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Vladimir Horowitz -《霍洛维茨:1985年在纽约》(Vladimir Horowitz: The Studio Recordings - New York 1985)[FLAC]

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  • 摘要:
    发行时间1990年10月25日
  • 时间: 2010/08/06 13:08:59 发布 | 2010/08/06 18:14:35 更新
  • 分类: 音乐  古典音乐 

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专辑英文名Vladimir Horowitz: The Studio Recordings - New York 1985
专辑中文名霍洛维茨:1985年在纽约
艺术家Vladimir Horowitz
资源格式FLAC
发行时间1990年10月25日
地区美国
简介

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专辑介绍:

这是霍罗维兹晚年留下的一张最值得留念和鉴赏的CD之一。碟中薈萃了舒曼、斯卡拉蒂、李斯特、斯克里亚宾和舒伯特的作品。舒曼的“克莱斯勒偶记”,标题出自霍夫曼小说中的人物克莱斯勒,作品题献给肖邦,作於1838年。作品是8首一组的幻想曲,每一段的篇幅不长,但具有个性,而且充满了舒曼的浪漫风格。霍罗维兹的演奏轻灵、飘逸,8个段落都富有韵味,连成一气,也听得出作品的完整性。斯卡拉蒂的两首奏鸣曲(B小调和E大调),对於霍翁来说,是驾轻就熟的作品,唱片中的表现可圈可点。李斯特的升F大调即兴曲也属於夜曲类型,霍翁弹得不温不火,正如一位乐友所言,味浓,化渣!李斯特的另一首“遗忘的圆舞曲”之三,是平时较难听到的李氏小品,专辑为我“拾遗补闕”了。斯克里亚宾的“升D大调练习曲”算是难度较大的选曲,但作为公认的斯氏詮释大师,时年已过80的霍翁仍然处理得干净利落,显示出宝刀未老的身手。整个专辑的录音信号并不太强,但动态却够大,唱片最后一曲是听眾最熟悉的舒伯特那首“军队进行曲”,录音真够靚,尤其用品质较高的器材播放,钢琴声震厅堂,其声场、密度、弹性,让人吃惊,真达到了一部钢琴所能企及的最大能量!

特别介绍:

《霍洛维茨:1985年在纽约》/霍洛维茨无疑是二十世纪最重要的一位钢琴演奏大师。这张录音收录的是大师1985年在纽约的一系列录音室录音。这些演绎被视为大师晚年艺术造诣的颠峰,同时获得企鹅三星带花和1987年格莱美大奖。
这是一九八五年的录音。他在完成了纪念性的影片「最后的浪漫」后,告诉录音制作人他打算到录音室录音。於是在DG的安排下进入录音室录了这张CD。之前的十几年,他的录音都是现场的演奏会。这张CD弹的都是他擅长的作曲家作品,包括舒曼、史卡拉第、李斯特、史克里亚宾和舒伯特等人的。此后他便开始更多的录音活动,与DG公司建合作关系。

霍洛维兹弹奏时甚少运用踏板,他的技巧与音乐性似让踏板的角色显得丝毫无关紧要。妙的是,他的弹奏一点也没有因失去踏板而音色干燥的现像。他的演奏最容易让人印像深刻的是明显的对比与动态热烙的节奏感,音乐中出现明亮特殊的节奏律动,使得他的演奏变得戏剧性十足,而令其音乐面鲜明耀眼。这张CD的曲目,大部份是属於深具钢琴音乐美感的曲子,如果你是对钢琴曲不很熟悉的爱乐人,可能开始听时会觉得有些难以进入状况,在此建议您从最后一曲改编的「军队进行曲」开始听。这个乐曲让你体会其中趣味的同时,也听出霍洛维兹他老人家那双好比被魔杖点金的手指,所传达出来的魔力。他总是出其不意地在一般人弹弱音的地方弹出几个令人冒汗的强音,在一般人弹强音的部份弹出令人鸡皮疙瘩掉一地的弱音,等你认识他的语法后,你会往下听的。你觉得他的笑容看起来顽皮﹖他的音乐才真是顽皮!

http://www29.discuss.com.hk/viewthread.php...=7281202

At age 82, Vladimir Horowitz felt he had a few more things to say--like a new interpretation of Schumann's Kreisleriana and first recordings of works like Schubert's Marche militaire. Technically, age rarely showed in Horowitz's playing; interpretively, his age brought marvelous insights, as we hear on this fine program. The virtuoso is definitely at work here, but so is the "grand old master, in sovereign command of his resources." --David Vernier

引用
As someone who heard Horowitz in recital (Boston, October 19, 1986, a day I will never forget) I can report that this CD comes closer than anything else I have heard to the real thing. This is a demonstration quality disc for piano fans.

Schumann's Kreisleriana was a Horowitz speciality. The interpretation here is freer, looser structurally than his 1969 recording. For me, the earlier version is still unmatched in its concentration and the laying bare of Schumann's duality--in my opinion it remains Horowitz's finest solo recording. But this 1985 version also has a lot going for it--the tempos are so flexible, without losing the basic meter; and the phrasing is just so "right."

Thus is it with the rest of the recording. This is some of Horowitz's most romantic Scarlatti playing, almost as if Scarlatti were a baroque Chopin--not as outlandish as it seems, as Chopin adored Scarlatti's music.

The Liszt Valse Oubliee was another Horowitz specialty, he recorded it at least three times officially, this one is my favorite. Horowitz captures Liszt's mystical eroticism in a way few others have matched. The Impromptu from 1872 is rarely played, and hearing it one understands the comment that Horowitz can get forty colors from a piano by striking two keys.

The Scriabin Etude is the central romantic pivot in this recital. Horowitz plays it differently here than in earlier recordings, beginning quietly and building to a stunning climax.

The Schubert Impromptu is played with more flexibility than we would here from such modern imterpreters as Brendel. But past Schubert specialists like Schnabel didn't feel the need to be human metronomes to reveal the structure of the piece. Horowitz imbues the piece with that long lost quality known as charm, and the running scale passages in the final variations are as well balanced as a string of pearls.

The Military March is rather like Horowitz's arrangement of Stars and Stripes, but at somewhat lower voltage. Still, it is a dazzling delight, and a rousing conclusion to a marvelous recording.


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专辑曲目

01. Kreisieriana, Op.16: I - Ausserst bewegt; agitatissimo
02. Kreisieriana, Op.16: II - Sehr innig und nicht zu rasch.
03. Kreisieriana, Op.16: III - Sehr aufgeregt; Molto agitato
04. Kreisieriana, Op.16: IV - Sehr langsam; Lento assai
05. Kreisieriana, Op.16: V - SehrlLebhaft. Vivace assai
06. Kreisieriana, Op.16: VI - Sehr; langsam; Lento assai
07. Kreisieriana, Op.16: VII - Sehr rasch; Molto presto
08. Kreisieriana, Op.16: VIII - Schnell und spielend; Vivace s scherzando
09. Piano Sonata in B minor, K.87 (L.33)
10. Piano Sonata in E, K.235 (L.224): Allegro
11. Impromptu, ("Nocturne") in F-Sharp
12. Valse oubliee No.1: Allegro
13. Etude in D-sharp minor, Op.8, No.12
14. Impromptu in B-flat, D935 No.3
15. Military March in D-flat, D733, No.1

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