
    发行时间2010年11月22日
    地区美国,德国
    语言英语
  • 时间: 2010/11/19 22:06:39 发布 | 2010/11/22 13:08:55 更新
  • 分类: 音乐  欧美音乐 

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专辑英文名My Beautiful Dark Twisted Fantasy
歌手Kanye West
音乐风格嘻哈/说唱
版本[Deluxe Version][iTunes Plus AAC]
发行时间2010年11月22日
地区美国,德国
语言英语
简介

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唱片公司: Roc-A-Fella, Records, LLC
音乐类型: Hip Hop/Rap
压缩比率: 256K iTunes Plus AAC
相关链接: iTunes

专辑介绍:

正版iTunes Plus AAC (256Kbps).若想了解AAC格式音频.请点我跳转.

这是一张我们已经关注数月的专辑。过去一段时间,几乎任何一个稍有名气的音乐人都会在媒体上发表评论:这是一张非常出色的作品。

一年前,Kanye West是一个被流放的美国人。如今?他返回了美利坚的视野,带着一连串震撼了整个嘻哈世界的热门歌曲。G.O.O.D .星期五系列为每个已经有所建树的嘻哈艺人锦上添花。“你无法拒绝一个热门单曲。”这就是Kanye West招募众多大牌参与的致胜法宝。

《My Beautiful Dark Twisted Fantasy》是Kanye West具备杰出音乐创作能力的绝佳证明。作为其第四张录音室专辑,同时也很明显是其最出色的作品,专辑同名曲“Dark Fantasy”柔软的开起了专辑的序幕。随着Kanye的歌词内容变得越来越智慧和冲动,歌曲的气氛也随之变得紧张。
就在你忘记“Dark Fantasy”给予你的震撼后,很快你就又被卷入单曲“Gorgeous”带来的冲击。这首由Kid Cudi 和Raekwon客串的单曲的节奏中运用了吉他,这不禁让人们将其与1970年代的摇滚风格互相对比。

专辑中其他令人值得注意的歌曲包括早已经曝光的“So Appalled”,“Monster”,“Power”以及“All of the Lights”(很明显,这首大合唱击败了2010版“We are the World”。)实际上,“All of the Lights”成为了专辑中最风格恰当的歌曲,而《My Beautiful Dark Twisted Fantasy》则成为了一个被完美叙述的传说。

在Kanye的前四张专辑中,总会有一首特别抢眼的歌曲。比如说《College Dropout》的“Through the Wire”,《Late Registration》的“Diamonds from Sierra Leone”。《My Beautiful Dark Twisted Fantasy》当然也不例外,单曲“Blame Game”光荣的结果了这顶头衔。歌曲讲述了一个透人心弦的失恋故事。故事开始的情节是一段感情无情的破裂,随后Chris Rock开始了一段个人独白,这段发言不仅让歌曲变得更加完整,同时也让其变得更加出色。

Kanye对凤凰的迷恋正是暗示自己的音乐生涯。在过去的一年中,他的年华昌盛,随后凋零,接着再重新复活。Kanye用一种神话般的模式完成了其人生的3部曲转换。换言之,《My Beautiful Dark Twisted Fantasy》更应该被称为是一张救赎专辑。

Kanye为这张专辑所投入的工作量几乎无法计量,只有音乐可以衡量出我们心中的答案-坎爷归来了。


引用
Biography
In the span of three short years, Kanye West went from hip-hop beatmaker to worldwide hitmaker, as his stellar production work for Jay-Z led to a major-label recording contract and, ultimately, a wildly successful solo career. West paired his beats with tongue-twisting raps and a self-assured, flamboyant personality. His dapper fashion sense set him apart from many of his rap peers, and his confidence... ...More
In the span of three short years, Kanye West went from hip-hop beatmaker to worldwide hitmaker, as his stellar production work for Jay-Z led to a major-label recording contract and, ultimately, a wildly successful solo career. West paired his beats with tongue-twisting raps and a self-assured, flamboyant personality. His dapper fashion sense set him apart from many of his rap peers, and his confidence often came across as boastful or even egotistical, albeit amusingly so. This flamboyance, of course, made for good press, something that West enjoyed in spades during his sudden rise to celebrity status. He was a media darling, appearing and performing at countless awards shows (and winning at them, too), delivering theatrical videos to MTV, and mouthing off about whatever happened to cross his mind. He frequently spoke out against the rampant homophobia evident in much rap music, posed for the cover of Rolling Stone as Jesus Christ, and even claimed during a televised Hurricane Katrina fundraiser that "George Bush doesn't care about black people." West courted controversy, no question about it, but his steady presence in the celebrity limelight couldn't eclipse his musical talent. His production abilities seemed boundless during his initial surge of activity, as he not only racked up impressive hits for himself (including "Jesus Walks" and "Gold Digger"), but also collaborated on smash hits with the likes of Jay-Z and Ludacris. As his career progressed throughout the early 21st century, West shattered certain stereotypes about rappers, becoming a superstar on his own terms without adapting his appearance, his rhetoric, or his music to fit any one musical mold.

