专辑艺人：Yo La Tengo
发行公司：Bar None Records
发行日期：January 1, 1990
采 样 率：CBR 256
来美国自新泽西州的三人乐队Yo La Tengo是为数不多的备受严肃乐评家推崇的当代乐队之一——根源在于他们音乐上所倡导的冒险的折衷主义，目中无人的独立态度以及无休止的创作野心。他们最常被冠以传奇乐队the Velvet Underground（成立于60年代，美国最受尊敬、最具影响力的地下乐队）继承人的称号，甚至在96年的电影《I Shot Andy Warhol》中扮演了其中UV的角色。
从84年成立的20年中乐队创作了12张录音室专辑：其中8张AMG评定4星以上，5张'Amazon essential recording'，大量优秀的作品和至今不减的创作激情使他们在独立音乐界具有极高的声望和影响力。——参考自AMG
这张专辑是很多Yo La Tengo乐迷的最爱，可能也是他们最特别的一张专辑：16首歌中5首原创，另外11首分别翻唱自美国‘草根’摇滚英雄NRBQ，纽约试验乐队the Scene Is Now，著名乐队像the Kinks、the Flamin' Groovies；也有一些不知名的乐队，这些不相干的音乐在的演绎下焕发出新的感觉与和谐的色彩——温暖、感人、低调，展现出他们抒情民谣和较为复古的一面。（不能代表他们的全貌）
# 'Amazon.com essential recording'，AMG评定4.5。（仅供参考）
Recommending Fakebook as the best place to begin a relationship with Yo La Tengo is slightly disingenuous, mainly because Yo La Tengo has never made another record like it, and perhaps never will. So, as completely wonderful as this record is (and believe me, it is), it's an accurate representation of one side of Yo La Tengo, and assuming that everything sounds like Fakebook might be disappointing. A collection of cover songs that lean toward the idiosyncratic (e.g., Peter Stampfel, Daniel Johnston, Jad Fair), Fakebook is warm, low-key and lovely, with heartfelt singing and playing that never flags after hundreds of replays. It's impossible to imagine playing this record and not smiling and singing along. A big bonus is a great version of The Flamin' Groovies "You Tore Me Down." ~ John Dougan, All Music Guide
1. Can't Forget
3. Here Comes My Baby
4. Barnaby, Hardly Working
5. Yellow Sarong
6. You Tore Me Down
8. Speeding Motorcycle
9. Tried So Hard
10. The Summer
11. Oklahoma, U.S.A.
12. What Comes Next
13. The One To Cry
15. Did I Tell You
16. What Can I Say
# 专辑仅用于试听, 请购买正版支持你欣赏的音乐家 #
成立于1984年，美国新泽西州，最初是歌手、吉他手Ira Kaplan和鼓手、歌手Georgia Hubley的夫妻二人乐队。‘Yo La Tengo’是西班牙语中‘I've got it!’的意思（棒球比赛中，外野手所喊的话）
Yo La Tengo was in many respects the quintessential critics' band: in addition to its adventurous eclecticism, defiant independence, and restless creative ambition -- three qualities that virtually guarantee music press acclaim -- the group's frontman, Ira Kaplan, even tenured as a rock scribe prior to finding success as a performer. So frequently compared to the Velvet Underground that they even portrayed the legendary group in the 1996 film I Shot Andy Warhol, the Hoboken, NJ-based unit explored the extremes of feedback-driven noise rock and sweetly melodic pop, shading its work with equal parts scholarly composure and fannish enthusiasm. Prolific and mercurial, Yo La Tengo ultimately transcended its myriad influences to ensconce itself as a beloved institution of the indie community.
The core of Yo La Tengo (Spanish for the outfielder's cry of "I've got it!") was comprised of singer/guitarist Kaplan and his wife, drummer/vocalist Georgia Hubley. After forming the band in 1984, they placed an advertisement seeking other musicians to round out the lineup, requesting applicants who shared their fondness for the Soft Boys, Mission of Burma, and Arthur Lee's Love. A number of bassists and lead guitarists passed through the band's roster during its formative years, but after bowing in late 1985 with the single "The River of Water," backed by a cover of Love's "A House Is Not a Motel," Yo La Tengo's membership appeared to stabilize with the additions of guitarist Dave Schramm and bassist Mike Lewis prior to the sessions for 1986's full-length roots pop debut, Ride the Tiger, produced by former Mission of Burma bassist Clint Conley.
