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《音锤-史诗朵尔鼓》(Tonehammer.Epic.Dhol.Vol.1)1.0.1[光盘镜像]

  • 状态: 精华资源
  • 摘要:
    发行时间2008年
    制作发行Tonehammer
    语言英文
  • 时间: 2009/09/08 02:42:52 发布 | 2009/09/08 08:14:56 更新
  • 分类: 软件  多媒体类 

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中文名音锤-史诗朵尔鼓
英文名Tonehammer.Epic.Dhol.Vol.1
别名Tonehammer.Epic.Dhol.Vol.1
资源格式光盘镜像
版本1.0.1
发行时间2008年
制作发行Tonehammer
地区美国
语言英文
简介

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中文简介:(小鹏不怕辣)

此音色为极其稀有的音色,此款音色收录了印度神鼓之称的朵尔鼓的声音。为作曲家们提供了更宽广的创作空间,让作品听起来更与众不同。这个是基于NI Kontakt采样器的音色。所有采样均为24bit,96KHz的立体声采样。品质极高!!!

英文原介:
Welcome to the Tonehammer Epic Dhol Vol. 1

We bought three high-end Punjab Dhol drums and recorded them in the same orchestral hall as our Epic Toms. The Punjab Dhol is a double-sided barrel drum large and bulky to produce the preferred loud bass. The drum consists of a wooden barrel with animal hide or synthetic skin stretched over its open ends, covering them completely. These skins can be stretched or loosened with a tightening mechanism made up of either interwoven ropes, or nuts and bolts. Tightening or loosening the skins subtly alters the pitch of the drum sound. The stretched skin on one of the ends is thicker and produces a deep, low frequency (higher bass) sound and the other thinner one produces a higher frequency sound. In contemporary Punjabi music, dhols with synthetic, or plastic, treble skins are very common. The Tonehammer Epic Dhol drums follows our over general direction in terms of recording all articulations at 10 velocity layers and 10 round robin pr. velocity layers. The Epic Dhol drums contains a great variety of articulations, since each side of drum produces very different sounds. Essentially its divided into a bass section and a snare section. We played the bass section with the traditional big wooden Dhol stick, mallet, hands and fingers to ensure we covered the entire range. The sound is remarkably close to Taiko drums, but with a little more tone to it. The snare side was recorded with the traditional thin bamboo Dhol stick, however we also recorded this side with mallets, brushes and fingers. In addition we recorded different rimshot positions on the drum, so the users can create a variety of different soundings rhythmic textures on the drum. Th library also contains a substantial amount (+800) of BPM based loop banks for instant user gratification. We recorded the dhols and other smaller complimentary percussion instruments together. The loops work perfect with the multisampled sets, but also work perfectly as stand-alone instant-gratification type of music loops.’

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