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Robin Guthrie & Harold Budd -《黎明前夕》(Before The Day Breaks)[APE]

  • 状态: 精华资源
  • 摘要:
    发行时间2007年07月16日
  • 时间: 2008/03/03 22:35:46 发布 | 2008/03/03 22:35:46 更新
  • 分类: 音乐  其它音乐 

我的抒情年代

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专辑中文名黎明前夕
专辑英文名Before The Day Breaks
资源格式APE
发行时间2007年07月16日
地区英国
简介

IPB Image


发行公司:Darla
专辑风格:Ambient

专辑介绍:

很久不发贴,实在惭愧,近段时间挺忙,下好的都搁在电脑里堆积了起来,断断续续的听了一两首,都没完整的听完过一张专辑,我想暂时我是没时间在来发贴了,生活进入了新的阶段,需要投入更多的经历,以后吧,打住. Harold Budd的作品以前也发过一些,这张是去年的,算是比较新的了,给我的感觉是Harold Budd的风格一直都没有变过,很是沉得住气,也可以说是经的住时间的考验,多年来作品丰富,创作持续不断.

这张专辑是Robin Guthrie与Harold Budd共同创作完成,不过内容还是以后者的风格为主,Robin估计参与了作曲,但音效方面还是由Budd亲自操刀,所以我们听到专辑以电子配音为主的氛围音乐.

1936年,氛围音乐作曲家Harold Budd出生在California。于26岁起开始他的作曲生涯,很快的,在随后的几年中声名鹊起。1966年从University of Southern California的作曲专业毕业之后作品便逐年减少。1976年他辞去了工作,和英国先锋人物Brian Eno一起专心录制新作品。两年后Harold Budd发行了<The Pavilion of Dreams>,从此建立了自己强大且独特的个人风格。之后更拉拢了Brian Eno,两人交集不断,合作出<The Plateaux of Mirror>和<The Pearl>以原声钢琴小品为主线的两张专辑。

拿Brian Eno相较,Harold Budd则更注重器乐所营造出的氛围气息,简约而前卫。背景下合成的婉转碎音由钢琴带出,宛如袅袅升起随即消散的青烟。<The Pavilion of Dreams>融合了popular jazz和avant-garde。与早期作品一样,亦会存有非洲、巴西等地民俗的听感体验。不同于现在许多的氛围音乐家让音乐随自己的情绪恣意延伸,渐而丧失核心的做法。Harold Budd更像是画外音,以诗人的口吻带人一步步潜入情境之中,让结构完整得如同不自知而落入的圈套。<The Pavilion of Dreams>仅有四曲,均由波澜不惊的和声堆砌,再以竖琴的弹拨来配合反复,制造出空、净、思、远的绝妙意境。

It's been more than 20 years since pianist Harold Budd's first full collaboration with guitarist Robin Guthrie's former group, the Cocteau Twins, on The Moon and the Melodies. Primed by their atmospheric collaboration on the score to Mysterious Skin, they pick up where they left off, sans the voice of Elizabeth Fraser, on a pair of matched CDs, After the Night Falls and Before the Day Breaks. Guthrie lays down his signature deep-echo guitar arpeggios and shimmering electric glissandos while Budd drops piano notes, each placed with the elegance and thought of a Zen garden. The latter, whose 2005 retirement appears to have been greatly exaggerated, has lately been stripping away the electronics and making an introspective solo piano music, often born from melodic fragments and languid improvisations. It's nice to hear them framed by Guthrie in an electric gossamer where melodies flutter like tattered cobwebs in the echoing wind. So it's not surprising that some tracks have a tendency to vaporize. Songs with a bit of grounding like "Seven Thousand Sunny Years," with its spare rhythm track and refracting guitars, tend to hold up a little better, while "My Monochrome Vision" just wanders into the drone zone. Of the two albums, After the Night Falls is more structured and formed, although Budd and Guthrie do wait until the last track of Before the Day Breaks to unleash a welcome slice of contrasting aggression with "Turn on the Moon." Totaling 81 minutes between them, I'm not sure why the albums couldn't have been condensed into a single disc, making a tighter, less diffuse statement. Yet both have more than enough moments of sublime melancholy and deep ruminations to provide a soundtrack for that long lonesome film in your mind. ----John Diliberto(Amazon.com)

搜索自emule,感谢原发布者Hanuman (EAC.CUE&LOG.tagged.within)



专辑曲目

01. How Close Your Soul [7:36]
02. A Formless Path [4:23]
03. A Minute, A Day, No More [5:21]
04. She is My Weakness [3:41]
05. Outside, Silence [4:25]
06. Hidden Message [4:48]
07. I Returned Her Glance [3:43]
08. My Monochrome Vision [4:44]
09. Turn on the Moon [4:21]

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