Coming out of left field (i.e., Chicago, a city rarely praised for its hip-hop exports), West was an unlikely sensation and more than once defied adversity. Like so many others who were initially inspired by Run-D.M.C., he began as just another aspiring rapper with a boundless passion for hip-hop, albeit a rapper with a Midas touch when it came to beatmaking. Indeed, it was his beatmaking prowess that got his foot in the industry door. Though he did quite a bit of noteworthy production work during the late '90s (Jermaine Dupri, Foxy Brown, Mase, Goodie Mob), it was West's work for Roc-a-Fella at the dawn of the new millennium that took his career to the next level. Alongside fellow fresh talent Just Blaze, West became one of the Roc's go-to producers, consistently delivering hot tracks to album after album. His star turn came on Jay-Z's classic Blueprint (2001) with album standouts "Takeover" and "Izzo (H.O.V.A.)." Both songs showcased West's signature beatmaking style of the time, which was largely sample-based — in these cases, the former track appropriating snippets of the Doors' "Five to One," while the latter sampled the Jackson 5's "I Want You Back."

More high-profile productions followed, and before long word spread that West was going to release an album of his own, on which he planned to rap as well as produce. Unfortunately, that album was a long time coming, pushed back and then pushed back again. It didn't help that West experienced a tragic car accident in October 2002 that almost cost him his life. He capitalized on the traumatic experience by using it as the inspiration for "Through the Wire" (and its corresponding video), which would later become the lead single for his debut album, 2004's The College Dropout. As the album was continually delayed, West continued to churn out big hits for the likes of Talib Kweli ("Get By"), Ludacris ("Stand Up"), Jay-Z ("'03 Bonnie & Clyde"), and Alicia Keys ("You Don't Know My Name"). Then, just as "Through the Wire" was breaking big-time at the tail end of 2003, another West song caught fire, a collaboration with Twista and comedian/actor Jamie Foxx called "Slow Jamz," which gave the rapper/producer two simultaneously ubiquitous singles and a much-anticipated debut album. As with so many of West's songs, the singles were driven by somewhat recognizable sample-based hooks — Chaka Khan's "Through the Fire" in the case of "Through the Wire," and Luther Vandross' "A House Is Not a Home" in the case of "Slow Jamz."

In the wake of his breakout success, West earned a whopping ten nominations for the 47th annual Grammy Awards, held in early 2005. The College Dropout won the Best Rap Album award, "Jesus Walks" won Best Rap Song, and a songwriting credit on "You Don't Know My Name" for Best R&B Song award was shared with Alicia Keys and Harold Lilly. Later that year, West released his second solo album, Late Registration, which spawned a series of hit singles ("Diamonds in Sierra Leone," "Gold Digger," "Heard 'Em Say," "Touch the Sky"). The album topped the charts, as did the "Gold Digger" single, and Late Registration eventually won a Grammy for Album of the Year. West's production work continued more or less unabated during this time; particularly noteworthy were hits for Twista ("Overnight Celebrity"), Janet Jackson ("I Want You"), Brandy ("Talk About Our Love"), the Game ("Dreams"), Common ("Go!"), and Keyshia Cole ("I Changed My Mind"). West also founded his own label, GOOD Music (i.e., "Getting Out Our Dreams"), in conjunction with Sony BMG. The label's inaugural release was John Legend's Get Lifted (2004), followed one year later by Common's Be. In addition to all of his studio work, West also toured internationally in support of Late Registration and released Late Orchestration: Live at Abbey Road Studios (2006) in commemoration.

After retreating from the spotlight for some time, West returned to the forefront of the music world in 2007 with a series of album releases. Consequence's Don't Quit Your Day Job and Common's Finding Forever, both released by GOOD, were chiefly produced by West; the latter proved to be particularly popular, topping the album chart upon its release in July. And then there was West's third solo album, Graduation, which was promoted well in advance of its September 11 release (a memorable date that pitted Kanye against 50 Cent, who in one interview swore he would quit music if his own album, Curtis, wasn't the top-seller). A pair of singles — "Can't Tell Me Nothing" and "Stronger," the latter an interpolation of Daft Punk's 2001 single "Harder, Better, Faster, Stronger" — led the promotional push. It became his third consecutive chart-topping album, and its success culminated in eight Grammy nominations. West was the victor in four of the categories, and he performed two songs during the ceremony, including Late Registration's "Hey Mama," chosen in honor of his recently deceased mother. That loss, compounded by a breakup with his fiancée, informed 2008's 808s & Heartbreak, a major change of pace that saw West singing most of his emotionally pained lyrics with the assistance of Auto-Tune. As polarizing as it was, it went platinum. My Beautiful Dark Twisted Fantasy, most of which was recorded in Hawaii and involved guest vocal spots from the likes of Nicki Minaj, Kid Cudi, Rick Ross, and the RZA, was released in November 2010. It was preceded by the bombastic, King Crimson-sampling single "Power."


歌曲试听: ♩♪♫♬ Monster

http://www.tudou.com/player/outside/beta_player.swf?iid=64137671
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专辑曲目

01. Dark Fantasy
02. Gorgeous (feat. Kid Cudi & Raekwon)
03. Power
04. All of the Lights (Interlude)
05. All of the Lights
06. Monster (feat. Jay-Z, Rick Ross, Nicki Minaj & Bon Iver)
07. So Appalled (feat. Jay-Z, Pusha T, Prynce Cy Hi, Swizz Beatz & The RZA)
08. Devil In a New Dress (feat. Rick Ross)
09. Runaway (feat. Pusha T)
10. Hell of a Life
11. Blame Game (feat. John Legend & Pusha T)
12. Lost In the World
13. Who Will Survive In America
14. See Me Now

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