However, both Schramm and Lewis exited in the wake of the record's release, leaving Kaplan to assume lead guitar duties. Bassist Stephan Wichnewski signed on for 1987's New Wave Hot Dogs, a more assured outing that brought the group's Velvet Underground obsession to the fore via a cover of the early VU composition "It's Alright (The Way That You Live)." Not only did Kaplan's introverted, half-spoken vocals and buzzing guitar work closely recall Lou Reed, but Hubley's rock-steady drumming and breathy backing turns simultaneously conjured memories of vintage Maureen Tucker. Even better was 1989's President Yo La Tengo, recorded with producer and guest bassist Gene Holder; opening with the droning squalls of the stunning "Barnaby, Hardly Working," the record spotlighted the group's sonic schizophrenia by including two Jekyll-and-Hyde versions of the track "The Evil That Men Do" -- one a gorgeous instrumental, the other a blistering feedback freakout.
Schramm returned to the fold for 1990's Fakebook, a remarkable acoustic folk-pop journey through Kaplan's record collection and a virtual family tree of Yo La Tengo reference points. A wonderfully low-key collection of covers ranging from forgotten nuggets (the Kinks' "Oklahoma U.S.A.," the Flamin' Groovies' "You Tore Me Down," Gene Clark's "Tried So Hard") to absolute obscurities (Rex Garvin & the Mighty Cravers' "Emulsified," the Escorts' "The One to Cry," the Scene Is Now's "Yellow Sarong"), Fakebook also included a handful of outstanding new originals as well as luminous retakes of the previous record's "Barnaby, Hardly Working" and New Wave Hot Dogs' "Did I Tell You?" The superb That Is Yo La Tengo EP previewed 1992's May I Sing With Me, the first effort to feature permanent bassist James McNew (formerly of Christmas). A return to noise typified by the hot-wired nine-minute feedback saga "Mushroom Cloud of Hiss," the record balanced out its extremist tendencies with the occasional sidestep into melodic beauty ("Detouring America With Horns") and infectious indie pop ("Upside-Down").
A move to the Matador label predated the release of 1993's Painful, another winner informed by the atmospherics of shoegazer drones and dream pop. Bookended by radically opposed renditions of the track "Big Day Coming" -- the first an organ-driven mood piece, the other an edgy guitar outing -- the record pushed Yo La Tengo in a multitude of new directions, significantly expanding the trio's palette of sounds and textures. Released in 1995, Electr-O-Pura continued the progression, zigzagging from dead-on British Invasion re-creations (the sparkling "Tom Courtenay") to shimmering folk (the Hubley-sung "Pablo and Andrea") to bracing sonic experimentation ("Decora"). After 1996's Genius + Love Equals Yo La Tengo, a two-disc compendium of B-sides, compilation tracks, rare singles, and unreleased material, the trio resurfaced in the spring of 1997 with I Can Hear the Heart Beating As One; And Then Nothing Turned Itself Inside Out followed in early 2000.
The group also performed a three-night stint as the backing band for Ray Davies on his 2000 U.S. tour, and in 2002 released The Sounds of the Sounds of Science, a soundtrack to the undersea documentaries of French filmmaker Jean Painleve. That fall, they released the Nuclear War single, which featured several versions of Sun Ra's epic, and that winter performed their second annual Hanukkahpalooza, an eight-night musical festival at Hoboken, NJ's Maxwell's, which also featured a special limited-edition EP of Christmas songs. Yo La Tengo released Summer Sun in spring 2003, and that year Georgia Hubley performed in Mirror Man, an avant-garde rock opera by Pere Ubu's David Thomas. ~ Jason Ankeny, All Music Guide